The Disappearance of Eleanor Rigby: Them
"The Disappearance of Eleanor Rigby: Them" is an affecting but disjointed film about trauma's impact on one couple and their families.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Wes Anderson talks about the sources behind "The Grand Budapest Hotel", dining with his cast every night on location, and the comic gifts of Ralph Fiennes.
Saturday night is party night at the Toronto International Film Festival, when all the celebs and journalists float from soiree to soiree promoting or being promoted at.
Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.
Marie writes: Every once in while, I'll see something on the internet that makes me happy I wasn't there in person. Behold the foolish and the brave: standing on one of the islands that appear during the dry season, kayacker's Steve Fisher, Dale Jardine and Sam Drevo, were able to peer over the edge after paddling up to the lip of Victoria Falls; the largest waterfall in the world and which flows between Zambia and Zimbabwe, in Africa. It's 350 feet down and behind them, crocodiles and hippos can reportedly be found in the calmer waters near where they were stood - but then, no guts, no glory, eh? To read more and see additional photos, visit "Daredevil Kayakers paddle up to the precipice of the Victoria Falls" at the DailyMail.
Marie writes: The late John Alton is widely regarded as being one of greatest film noir cinematographers to have ever worked in Film. He perfected many of the stylized camera and lighting techniques of the genre, including radical camera angles, wide-angle lenses, deep focus compositions, the baroque use of low-level cameras and a sharp depth of field. His groundbreaking work with director Anthony Mann on films such "TMen" and "Raw Deal" and "He Walked by Night" is considered a benchmark in the genre, with "The Big Combo" directed by Joseph H. Lewis, considered his masterpiece. John Alton also gained fame as the author of the seminal work on cinematography: "Painting with Light".
The Big Combo (1955) [click to enlarge]
Marie writes: Behold the amazing Art of Greg Brotherton and the sculptures he builds from found and re-purposed objects - while clearly channeling his inner Tim Burton. (Click to enlarge.)
"With a consuming drive to build things that often escalate in complexity as they take shape, Greg's work is compulsive. Working with hammer-formed steel and re-purposed objects, his themes tend to be mythological in nature, revealed through a dystopian view of pop culture." - Official website
Marie writes: For those unaware, it seems our intrepid leader, the Grand Poobah, has been struck by some dirty rotten luck..."This will be boring. I'll make it short. I have a slight and nearly invisible hairline fracture involving my left femur. I didn't fall. I didn't break it. It just sort of...happened to itself." - Roger
(Click to enlarge)
Every couple of years I stumble upon a film that transcends its traditional entertainment purposes and goes for something more divine, ambitious and philosophical. When a film like this comes along, it reassures me that film is indeed the greatest art form of our time. Movies that had that awe-inspiring effect on me include: "Last Year At Marienbad", "The Exterminating Angel", "Persona", "2001: A Space Odyssey", "Dark City", "Enter the Void", "The Thin Red Line", "Eyes Wide Shut" and "Synecdoche, New York". I like to call them life-changers.
Marie writes: I may have been born in Canada, but I grew-up watching Sesame Street and Big Bird, too. Together, they encouraged me to learn new things; and why now I can partly explain string theory.That being the case, I was extremely displeased to hear that were it up Romney, as President he wouldn't continue to support PBS. And because I'm not American and can't vote in their elections, I did the only thing I could: I immediately reached for Photoshop....
(Click image to enlarge.)
Marie writes: It's official. I have died and gone to heaven. For here below, as part of an ongoing series exploring Britain's architectural wonders, the Observer's architecture critic Rowan Moore, introduces a spectacular interactive 360-degree panoramic photograph of "The grand staircase in the St Pancras Renaissance hotel" - which I regard as one of the most beautiful pieces of architecture I have ever seen. I adore this building and always will; it's the stuff of dreams. (Click photo to enlarge.)
Go here to explore a 360 panoramic view of the grand staircase!
Marie writes: my art pal Siri Arnet sent me following - and holy cow! "Japanese artist Takanori Aiba has taken bonsai trees, food packaging, and even a tiny statue of the Michelin Man and constructed miniature metropolises around these objects, thus creating real-life Bottled Cities of Kandor. Explains Aiba of his artwork:"My source of creations are my early experience of bonsai making and maze illustration. These works make use of an aerial perspective, which like the diagram for a maze shows the whole from above (the macro view) while including minute details (the micro view). If you explore any small part of my works, you find amazing stories and some unique characters." ( click to enlarge.)
