In America
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Sheridan
Sheridan
Sheridan Movie Reviews
Blog Posts That Mention Sheridan
In Taylor Sheridan’s “The Madison,” Michelle Pfeiffer and Kurt Russell Weather an Urban-Rural Romance
Taylor Sheridan’s “1923” Returns with Same Degree of Self-Proclaimed Grandeur
Taylor Sheridan’s Well Runs Dry in “Landman”
Taylor Sheridan Stretches Himself Beyond Mission Parameters with Special Ops: Lioness
Taylor Sheridan Taps the American Mine of Toxic Masculinity for Mayor of Kingstown
Taylor Sheridan’s Ambitious Yellowstone is Expansive, Unruly
David Gordon Green & Tye Sheridan on the Creative Volatility of “Joe”
“Dutton Ranch” Keeps the Barn Doors Open for the “Yellowstone” Franchise
Sundance 2026: The Shitheads, The History of Concrete, The Invite
2026 Sundance Preview: 20 Films We Can’t Wait to See
40 Shows We Can’t Wait to Watch in 2026
“Landman” Might Be the Dumbest Fracking Show on TV
Season 3 of “Tulsa King” Features Boomers, Bullets, and Bourbon, Oh My
The Glorious Year of Morgan Freeman
Tribeca Film Festival 2025: The Narrative Features
Tom Hardy Carries Promising Double-Episode Premiere of Paramount+’s “MobLand”
Peter Berg Shows the Ugly Side of American History With the Frustrating “American Primeval”
We Need Art More Than Ever: Jude Law, Jurnee Smollett on “The Order”
Telluride Film Festival 2024: Memories for a Lifetime
When ‘Bad Boys’ Began, Martin Lawrence Was the Top Dog
Do You Believe in Magic? In America Twenty Years On
Paramount+’s Western Expanse Broadens With the Riveting Lawmen: Bass Reeves
Cannes 2023: Black Flies, Youth (Spring), Homecoming
Ghost World: A Quirky Girl and Her Unexpected Friend
Highlights of the 2023 TCM Film Festival
Yellowstone Prequel 1923 Gets Off to a Slow Trot
Ten Christmas Movies You Need to Add to Your Holiday Viewing List
Sylvester Stallone Stars in Paramount’s Charming Tulsa King
The Case for The Card Counter’s Tiffany Haddish as One of 2021’s Best Performances
Defying Gravity: Dante Basco, Caroline Goodall, James V. Hart, Charlie Korsmo and More on the Thirtieth Anniversary of Hook
Excellent Ensemble, Clever Storytelling Give Showtime’s Yellowjackets Its Sting
Michael C. Hall and Jennifer Carpenter Are the Old Blood That Enlivens Dexter: New Blood
Women at SDCC At Home 2021
Pure Human: Neil Burger on Voyagers
One Day at a Time Moves to Pop
CIFF 2019: Preview of the 55th Chicago International Film Festival
What to Watch for Indigenous Peoples’ Day
BAMCinemaFest 2019 Preview and Highlights
Dark Manipulations: On The Silence of the Lambs and Sicario
TNT’s “I Am the Night” Leaves a Great Deal Unexplored
Sundance 2019 Announces Competition, Premiere, Midnight Titles and More
AFI Fest 2018: I Am the Night
Venice Film Festival 2018: The Mountain, Roma
My Telluride Film Festival Diary 2008
Hug Your Family: Ben Foster on Leave No Trace
SXSW Film Festival 2018: Friday’s Child, Sadie, Prospect, Write When You Get Work
SXSW Film Festival 2018: Ready Player One
Sundance 2018: “Blindspotting,” “American Animals,” “Lizzie”
The Master Lets Go: On the Career of Daniel Day-Lewis
Sundance 2018 Announces Competition, Premiere, Midnight Titles and More
Home Entertainment Consumer Guide: November 16, 2017
Deadline’s The Contenders 2017 Kicks Off Oscar Season
The Greatest Show on Earth: Recap of the 2017 Telluride Film Festival
Women Directors Have Prominent Presence at 2017 Telluride Film Festival
Thumbnails 2/17/17
John Hurt: 1940-2017
Sundance 2017: “The Yellow Birds,” “Golden Exits”
Sundance 2017: “The Discovery” & “Wind River”
Chicago Film Critics Awards Celebrate “Moonlight,” “Manchester by the Sea,” “The Handmaiden”
“Moonlight,” “La La Land” and “Manchester by the Sea” Lead 2016 CFCA Nominees
Sundance 2017 Announces Premieres, Midnight Films and More
Sundance 2017 Announces Competition Titles
Telluride 2016: A Cinematic High
TIFF 2016 Preview: 20 World Premieres We Can’t Wait to See
TIFF Announces First Wave of Galas and Special Presentations
Fathers and Sons: Ewan McGregor on “Last Days in the Desert”
2016 Summer Movie Preview: A Four-Month, Blockbuster Festival, Part II
Home Entertainment Consumer Guide: December 3, 2015
CIFF 2015: “Entertainment”
Newcity’s Film 50 2015 Features Chicago Screen Gems
Telluride 2015: “Ixcanul” and “Heart of a Dog”
2015 Fall Movie Preview
In a Lonely Place: “Noir City 7” Starts in Chicago
Thumbnails 7/17/15
Who’s Who In Reviews: Odie Henderson
Three-Star Reviews of 2015
Sundance 2015: The Best Films
Sundance 2015: “The Stanford Prison Experiment”
Sundance 2015: “Brooklyn”
The Individual Top Tens of 2014
2015 Sundance Film Festival Preview
Chicago Humanities Festival to Premiere New Footage of Roger Ebert in “Life Itself”
Chaz Ebert and Steve James to Discuss “Life Itself” at Chicago Humanities Festival
Chaz Ebert and Steve James to Appear at Chicago Humanities Festival
Cannes, Day Nine: Ken Loach’s “Jimmy’s Hall”
Streaming Consumer Guide: April 8, 2014
Atom Age Feminists: The Women of ’50s Sci-Fi
Venice Film Festival Update: “Tracks,” “Joe” and “The Canyons”
Ebert Club All-Time Short Film Retrospective
In defense of Cinema Studies
The Kill Hole: An adventure about remorse
The great ecstasy of the sculptor Herzog
Best 10 Movies of 2003
The Best 10 Movies of 1989
Game Change: Not mavericky, but nice
The Return of the Autobiographical Dictionary of Film
The Telluride legend of Richard Widmarkand the art of entertainment
The Telluride Widget!
Remembering my father’s face
