Blog Posts That Mention Elia Kazan
Oscar-winning director Elia Kazan dies
Roger Ebert
The 100 Most Acclaimed Movies of the 20th Century
Jim Emerson
He coulda been a contender
Wael Khairy
Reclamation Through Restoration: Thelma Schoonmaker Talks Michael Powell, Martin Scorsese and Peeping Tom
Monica Castillo
Meanwhile in France…Cannes to Be Specific
Lisa Nesselson
Venice Film Festival 2023: Poor Things, Maestro, The Caine Mutiny Court-Martial, The Killer
Glenn Kenny
Cannes 2023: Asteroid City, The Settlers
Ben Kenigsberg
We’re Only as Good as Our Generation: Ethan Hawke on The Last Movie Stars
Marya E. Gates
Jesus, I Love to Shoot Film: The Siskel Film Center Pays Tribute to Haskell Wexler
Peter Sobczynski
The Connection to Old Hollywood: Peter Bogdanovich (1939-2022)
Scout Tafoya
The Ten Best Films of 2021
The Editors
The End of an Era: Norman Lloyd, 1914-2021
Peter Sobczynski
Home Entertainment Consumer Guide: April 25, 2019
Brian Tallerico
Born This Way: Why 1954’s A Star Is Born Is Still The Best
Matt Fagerholm
Out of the Past: Noir City: Chicago is Back for 10th Year
Laura Emerick
Partners in mind: Keith Carradine and Alan Rudolph
Matt Zoller Seitz
Bright Wall/Dark Room: Stigma & Myth in Belle Rive by Paul Fischer
The Editors
Anti-Trump Theme Ties 2017 National Film Registry
Violet LeVoit
NYFF 2017: “Arthur Miller: Writer,” “Joan Didion: The Center Will Not Hold,” “Lover for a Day”
Odie Henderson
Short Films in Focus: “Hell You Talmbout”
Collin Souter
The art of entertainment: Richard Schickel, 1933-2017
Matt Zoller Seitz
Living Truthfully Under Imaginary Circumstances: Sam Schacht on Method Acting
Sheila O'Malley
Films to Get Us Through The Trump Presidency
Chaz Ebert
A Living Legend: Tatsuya Nakadai on “Sword of Doom”
Simon Abrams
Eerie Visions of Donald Trump in 1981’s “Shock Treatment”
Collin Souter
The Return of Warren Beatty
Dan Callahan
Thumbnails 6/17/16
Matt Fagerholm
Roger’s Favorites: Faye Dunaway
The Editors
Four Films That Explain the Rise of Donald Trump
Sean Mulvihill
Moving Pictures: A Recap of the 2016 TCM Classic Film Festival
Laura Emerick
Thumbnails 2/26/16
Matt Fagerholm
Why the Oscars Need to Move Lifetime Achievement Back to the Telecast
Niles Schwartz
RogerEbert.com Writers & Filmmakers Remember Haskell Wexler
The Editors
Solidarity of Cinema: Kent Jones on “Hitchcock/Truffaut”
Patrick Z. McGavin
A Trip Through Film History with Norman Lloyd
Matt Fagerholm
Who’s Who In Reviews: Sheila O’Malley
Chaz Ebert
Godfrey Cheshire’s “Death of Film/Decay of Cinema” Essay
Matt Zoller Seitz
Thumbnails 11/20/14
Matt Fagerholm
Death of Film/Decay of Cinema at 15: A Conversation with Godfrey Cheshire
Matt Zoller Seitz
Eli Wallach: 1915-2014
Dan Callahan
Blu-ray Consumer Guide: May 2014
Glenn Kenny
Meet the Writers: Sheila O’Malley
The Editors
Book Excerpt: Roman Polanski: A Retrospective
The Editors
Cannes: Bruce Dern and Will Forte visit “Nebraska”
Ben Kenigsberg
A silent ovation
Roger Ebert
Bonnie, Clyde and the critics
Roger Ebert
101 102 Movies You Must See Before…
Jim Emerson
Dead of (Election) Night: Terrifying tales of campaign narratives run amok!
Jim Emerson
Black humor: Stepin Fetchit to Richard Pryorto Tyler Perry (Part II)
Jim Emerson
National Society: The last best critics awards for 2010
Jim Emerson
A Master Emerges: Conrad Hall and “The Outer Limits”
Jeff Shannon
On “The Rack” with Paul Newman and Stewart Stern
Jeff Shannon
CIFF 2009: The winners! And our reviews
Roger Ebert
The candidates’ favorite movies
Roger Ebert
CIFF: All our capsule reviews
Roger Ebert
Classic flicks under the stars
Roger Ebert
Precious cargo
Roger Ebert
Cannes all winners
Roger Ebert
Karl Malden: In Memory
Roger Ebert
Gregory Peck conveyed courage of his convictions as he bravely tackled challenging roles
Roger Ebert
A screen contender to the bittersweet end
Roger Ebert
Director recalls blacklist in `Guilty by Suspicion’
Roger Ebert
Interview with Theresa Russell
Roger Ebert
Haskell Wexler: “See, nothing is ‘real.'”
Roger Ebert
Interview with Richard Widmark
Roger Ebert
Diagnosing ‘Emily Rose’
Roger Ebert
Movie Answer Man (10/05/2003)
Roger Ebert
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