Marie writes: Roger recently did an email Q&A with the National Post's Mark Medley, which you can read here: "Roger Ebert's voice has never been louder". And in a nice touch, they didn't use a traditional head-shot photo with the article. Instead they went old school and actually hired an illustrator. Yup. They drew the Grand Poobah instead! And here it is...pretty good, eh?
Illustration By Kagan Mcleod for the National Post(click to enlarge)
I've never understood the pleasure (or the disappointment) some people seem to get out of trying to spot continuity errors in movies. Such a waste of time and attention. But I've seen this 30-second TV spot for "The Debt" starring Helen Mirren, Tom Wilkinson, Ciarán Hinds and Jessica Chastain several times this week (during "Louie," "The Daily Show" and "The Colbert Report") and this one's so obvious it throws me for a loop.
One of the first things you notice is a nasty scar on the leading lady's face. And in the TV spot it switches from cheek to cheek within seconds. We're talking about Helen Mirren, people. This is not some minor detail like the level of liquid in a glass or a scarf shifting positions. It's Helen Mirren's face. In every shot but one the scar appears on her right side (our left). Did they flop the other shot for some reason? Just for the ad? Or is it shot in a mirror? I don't know, but it's... disconcerting.
● Jackboots on Whitehall (DVD/VOD/Digital cable July 26) ● American Grindhouse (DVD/Hulu July 26)
by Steven Boone
The animated comedy "Jackboots on Whitehall" does its best to tweak every British stiff-upper-lip stereotype ever perpetuated in film and popular culture since World War II. This satire employs puppet animation techniques familiar from "Team America: World Police" and classic George Pal puppetoons, but with exquisite production design more akin to Wes Anderson's stop-motion "Fantastic Mr. Fox." Instead of marionettes or stop-motion, however, filmmakers Edward and Rory McHenry employ animatronic dolls enhanced with CGI.
The period detail in this account of Hitler's alt-reality occupation of London is stunning: a convincing re-creation of Whitehall, the road whose major landmarks comprise the seat of British government; the airship Hindenburg, which, in this reality, never blew up and now serves as a Nazi attack vehicle; Hadrian's Wall and the hills of Scotland; vintage fighter planes, palaces, tanks, luxury cars... Equally meticulous is the costuming, from Winston Churchill's pinstriped suit to the Raj soldiers' blue turbans.
While the McHenry brothers' puppets aren't articulated beyond some binary limb and neck movements, they are sculpted with such expressive character it's easy to suspend disbelief. Exuberant character voices help. Timothy Spall as a gruff Churchill, Alan Cumming as a fey Hitler and Tom Wilkinson as a simpering Goebbels play it lip-smackingly broad. Richard E. Grant portrays a tightly wound priest so perpetually furious that its possible he gave his entire performance through clenched teeth. Ewan McGregor lends the unlikely farm boy hero some warmth. Along the way, some downright filthy jokes fly by almost subliminally, under kids' radar (including a visual joke last seen in "Boogie Nights"). In fact, so much of the humor is adult, whether in raunchiness or complexity, that Jackboots on Whitehall is less a family film than one for liberal parents and their precocious teens. The DVD includes a fascinating behind-the-scenes documentary that details just how much love went into this handcrafted epic.
There's something fascinating about films with characters who have mastered a unique way of living their lives or professions, no matter how unusual or obscure, and the two best recent examples I can think of both star George Clooney. One of them is his Frequent-Flyer-Mileage-loving-liquidator in "Up in the Air" and the other is the title character of "Michael Clayton", the subject of this review.
Marie writes: Ever since he was a boy, photographer John Hallmén has been fascinated by insects. And he's become well-known for photographing the creatures he finds in the Nackareservatet nature reserve not far from his home in Stockholm, Sweden. Hallmén uses various methods to capture his subjects and the results are remarkable. Bugs can be creepy, to be sure, but they can also be astonishingly beautiful...
