The Legend of Tarzan
Sometimes you have to wonder how certain movies get made.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Albert Brooks on "Defending Your Life"; Profile of Frank Sinatra Jr.; Comic Con on the couch; Sean J.S. Jourdan on "Teddy Boy"; Sterling Hayden's towering screen presence.
Billy Wilder's groundbreaking comedy-drama still has the power to wound.
A piece on the history of Cameron Crowe in light of this week's Aloha.
A recap of the 2015 TCM Film Festival.
An interview with Jason Sudeikis and Leslye Headland for "Sleeping with Other People."
Chaz Ebert to present the Morning Keynote at the Palm Springs Film Festival on January 8th.
The 2014 Toronto Film Festival opened with "The Judge," starring Robert Downey Jr. and Robert Duvall, and we were there.
For the last three weeks, two films with female protagonists ("The Hunger Games: Catching Fire" and "Frozen") have been at the top of the box office. Carrie Rickey does some numbers on the history of box office numbers and films with women as protagonists.
Simon Abrams reports on the New York Film Festival.
Seongyong Cho sings the praises of Richard Linklater's quirky small-town true-crime comedy "Bernie."
PRESS RELEASE: CHAMPAIGN, Ill. -- Terrence Malick's 1978 film "Days of Heaven" won an Oscar for best cinematography, and Roger Ebert likely found that no surprise. It is "above all one of the most beautiful films ever made," Ebert said in a 1997 review. So it's only appropriate that the film will open the 15th annual Roger Ebert's Film Festival on April 17 in the big-screen, newly renovated Virginia Theater in downtown Champaign.
Spoken Word writes on his wonderful Spoken Verse.com: . Ezra Pound shared a cottage with W B Yeats during a period of three years. It seems that he didn't share Yeats' ambition to end up living alone on an island in the middle of a lake.
The title refers to Yeats' poem "The Lake Isle of Innisfree. McHugh and I drove out there from Sligo, but your man who lived in the cottage on this shore didn't feel like rowing us out.
"Volailles" actually means "chickens," if we ]take it literally, but here it means whores. "Poules" is similar and it also means both chickens and whores. There was a delightful film called Irma la Douce with Shirley MacLaine and Jack Lemmon set in the seedy part of Paris populated mainly with the Poules, their Mecs and the Flics - meaning the Prostitutes, their Pimps and the Cops. And, if you haven't seen Irma La Douce here it is - just watch the opening few minutes and you'll be hooked--er, yes, "hooked" is appropriate:.
The first tobacconist is in 'Little Britain' : Government Street, Victoria, British Columbia, Canada.
The second tobacco shop is in Old Town. San Diego, California, USA.
O GOD, O Venus, O Mercury, patron of thieves, Give me in due time, I beseech you, a little tobacco-shop, With the little bright boxes piled up neatly upon the shelves And the loose fragrant cavendish and the shag, And the bright Virginia loose under the bright glass cases, And a pair of scales not too greasy, And the volailles dropping in for a word or two in passing, For a flip word, and to tidy their hair a bit.
O God, O Venus, O Mercury, patron of thieves, Lend me a little tobacco-shop, or install me in any profession Save this damn'd profession of writing, where one needs one's brains all the time.
Marie writes: Kudos to fellow art buddy Siri Arnet for sharing the following; a truly unique hotel just outside Nairobi, Kenya: welcome to Giraffe Manor.
While he has been called "the Master of Suspense," Alfred Hitchcock has also been called "the Master of the Macabre," and that title is exemplified by his delightful black comedy "The Trouble with Harry" (1955). On the surface, it looks quite atypical compared to Hitchcock's more famous works, but this is a vintage story from a great director with a wry sense of humor, and it is also one of the most liveliest works in his exceptional career. Although somebody is dead, there is no suspense or danger or blond lady in the movie, and all we have to do is leisurely enjoy a pleasant walk with its funny characters as they try to deal with bizarre trouble on one fine autumn day in their ordinary peaceful rural town in Vermont.
Marie writes: As TIFF 2012 enters its last week and the Grand Poobah nurses his shoulder in Chicago (having returned home early for that reason) the Newsletter presents the final installment of Festival trailers. There was a lot to chose from, so many in fact there was no room for theatrical releases; they'll return next week. Meanwhile, enjoy!
Marie writes: I can't prove it but I'm convinced they're related.
