Matt writes: The 2018 Cannes Film Festival is in full swing, and RogerEbert.com publisher Chaz Ebert is there to cover all the highlights. Check our site's official Cannes page where you will find all the coverage penned by Barbara Scharres, Ben Kenigsberg and Lisa Nesselson, as well as video dispatches from Chaz. Embedded below is her first from this year, which provides a breakdown of the jury as well as various enticing selections from filmmakers such as Asghar Farhadi, Spike Lee and Jean-Luc Godard.
A look back at how this summer's best offering, Netflix's "Stranger Things," makes the failure of this season's blockbusters even more difficult to ignore.
The new "Ghostbusters" film brings a battle between distorted nostalgia and the power of a child's imagination.
Matt writes: Hello, Ebert Club subscribers! I'm Matt Fagerholm, Assistant Editor at RogerEbert.com, and I'll be taking over the Ebert Club newsletter. My inimitable predecessor, Sheila O'Malley, has gotten me up to speed on what you'll be expecting from this membership, and I'm very excited to provide you with a sneak peek at some of the most enticing titles in both current and classic cinema.
A recap of the latest and greatest on Blu-ray, including Jurassic World, Spy, Tomorrowland, Call Me Lucky, and The Larry Fessenden Collection.
An interview with "Green Street Hooligans" and "Punisher: War Zone" director Lexi Alexander.
Marie writes: When I first learned of "Royal de Luxe" I let out a squeal of pure delight and immediately began building giant puppets inside my head, trying to imagine how it would look to see a whale or dragon moving down the street..."Based in Nantes, France, the street theatre company Royal de Luxe performs around the world, primarily using gigantic, elaborate marionettes to tell stories that take place over several days and wind through entire cities. Puppeteers maneuver the huge marionettes - some as tall as 12 meters (40 ft) - through streets, parks, and waterways, performing their story along the way." - the Atlantic
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