An interview with the directors of Ralph Breaks the Internet about the animated sequel, bringing the Disney princesses back together and more.
An interview with the Oscar-nominated actor about producing and co-starring in Jacques Audiard's unusual Western, The Sisters Brothers.
A report on the PBS Press Tour's highlights for the winter and spring of 2018.
The success of shows like "Inside Amy Schumer" and "Broad City" has opened the door for more shows with female comedians front and center, including "Idiotsitter" and "Another Period."
Karyn Kusama is not going away; Why music biopics fall flat; Pupinia Stewart is stealing my sanity; Interactive storytelling reshaping cinema; Price of "Girlfriend Experience" too high.
Highlights of our 2015 interviews, including Brie Larson, Bryan Cranston, Jason Segel, Lexi Alexander, Sarah Silverman, Spike Lee, Tom McCarthy, Ramin Bahrani, Paul Feig, Charlie Kaufman and much more.
Three films from TIFF, including "Families" and "I Smile Back".
Celebrate Character Day; George Lucas's Visual Symmetry; Understanding feminist criticism; Legacy of Muppeteer Steve Whitmire; Sarah Silverman on P.C. culture backlash.
A report on the Hollywood Foreign Press Association's upcoming grants banquet on August 13th.
Louis C.K. brings his hit FX show back to the network on Monday, May 5th. We've seen the first four. It's still the best comedy on TV.
The 50th anniversary of JFK's assassination; critical reviews of a critical review of Sarah Silverman's career; Guillermo Del Toro's biggests firsts; an official video for "Like a Rolling Stone"; is Harvey "Scissorhanding" his company's awards site?
What are we to make of Owen Wilson, he with the tow-colored mop of hair, the crooked nose, and the smile that seems to need so much in return? In certain contexts, Owen Wilson's smile is heartbreaking. Not just in more serious roles, but in everything. One does not often think of grown men as being "wistful" or full of "pathos"; only little plucky orphans in pig-tails and pinafores should be "wistful."
August, 2012, marks the 20th anniversary of the debut of "The Larry Sanders Show," episodes of which are available on Netflix Instant, Amazon Instant, iTunes, and DVD. This is the third and final part of Edward Copeland's extensive tribute to the show, including interviews with many of those involved in creating one of the best-loved comedies in television history. Part 1 (Ten Best Episodes) is here and Part 2 (The show behind the show) is here.
A related article about Bob Odenkirk and his characters, Stevie Grant and Saul Goodman (on "Breaking Bad"), is here.
by Edward Copeland
"It was an amazing experience," said Jeffrey Tambor. "I come from the theater and it was very, very much approached like theater. It was rehearsed and Garry took a long, long time in casting and putting that particular unit together." In a phone interview, Tambor talked about how Garry Shandling and his behind-the-scenes team selected the performers to play the characters, regulars and guest stars, on "The Larry Sanders Show" when it debuted 20 years ago. Shandling chose well throughout the series' run and -- from the veteran to the novice, the theater-trained acting teacher and character actor to the comedy troupe star in his most subtle role -- they all tend to feel the way Tambor does: "It changed my career. It changed my life."
Marie writes: Intrepid club member Sandy Kahn came upon the following recipe and wisely showed it to me, so that I might share it in turn with all of you. Behold the morning chocolate cookie - a healthy breakfast treat loaded with good stuff; like fiber and imported French chocolate.
What's worse than finding a hair in your soup? Being raped.* -- @AntiJokeApple, June 2, 2012
"I was raped by a doctor... which is so bittersweet for a Jewish girl..." -- Sarah Silverman, "Jesus Is Magic" (2005)
Seriously, what is a rape joke, why do you tell one, and how do you apologize for one? I empathize with comedians who get up on stage, alone, and develop new material, often without knowing where their minds and mouths are going to take them (or their audience). It's a semi-disciplined, stream-of-consciousness high-wire act without a net, and as any comic will tell you, they frequently fall. (See Patton Oswalt's remembrance of a bad performance in the early 1990s and the "Magical Black Man" who haunted and helped him.) But no matter what they say or do, they're still accountable for saying or doing it -- and, more than ever before (thanks to blogs and social media and video smartphones), they are held publicly accountable. So, when I heard that Daniel Tosh of Comedy Central's top-rated "Tosh .0," was in hot water for telling a "rape joke," the first thing I wanted to know was: What was the joke? That has to be where it all starts, don't you think? What did he actually say?
"Take This Waltz" materialized out of a humid summer day in Toronto and made me tremble and fall in love... with who or what I'm not sure; the city yes, and maybe the idea of the in-between.
There is something incredibly delicate and beautiful about the thought of in-between: of that space of the possible, of movement, of choices being sought and yet to be made, of freedom and abandon and all the stuff that dreams are made of, but yet to solidify. It is a place of alchemy. Some call it a moment - a fleeting moment.
Marie writes: Not everything is what is seems...(Click images to enlarge.)
Great Movies