Blue Damsel Fly [click to enlarge photos]
Take a breath and be brave. Very, very brave.... smile....Behold the "Willis Tower" in Chicago (formerly the Sears Tower) - the tallest building in North America and its famous attraction, The Skydeck. In January 2009, the Willis Tower owners began a major renovation of the Skydeck, to include the installation of glass balconies, extending approximately four feet over Wacker Drive from the 103rd floor. The all-glass boxes allow visitors to look directly through the floor to the street 1,353 feet (412 m) below. The boxes, which can bear five short tons of weight (about 4.5 metric tons), opened to the public on July 2, 2009.
This free Newsletter is a sample of what members receive weekly.For Roger's invitation to the Club, go HERE Marie writes: some of you may recall seeing a custom-built "steampunk" microphone stand made for the group Three Days Grace, by sculptor Christopher Conte; there were pictures of it inside the #14 Newsletter.Born in Norway, Christopher Conte was raised and educated in New York, where he currently lives. After earning a Bachelors Degree in Fine Art, he began working in the prosthetics field making artificial limbs for amputees; which he did for 16 years as a Certified Prosthetist. At the same time, he worked in obscurity creating sculptures which reflected his love for biomechanics, anatomy and robotics. In June 2008, he left the field to begin his career as a full-time artist. And you can now view his work portfolio online...
The Sculpture of Christopher Conte
Marie writes: some of you may recall seeing a custom-built "steampunk" microphone stand made for the group Three Days Grace, by sculptor Christopher Conte; there were pictures of it inside the #14 Newsletter.Born in Norway, Christopher Conte was raised and educated in New York, where he currently lives. After earning a Bachelors Degree in Fine Art, he began working in the prosthetics field making artificial limbs for amputees; which he did for 16 years as a Certified Prosthetist. At the same time, he worked in obscurity creating sculptures which reflected his love for biomechanics, anatomy and robotics. In June 2008, he left the field to begin his career as a full-time artist. And you can now view his work portfolio online...
The Sculpture of Christopher Conte
I think, at a child's birth, if a mother could ask a fairy godmother to endowit with the most useful gift, that gift would be curiosity. - Eleanor Roosevelt John Singer Sargent: 'Carnation Lily, Lily Rose' (1885-86) Tate Gallery, London
by Roger Ebert
Skip Lievsay, sound genius. (photo: Mix Online)
... Skip Lievsay, Craig Berkey, Greg Orloff and Peter Kurland -- and un-nominated co-conspirator, Carter Burwell -- for sound in "No Country for Old Men"! (See below.)
Meanwhile, I'm happy to see several mildly surprising nominations: Viggo Mortensen for "Eastern Promises"; Saoirse Ronan for "Atonement"; Hal Holbrook for "Into the Wild"; "Persepolis" for animated feature. No surprise, and absolutely proper: Roger Deakins for shooting both "No Country for Old Men" and "The Assassination of Jesse James by the Coward Robert Ford" (though I hope they don't cancel each other out). But nothing for "Zodiac"? At the very least it should have received a nomination for its amazing visual effects. But unless you've seen the Director's Cut DVD (or some Digital Domain clips on YouTube) you probably wouldn't have known they were effects. That's how good they are.
Looking at the odds, "Atonement" is an unlikely best picture because its director (Joe Wright) wasn't nominated. "Michael Clayton" and "Juno" lack an editing nomination, which (statistically speaking) is are crucial to winning the top prize. On the other hand, "Michael Clayton" is honored in three acting categories, for George Clooney, Tom Wilkinson and Tilda Swinton -- and guess which branch of the Academy is the biggest? "No Country for Old Men" didn't claim a lead acting slot, perhaps because it's an ensemble piece. If you go strictly by statistically significant nominations, only "There Will Be Blood" has 'em all -- an old-fashioned Hollywood epic built around a big performance (by a previous Oscar winner). But will its unremittingly bleak nihilism (and the bizarre ending that alienated even some admirers) prove too bitter for Academy voters? I dunno.
I just want to take a moment here to acknowledge my favorite nomination. (This is where I congratulate myself on my foresight -- hey, I predicted Tom Wilkinson, too -- even though I'm a lousy Oscar guesser.) Back in September when I first saw "No Country for Old Men" in September, I wrote:
by Roger Ebert
* Denotes winner.
From the Associated Press