Marie writes: While writer Brian Selznick was doing research for his book "The Invention of Hugo Cabret", he discovered the Franklin Institute in Philadelphia had a very old automaton in their collection. And although it wasn't one of machines owned by Georges Melies, it was remarkably similar and with a history akin to the one he'd created for the automaton in The Invention of Hugo Cabret...
After years of speculation and delays, "The Tree of Life," Terrence Malick's long-awaited film that took viewers from the beginning of time to 1950s Texas, proved to be worth the wait, according to the Chicago Film Critics Association. The CFCA gave "Tree of Life" four awards including Best Picture, Director, Supporting Actress for newcomer Jessica Chastain and Cinematography for Emmanuel Lubezki.
Elizabeth Taylor, who was a great actress and a greater star, has died at age 79. Of few deaths can it be said that they end an era, but hers does. No other actress commanded more attention for longer, for her work, her beauty, her private life, and a series of health problems that brought her near death more than once.
The Grand Poobah: The Sounds of Silents: Science finds that silent movies trigger mental soundtracks in our minds. Oddly enough, this may explain why they create a reverie state in me. I usually listen to them with a musical sound track, but after reading this I tried a little of "The Show Off" on Netflix streaming, and I see what they mean.The Guardian article "Can I hear the sound of silence?"So try a little of "The Show Off" yourself. Turn off the sound. Here's the complete movie via Google; though Netflix quality is better. Notice that whenever Louise Brooks is on screen, you simply can't focus on anyone else.
I just can't get my mind off of Jason Reitman's pie chart. It rings such a bell. The director of "Up in the Air" has been keeping record of the standard questions he's been asked over and over again during his current national publicity tour.
New Age beliefs are the Creationism of the Progressives. I move in circles where most people would find it absurd to believe that humans didn't evolve from prehistoric ancestors, yet many of these same people quite happily believe in astrology, psychics, reincarnation, the Tarot deck, the i Ching, and sooth-saying. Palmistry and phrenology have pretty much blown over.
If you were attending a dinner party of community leaders in Dallas, Atlanta, Omaha or Colorado Springs and the conversation turned to religion, a chill might fall on the room if you confessed yourself an atheist. Yet at a dinner party of the nicest and brightest in New York, Chicago, San
"If u get a swine flu shot ur an idiot." -- Bill Maher, Twitter, September 26, 2009
"This is not a liberal versus conservative issue. This is a science versus nonsense issue." -- Thomas H. Maugh II, Los Angeles Times health blogger
Bill Maher may as well believe in Creationism, for all he knows about science or religion. (See above.) The problem I've always had with him is that, no matter what position he may take up, his reasoning is likely to be manifestly unsound. Listen to him talk and most of the time you soon realize he doesn't know what he's talking about. It doesn't matter if you eventually "agree" with his stance because he's reached it for invalid reasons.
Take his latest anti-vaccine pronouncement, made to Bill Frist on Maher's HBO show: "I would never get a swine flu vaccine, or any vaccine. I don't trust the government, especially with my health." OK, fine. If Maher doesn't "believe" in vaccines, or the ability of the U.S. to provide a working one, he's free to pass and to keep himself quarantined if he gets sick so he doesn't infect anybody else. When he reaches Medicare qualification age (he's 53) he can choose not to take advantage of it or any other health insurance he doesn't believe in and pay cash for his hospitalizations and medical treatments. But telling people (like young people and pregnant women) who are at high risk from serious flu complications not to get vaccinated because he doesn't "believe" in vaccines or doesn't "trust the government"? That's sick.
Apparently unconnected items appeared within two days of each other in the Los Angeles Times, and together confirmed my fear that American movie-going is entering into a Dark Age. The first was in a blog by Patrick Goldstein, who said: "Film critics are in the same boat as evening news anchors -- their core audience is people 50 and over, and getting older by the day. You could hire Jessica Alba to read the evening news -- or review 'G.I. Joe' for that matter -- and younger audiences still wouldn't care." The other was in a report by John Horn that despite "The Hurt Locker's" impressive box office success, "younger moviegoers are not flocking to the film, which could limit its ticket sales."
The obvious implication is, younger moviegoers don't care about reviews and have missed the news that "The Hurt Locker" is the best American film of the summer. There is a more disturbing implication: word of mouth is not helping the film in that younger demographic. It has been Hollywood gospel for decades that advertising and marketing can help a film to open strongly, but moviegoers talking with each other are crucial to its continuing success. That has been Summit Entertainment's game plan for "The Hurt Locker," which opened in a few theaters and has steadily increased its cities, becoming a real success without ever "winning" a weekend or benefiting from an overkill marketing campaign.