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White God

Imagine an "R" rated "Lassie" by way of "Spartacus." That's Kornél Mundruczó's "White God," a brutal but stirring fantasy about street dogs rising up against…

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Get Hard

In this exuberant but ultimately simpleminded comedy, a car wash owner (Kevin Hart) helps a wimpy hedge fund manager (Will Ferrell) get ready for prison…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

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Hoberman on the Coen Brothers' portrayal of Jews; horror-woman's films; the "Goodbye New York" essay; Sheila O'Malley on anniversaries; Elmore Leonard's 10 rules of writing.

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#184 September 11, 2013

Sheila writes: While life can often be messy and awful, and the bombardment of bad news from around the globe is disheartening to say the least, sometimes it really helps to sit back, relax, and watch a bunch of guys working together to play "Flight of the Bumblebees" on the cliched 100 bottles of beer on the wall. This clip came out a couple of years ago and I haven't tired of it. I love the collaboration and the creativity. I love in particular the scene that isn't shown here, the one where they worked it all out.

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#182 August 28, 2013

Sheila writes: Thank you all for taking the time to answer our survey! We will keep you posted on any changes that may come about. So let's get to the newsletter, shall we? Jack Kerouac famously wrote the majority of "On the Road" on one long scroll of paper. Kerouac found that taking the time to remove the finished pages off of the typewriter and replacing them with a fresh sheet interrupted his flow. California artist Paul Rogers, who has done ten book covers for Random House UK of Hemingway classic, has created an online scroll of beautiful illustrations for Kerouac's novel. Evocative and gritty, they make a great companion piece for "On the Road". You can see more of Paul Rogers' cool work at his site.

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#174 July 1, 2013

Marie writes: The West Coast is currently experiencing a heat wave and I have no air conditioning. That said, and despite it currently being 80F inside my apartment, at least the humidity is low. Although not so low, that I don't have a fan on my desk and big glass of ice tea at the ready. My apartment thankfully faces East and thus enjoys the shade after the sun has crossed the mid-point overhead. And albeit perverse in its irony, it's because it has been so hot lately that I've been in the mood to watch the following film again and which I highly recommend to anyone with taste and a discerning eye.

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#145 December 5, 2012

Marie writes: Intrepid club member Sandy Kahn has found another Hollywood auction and it's packed with stuff! From early publicity stills (some nudes) to famous movie props, costumes, signed scripts, storyboards, posters and memorabilia...

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Bette Davis at 104: Still smokin'

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April 5 would have been Bette Davis's 104th birthday. I was reminded of this interview I did with her in 1988, which appeared on my CinePad website 10 years later:

When my former Seattle Times editor called me, a few months after I'd moved to Los Angeles, to say he wanted me to interview Bette Davis, I wasn't as thrilled as I probably should have been. I realized it was a rare opportunity -- she was giving only three interviews to promote the paperback version of her book about recovering from her stroke -- but Bette Davis had never been my glass of lemonade.

I just never really got the whole Bette-Davis-As-Icon thing. To me, she was a movie star, a part of Hollywood history (I admired the way she took on the studio bosses when they -- and she -- were at the peak of their powers), but with the exception of All About Eve (where she really used her movie-star mega-wattage as part of the role), I hadn't regarded her as a great actress. I mean, she was no Barbara Stanwyck, who was equally adept as a screwball comedienne, a tragic heroine, or a femme fatale.

But of course, I wasn't about to pass up the opportunity to interview a screen legend; there just weren't that many of them left. I remember thinking it was kind of funny and appropriate that she was living on the outskirts of West Hollywood (in the Century House on Havenhurst), mecca to the gay men who really worshipped her. But why did they? Was she just a camp figurehead because her brittle, melodramatic style of acting hadn't aged well? Or was it that she was Larger Than Life, a tough broad who had survived? Probably some of both...

Well, I'll say this: She sure knew how to be Bette Davis. She was cantankerous and flamboyant, but I also thought there was an undercurrent of playfulness to her behavior. Not that I thought she was "performing," or putting on a Bette Davis Act; I think she was probably like this most of the time. But I also think she rose to the occasion, somewhat, because she liked the attention, and liked the feeling that she was communicating -- albeit through me -- to her public.

It was a stellar afternoon...

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#91 November 30, 2011

Marie writes: Did you know that the world's steepest roller-coaster is the Takabisha, which opened earlier this year at the Fuji-Q Highland Amusement Park in Yamanash, Japan? The ride lasts just 112 seconds but is packed with exciting features including seven twists, blackened tunnels and a 43m-high peak. But the most impressive thing about Takabisha is the 121 degree free-fall, so steep that it's been recognized by the Guinness World Records as the steepest roller-coaster made from steel!

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#78 August 31, 2011

Marie writes: At first you think you're looking at a photograph. Then the penny drops, along with your jaw..."Alan Wolfson creates handmade miniature sculptures of urban environments. Complete with complex interior views and lighting effects, a major work can take several months to complete. The pieces are usually not exact representations of existing locations, but rather a combination of details from many different locations along with much of the detail from the artist's imagination. There is a narrative element to the work. Scenarios are played out through the use of inanimate objects in the scene. There are never people present, only things they have left behind; garbage, graffiti, or a tip on a diner table, all give the work a sense of motion and a storyline. Alan's miniature environments are included in art collections throughout the US and Europe." - Alan Wolfson - Miniature Urban Sculptures

"FOLLIES BURLESK" (1987)14 1/4 x 19 1/4 x 21 1/2 inches(click images to enlarge)

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#77 August 24, 2011

Marie writes: the following moment of happiness is brought to you by the glorious Tilda Swinton, who recently sent the Grand Poobah a photo of herself taken on her farm in Scotland, holding a batch of English Springer puppies!

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