An interview with Guy Vandenberg and Steve Williams, subjects of Paul Haggis and Dan Krauss' documentary, 5B.
The 10th anniversary of the Chicago edition of the traveling Noir City festival runs from August 17 to 23 at the Music Box Theatre.
Molly Haskell speaks with Matt Zoller Seitz about "From Reverence to Rape," "Love and Other Infectious Diseases," "Steven Spielberg: A Life in Films" and more.
The World 3-D Film Expo III, running Sept. 6–15 at the Egyptian Theater in Hollywood, may be the last chance to see some great 1950s 3-D films projected the way they were intended to be.
Slut shaming in geek culture; Rock Hudson's wife tape-recorded herself confronting her husband about his sexual orientation; how Michael Douglas used his own experience to flesh out Liberace; Carey Mulligan might play Hillary Clinton in a biopic; New Yorker cartoonists talk about the delicate art of collaboration; Upstream Color comes to Netflix instant.
I know I've seen something atonishing, and I know I'm not ready to review it. "Cloud Atlas," by the Wachowski siblings and Tom Tykwer, is a film of limitless imagination, breathtaking visuals and fearless scope. I have no idea what it's about. It interweaves six principal stories spanning centuries--three for sure, maybe four. It uses the same actors in most of those stories. Assigning multiple roles to actors is described as an inspiration by the filmmakers to help us follow threads through the different stories. But the makeup is so painstaking and effective that much of the time we may not realize we're seeing the same actors. Nor did I sense the threads.
Every family has that playful uncle loved for his cuddly silliness. He is that uncle who is a few syllables beyond eccentric, who does not quite follow the rules of appropriate conduct. Kids love him while his peers look down on him. For Bollywood cinema, that beloved uncle is one of Bollywood's most loved ensemble pictures, Manmohan Desai's "Amar Akbar Anthony" (1977). It is easily one of the most beloved of all Bollywood films. It is a long melodrama, an action movie, a screwball comedy, a romance, a con film, a religious devotion, and, of course, a musical.
Do you expect "The Tree of Life" to be nominated as one of the best films of 2011? When I saw it last spring I certainly did. I assumed it was a done deal. If you'd told me then that "The Artist," a black and white silent film, was stirring up enthusiasm at Cannes, I would have said it sounded like something I really wanted to see.