The Avengers
Written by
Whedon
Whedon
Whedon Movie Reviews
Blog Posts That Mention Whedon
Joss Whedon Practically Plagiarizes Himself in the Uneven The Nevers
Everyone’s A Hero In Their Own Way: Tracing the Superheroic Roots of Joss Whedon
Joss Whedon at Comic-Con 2013
Apple TV+’s “Murderbot” Functions Along Mission Parameters, But Needs To Work Out Some Bugs
The 10 Best Start-of-Summer-Movie-Season Films of the 21st Century
Willow Reboot on Disney Plus Makes for a Surprisingly Fun Ride
How Misery Predicted Toxic Fandom
Home Entertainment Consumer Guide: March 22, 2018
In Memoriam: Brian Doan 1973-2017
Book Review: “Justice League: The Art of the Film”
Thumbnails 9/14/17
Things Have Changed a Great Deal Since Your Time: A Reappraisal of the “Alien” Sequels
Comic-Con 2016: Alan Tudyk’s Meta Web Series “Con Man”
Believe in the Power of the Word of AMC’s “Preacher”
Cannes 2016: Steven Spielberg Adapts “The BFG”
“Marvel’s Jessica Jones” Pushes Against Expectations of the Superhero Show
Home Entertainment Consumer Guide: October 8, 2015
Entertaining the -Isms
Thumbnails 5/7/15
Thumbnails 5/1/15
2015 Summer Movie Preview: A Four-Month, Blockbuster Festival
Book Excerpt: “Complex TV: The Poetics of Contemporary Television Storytelling” by Jason Mittell
Netflix Starts Marvel Productions with Striking, Adult Take on “Daredevil”
Book Excerpt: “Showrunners: The Art of Running a TV Show” by Tara Bennett
Thumbnails 7/31/14
FX Looks For Next Drama Hit in “Tyrant,” “The Bridge,” “The Strain”
Streaming Consumer Guide: May 20, 2014
Great Comic Book Movies Not Based On Comics
Things crashing into other things: or, my superhero movie problem
Thumbnails 5/5/2014
Streaming Consumer Guide: April 22, 2014
The Unloved, Part 1: ALIEN 3
Thumbnails 10/9/2013
Why most modern action films are terrible
“The Grandmaster” at Comic-Con 2013
“That’s not a plot hole. Allow me to explain.”
The Ghastly Joys of “Johnny X”
The Avengers & the Amazing “Critic-Proof” Movie
“Avenge me! AVENGE ME!”
Prometheus: Alien origins:The skeleton beneath the exoskeleton
Why we love zombies
Superheroes: Good vs. Evil isn’t really much of a theme
A.O. Scott on criticism: “This is not a progressive kindergarten.”
Preparing for The Dark Knight to Rise
Wally Pfister, The Avengers & the ethics of composition
The Dark Knight Rises, an American genre falls
A psychopath and the Female Gaze
A Master Emerges: Conrad Hall and “The Outer Limits”
