Sin Alas has a lot going on, both plot-wise and stylistically, and it often gets quite theatrical, but the overall effect is that of a…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A report from the Miami International Film Festival on Argentina, Touch the Light, The Meddler and Maggie's Plan.
Sheila writes: Many of you have probably already heard the exciting news that Guillermo Del Toro's stunning "Crimson Peak" has been chosen as the opening film of this year's Ebertfest (from April 13th, through Sunday, April 17th), with Del Toro attending as the honorary guest. Seeing "Crimson Peak", in all its visual splendor, on the gigantic screen at the Virginia Theater in Champaign, Illinois, will be thrilling. You can read more information here (with links to purchase Ebertfest passes). The other films that will play at Ebertfest have not been announced yet, but stay tuned!
A video interview with the stars of "Spy".
An interview with Spy writer/director Paul Feig.
A preview of dozens of films being released this Summer.
An interview with Nick Kroll, star of "Adult Beginners."
A look at recent releases on Netflix and Blu-ray, including "Life Itself," "Annie," "Into the Woods," "The Lady From Shanghai," and more.
A recap of the best of the 2015 SXSW Film Festival.
A special edition of the Home Entertainment Consumer Guide on Blu-ray releases for 9/23/14, including "Ida," "The Innocents," "Macbeth," "Neighbors," "The Rover" and more.
Sheila writes: The glamorous days of air travel were already on their way out by the time I first stepped foot on an airplane (Aer Lingus, 1980) so I have always been fascinated by glimpses of what traveling by plane used to be like: the linens, the cocktail glasses, the curtains, the elegance! I came across a piece about a man, Anthony Toth, who had such a sense of nostalgia for those bygone days that he built a partial replica of a Pan Am 747 in a warehouse in Redondo Beach, where he lives. At first, the replica was in his garage, but then he realized he needed to build an upper level, so he moved the entire thing to a warehouse, where it still sits today. The local press picked up on the story, and it created such interest that you can now visit and have dinner, Pan Am style.
Director John Greyson ("Patient Zero") arrested in Cairo; novelist John Niven writes about his brother's suicide; David Kalat and David Ehrenstein reconsider Disney's SONG OF THE SOUTH; top 10 movies about technology; how soon is too soon for artist's to re-create real-life political violence in entertainment? Will success spoil Rose Byrne? Why is your posture so terrible? Why all the question marks? Click the link.
Marie writes: Ever intrepid, club member Sandy Kahn has submitted an intriguing quartet of finds involving a series of Hollywood auctions set to begin at the end of July 2013. Sandy has shared similar things in the past and as before, club members are invited to freely explore the wide variety of collectibles & memorabilia being auctioned LIVE by "Profiles in History". Note: founded in 1985 by Joseph Maddalena, Profiles in History is the nation’s leading dealer in guaranteed-authentic original historical autographs, letters, documents, vintage signed photographs and manuscripts.
Marie writes: There was a time when Animation was done by slaves with a brush in one hand and a beer in the other. Gary Larson's "Tales From the Far Side" (1994) was such a project. I should know; I worked on it. Produced by Marv Newland at his Vancouver studio "International Rocketship", it first aired as a CBS Halloween special (Larson threw a party for the crew at the Pan Pacific Hotel where we watched the film on a big screen) and was later entered into the 1995 Annecy International Animated Film Festival, where it won the Grand Prix. It spawned a sequel "Tales From the Far Side II" (1997) - I worked on that too. Here it is, below.
"As film exhibition in North America crowds itself ever more narrowly into predictable commercial fodder for an undemanding audience, we applaud those brave, free spirits who still hold faith with the unlimited potential of the cinema." - Roger
Marie writes: the great Ray Harryhausen, the monster innovator and Visual Effects legend, passed away Tuesday May 7, 2013 in London at the age of 92. As accolades come pouring in from fans young and old, and obituaries honor his achievements, I thought club members would enjoy remembering what Harry did best.
Marie writes: Did you know that if you wear your contact lenses too much and too long during the cold, winters months - and with the windows closed and the heat cranked-up, that you can develop an annoying eye condition? Because you can. Ahem. And so for the time being, I'll be spending less time staring at my monitor and more time resting my eyes. The Newsletter will still arrive as usual each week, but it won't be as huge. That said, it will contain a few extra goodies to make up for it, by way of curious finds. And speaking of finding stuff...."On Thursday, March 7, 2013, SpaceX's Grasshopper doubled its highest leap to date to rise 24 stories or 80.1 meters (262.8 feet), hovering for approximately 34 seconds and landing safely using closed loop thrust vector and throttle control. Grasshopper touched down with its most accurate precision thus far on the centermost part of the launch pad. At touchdown, the thrust to weight ratio of the vehicle was greater than one, proving a key landing algorithm for Falcon 9. The test was completed at SpaceX's rocket development facility in McGregor, Texas." - by Neatorama
Marie writes: As some of you may have heard, a fireball lit up the skies over Russia on February 15, 2013 when a meteoroid entered Earth's atmosphere. Around the same time, I was outside with my spiffy new digital camera - the Canon PowerShot SX260 HS. And albeit small, it's got a built-in 20x zoom lens. I was actually able to photograph the surface of the moon!
