La La Land
This is a beautiful film about love and dreams, and how the two impact each other.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An AFI Fest review of John Madden's gun lobby thriller "Miss Sloane," starring Jessica Chastain.
A celebration of Brian De Palma's audacious "Raising Cain" on occasion of a new Blu-ray release from Shout! Factory.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
A celebration of the cult classic "The Adventures of Buckaroo Banzai Across the 8th Dimension," in light of the film's release on Shout! Factory Blu-ray.
Veteran director Brian De Palma talks about about his career in movies, suspense, sexism, television and comic books.
A film-by-film preview of Ebertfest 2016, which runs from April 13 - 17.
A report from the 2015 Film Independent Spirit Awards.
A feature on the latest major Blu-ray, Netflix, and On Demand releases, including "Gone Girl," "The Boxtrolls," "The Zero Theorem," "Coherence," and more.
Lists from our critics and contributors on the best of 2014.
An interview with Oscar winner Hilary Swank, star of Tommy Lee Jones' "The Homesman."
An interview with Kevin Kline, star of "My Old Lady."
An interview with Ira Sachs, director of "Love Is Strange."
The writers of RogerEbert.com reflect on the life, career and death of Robin Williams.
Simon Abrams ranks the films he saw at the 2014 Sundance Film Festival, from best to worst.
Simon Abrams goes from gory horror comedy to to earnest dramas about love, growing up and spirituality. Who says Sundance films are all the same?
Peter Sobczynski ranks 27 films by Brian De Palma.
At Disney's D23 Expo, Jani Monji caught up with upcoming animation projects.
The "accidental racism" of Paula Deen; Curtis Mayfield as musical journalist; Stephen Fry's ongoing struggle with depression; Rex Reed still thinks Melissa McCarthy is, oh, don't make us repeat it, just read it; why NBC newsman David Gregory is what's wrong with Washington; Richard Matheson at 20,000 feet; what the heck is an aspect ratio, anyway?
After watching Tim Burton's remake of "Planet of the Apes" (2001), I concluded there was no need for another "Ape" movie to ever be made. Thirty-three years of progress in makeup technology didn't help the latter version become any better than the one that inspired it. That's why, hearing there would be a "Rise of the Planet of the Apes" a decade later, I had no expectations and feared the worst, but the results were pleasantly surprising. We often associate the word "remake" with a lack of creativity so when an exception turns out, it's important to look back and try to understand the reasons behind this.
Marie writes: Intrepid club member Sandy Kahn has found another auction, and this time it's all about Hollywood! Note: the spaceship on the cover is a screen used miniature from "Aliens" (1986). Estimate: $80,000 - $120,000
Go here to download a free copy of the catalog in .PDF
Marie writes: Intrepid club member Sandy Kahn discovered the following Danish designers "Monstrum" who make extraordinary playgrounds for children. I think they're the stuff of dreams, whatever your age. Indeed; behold the Rahbek kindergarten in Frederiksberg, Denmark, and Monstrum's first playground...
The Rocket and The Princess Tower! "Just like a set design, a playground must have an inspiring front that attracts children, and a functional backside with climbing, sliding and relaxing options. The idea of the playground is to combine a girl's mind with a boy's approach into one big common playground. The princess tower consists of three floors, and the rocket has two floors. From the top floor of the Rocket, you can slide down the 6 m long double slide together with an astronaut friend." (click to enlarge.)
Marie writes: Ever since he was a boy, photographer John Hallmén has been fascinated by insects. And he's become well-known for photographing the creatures he finds in the Nackareservatet nature reserve not far from his home in Stockholm, Sweden. Hallmén uses various methods to capture his subjects and the results are remarkable. Bugs can be creepy, to be sure, but they can also be astonishingly beautiful...
Blue Damsel Fly [click to enlarge photos]
AP -- BEVERLY HILLS, Calif. – The science-fiction blockbuster "Avatar" won best drama at the Golden Globes and picked up the directing honor for James Cameron on Sunday, raising the "Titanic" filmmaker's prospects for another Academy Awards triumph.
Q. Your Answer Man item about the availability of Pauline Kael's criticism reminded me that I hadn't brought you up to date about our looking into a reprint of Going Steady. Our paperback editor checked out the situation regarding her work, and it appears that the small British firm of Marian Boyars Publishers Ltd. now has rights to most of her titles. Just talked with our paperback editor, and she confirmed that Little, Brown (the original publisher of Going Steady) had directed her to Kael's literary agency in England, Curtis Brown Ltd, since rights had reverted to Kael in 1988.
Q. The MPAA rating for "Jackass" gives the film an R for "dangerous, sometimes extremely crude stunts, language & nudity." Ignoring the "extremely crude" remark (which seems to be more of an aesthetic judgment), aren't all stunts "dangerous?" Regardless of the danger or crudity how in the hell can a movie (stop reading if you are eating) show a guy make his own yellow sno-cone (you know what I mean), consume said sno-cone and then regurgitate said sno-cone and only get an "R"--while Paul Schrader has to pixelize grainy video footage before he can get an "R" for "Auto Focus"? (Peter Sobczynski, Chicago)