Spartacus
Crassus
Laurence Olivier
Laurence Olivier Movie Reviews
Blog Posts That Mention Laurence Olivier
High camp: Does it translate?
“Black Narcissus,” which electrified Scorsese
A Careful Performer: Maggie Smith (1934-2024)
Let The Dead Sleep: On “Alien Romulus” and Digital Resurrection
I Need Your Magic: M. Emmett Walsh (1935-2024)
Iron Lungs and Overwhelming Charisma: Michael Gambon (1940-2023)
Hollywood & The March on Washington: When Fame Overcame Fear
Hollywood Necropolis: The Dangers of Digital Performers
Overdue Oscars: 10 Directors Looking for Their First Academy Award
Christopher Plummer: 1929-2021
Brian Dennehy: 1938-2020
Robert Evans: 1930-2019
Franco Zeffirelli: 1923-2019
Up in the Gallery: Rupert Everett on Oscar Wilde
A Muslim Helps Fix the Terrorists in Tom Clancy’s Jack Ryan
Your Roger Stories: The Meetings
Bright Wall/Dark Room March 2018: Soderbergh’s Limey’s by George Hardy
Bright Wall/Dark Room: Stigma & Myth in Belle Rive by Paul Fischer
Golden Globe 2018 and the Year of Women
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
Living Truthfully Under Imaginary Circumstances: Sam Schacht on Method Acting
Taken for Granted: Awards Veterans Like Streep, Hanks and Washington Deserve Their Nominations
Why Leo winning an Oscar for “The Revenant” would be bad for acting
Book Review: “Maggie Smith: A Biography” by Michael Coveney
Who’s Who In Reviews: Odie Henderson
Christopher Lee: 1922-2015
Simon Curtis on “Woman in Gold”
Beyond Narrative: The Future of the Feature Film
Richard Attenborough: 1923-2014
Able-Bodied Actors and Disability Drag: Why Disabled Roles are Only for Disabled Performers
From The Duke to The Departed: RogerEbert.com Writers Share Memories of the Academy Awards
Cohen Media Group Brings Classic and Vintage FIlms to a 21st Century Audience
“The Wicker Man”: The cut may be final, but the film is still incomplete
Meet the Writers: Odie Henderson
“Oscar Night in Los Angeles,” by Raymond Chander
New Hitchcock prints get festival treatment
AFI list is full of talent but empty of meaning
The meaning of “articulate”
On actors who are too gay to be in the Musicals
Weeny Todd
Best and Worst Oscar Actors
This isn’t your Disney Little Mermaid
And the Oscar nominations go to…
Toronto #8: ‘Sleuth’ finds itself a Pinter film
A sense of urgency — and edginess
75 years of Oscar
1993 Academy Award Nominations
‘Wolves’ leads pack for Oscars
Oscar Nominations 1977
Jude Law, Michael Caine, Kenneth Branagh: “Sleuth” is not a remake
Dynamic duo blasts off for ‘Tomorrow’
Jack Nicholson: On aCollision Course with Fate
The Master of Suspense is Dead
Robert Evans: Life is suite
Interview with Franklin Schaffner
Stark beauty, dark vision
We’re not in Texas anymore… are we?
Movie Answer Man (11/16/2003)