(click to enlarge)
Marie writes: If I have a favorite festival, it's SXSW and which is actually a convergence of film, music and emerging technologies. However it's the festival's penchant for screening "quirky" Indie movies which really sets my heart pounding and in anticipation of seeing the next Wes Anderson or Charlie Kaufman. So from now until March, I'll be tracking down the best with the zeal of a Jack Russell terrier! Especially since learning that Joss Whedon's modern B/W take on Shakespeare's "Much Ado About Nothing" is set to screen at SXSW 2013 in advance of its June 21st US release date; they'll cut an official trailer soon, rubbing hands together!
Happy New Year from the Ebert Club!TRAILERS
Marie writes: Behold a living jewel; a dragonfly covered in dew as seen through the macro-lens of French photographer David Chambon. And who has shot a stunning series of photos featuring insects covered in tiny water droplets. To view others in addition to these, visit here.
(click images to enlarge)
Maybe it's a DC vs. Marvel thing. But it's all over the Internet: Wally Pfister, ASC, BSC, the Oscar-winning cinematographer best-known for his work with director Christopher Nolan (the "Dark Knight" movies, "The Prestige," "Inception") took a swipe at rival superhero blockbuster "The Avengers," while admitting that he doesn't much care for the genre anyway. In an interview with the Sarasota Herald Tribune, Pfister was asked "What's most important in shooting a film?" He responded with... something that has since been removed from the newspaper's website but still shows up in the Google Cached version (screenshot below):
Marie writes: Recently, a fellow artist and friend sent me the following photos featuring amazing glass mosaics. She didn't know who the artists were however - and which set me off on a journey to find out! I confess, the stairs currently continue to thwart me and thus remain a mystery, but I did uncover who created the "glass bottle doorway" and was surprised to learn both its location and the inspiration behind it. (click image.)
Git on up in here! Dennis Cozzalio is our host for the second annual Sergio Leone and the Infield Fly Rule Movie Tree House -- and you're invited, too. Join returning Tree Housers Dennis, Jason Bellamy, Sheila O'Malley and me, and welcome Simon Abrams and Steven Boone to the lofty branches, where we have been discussing such life-and-death matters as...
The art and science of year-end list-making (from Dennis):
As of January 2012, it's a chore for me to recall anything but fragments of images from The Tree of Life beyond that wonderful sequence in which the oldest boy's growing up amongst his two younger siblings is compressed into a beautiful visual essay about the way a child might see the surrounding world. It seems to me it is with this gaze that Malick most clearly relates. Unfortunately, a child's focus is also all over the map, and that too is a feeling I get from "The Tree of Life." So am I crazy in having to admit that I have higher regard for "Your Highness" or "Captain America: The First Avenger" or "Troll Hunter" or "Contagion" than I do for "The Tree of Life"? You tell me.
In compiling my list for the year I also had the strange experience of having my expectations for how that list might look at the end of the year scrambled and significantly altered by three very different movie experiences, two of which I just happened to have on the same night less than two weeks ago....
The acting! (from Sheila):
Marie writes: Doug Foster is a filmmaker and artist who produces large scale digital film installations that often play with ideas of symmetry and optical illusion. His piece The Heretics' Gate is currently on view at "Daydreaming with... St. Michael's" - an exhibition taking place at St. Michael's church in Camden, London. Note: Foster's piece first appeared at the Hell's Half Acre exhibition at the Old Vic Tunnels in London in 2010."The Heretics' Gate" draws inspiration from Dante's Inferno, the first part of his epic poem The Divine Comedy. A twenty foot high, arched screen and a thirty foot long reflecting pool, are cleverly combined to deliver a mesmerizing and strangely ethereal vision of hell at the central focus point of the church's imposing gothic architecture. To learn more, visit: Liquid Hell: A Q&A With Doug Foster.NOTE: The exhibition is the latest installment in renowned British music producer James Lavelle's curatorial and collaborative art venture, "DAYDREAMING WITH..." - a unique and visceral new exhibition experience, inspired by the desire to marry music and visual art. The goal is to bring together some of the most acclaimed creative names working in music, art, film, fashion and design.