Sword of Trust
A likable throwback to the kind of rambling, character-driven 1990s indie comedies that the U.S. film industry barely releases to theaters anymore.
Norman Jewison
-
The Hurricane (2000)
—
Directed by
Roger Ebert -
Bogus (1996)
—
Directed by
Roger Ebert -
Only You (1994)
—
Directed by
Roger Ebert -
Other People's Money (1991)
—
Directed by
Roger Ebert -
In Country (1989)
—
Directed by
Roger Ebert -
The January Man (1989)
—
Produced by
Roger Ebert -
Moonstruck (1988)
—
Directed by
Roger Ebert -
Agnes Of God (1985)
—
Directed by
Roger Ebert -
Best Friends (1982)
—
Directed by
Roger Ebert -
... and Justice for All (1979)
—
Directed by
Roger Ebert -
The Landlord (1970)
—
production
Roger Ebert -
Thomas Crown Affair (1968)
—
Produced and directed by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Home Entertainment Consumer Guide: February 7, 2019
The latest on Blu-ray and DVD, including Boy Erased, Suspiria, The Sisters Brothers, Widows, and a Criterion edition of In the Heat of the Night.
Scott Wilson: 1942-2018
A tribute to the late actor and Ebertfest favorite, Scott Wilson.
Diary of a Sundance Juror
Chaz Ebert reflects on her experiences as a member of the U.S. documentary jury at the 2018 Sundance Film Festival.
Ebertfest 2018 Passes On Sale Now
An article announcing the 20th Anniversary of Ebertfest April 18-22, 2018 and tickets on sale November 1st.
Nitrate and Old Favorites: A Recap of the 2017 TCM Classic Film Festival
A look back at the eighth annual TCM Classic Film Festival, which included screenings of nitrate prints, a conversation with Michael Douglas and much more.
William (Bill) Marshall (1939-2017), Rest In Movie Heaven
An appreciation of William (Bill) Marshall, Co-Founder of the Toronto International Film Festival.
Sense Memory: "Platoon" Through a Veteran's Eyes
Actor, film historian and Vietnam veteran Jim Beaver talks about the experience of seeing Oliver Stone's war memoir "Platoon" for the first time.
Ebertfest 2017 Passes Now On Sale
An article about Ebertfest, Roger Ebert's Film Festival 2017 passes, which are now on sale.
Roger's Favorites: Faye Dunaway
Roger's Favorites: actress Faye Dunaway.
Roger's Favorites: Denzel Washington
Roger's Favorites: actor Denzel Washington.
RogerEbert.com Writers & Filmmakers Remember Haskell Wexler
Members of the RogerEbert.com film community remember the late Haskell Wexler.
Ebertfest 2016 Passes On Sale November 2nd
An article on Ebertfest 2016 passes available for purchase on November 2nd.
Ebertfest 2015 Passes On Sale November 1st
Passes for Ebertfest 2015 will go on sale Saturday, November 1st.
#232 August 20, 2014
Sheila writes: In lieu of the recent release of "Get On Up," the James Brown biopic (check out Odie Henderson's review on Rogerebert.com, and you can also check out the video interview with star Chadwick Boseman and director Tate Taylor), I went scrolling through Youtube the other day, enjoying various James Brown clips. I came across this delight: James Brown giving a dance lesson.
Ebertfest Profile: John and Jim Burns
FFC Jana Monji interviews Ebertfest attendees John and Jim Burns.
Ebertfest Prepares to Unfold as a 'Tribute to Roger'
The Chicago Sun-Times reports on the 2014 Ebertfest, including appearances by Oliver Stone & Spike Lee.
Thumbnails 11/29/2013
The AV Club picks 33 TV shows to binge on over the long weekend; a black writer explains why it's hard to watch 12 Years a Slave with a white person; how Supergirl, of all movies, changed the way Hollywood treated Thanksgiving.
The best train set a boy could want: 2011 edition
The 2011 edition of a movie critic's dream unreels again this week. In my own home town, I'll be able to show the films of my choice in a classic movie palace, flawlessly projected on a giant screen before a movie-loving audience. To paraphrase Orson Welles when he was given the run of RKO Radio Pictures to make his own movie, it's the biggest train set a boy could ever want.
Ebertfest 2011 runs April 27-May 1. The passes have been sold but we've always been able to find room for everyone in line inside the 1,600-seat Virginia Theater. Its long-term renovation continued this year with work on the lobby, the concession stand and the upstairs lobby. The marquee is a work in progress.
#54 March 16, 2011
From the Grand Poobah: After much planning with festival director Nate Kohn, here is the schedule for Ebertfest 2011, which Ebert Club members are of course the first to learn about. This schedule is tentative; several guests may be added.Wednesday April 275:00 pm Reception at University President's House (VIP passholders only)7:00 pm METROPOLIS Restored, with the Alloy Orchestra.-----------------Thursday April 289:00 am For Ebert Club members: Meet & Greet coffee and pastries, hosted by Chaz and Roger Ebert at the Illini Union.10:30 am Panel Discussion 1 (Nate Kohn moderates festival guests), Illini Union1:00 pm UMBERTO D, by Vittorio De Sica.3:30 pm MY DOG TULIP, with directors Paul and Sandra Fierlinger in person.8:00 pm TINY FURNITURE (98 min). In person: Kyle Martin, producer; David Call, actor; Alex Karposky, actor.------------------Friday April 299:00 am Panel Discussion 2, (Eric Pierson, moderator), Illini Union10:30 am Panel Discussion 3 (Far Flung Correspondents, Omer Mozaffer, moderator), Illini Union1:00 pm "45365," with directors Turner Ross and Bill Ross in person4:00 pm ME AND ORSON WELLES, with director Richard Linklater in person8:30 pm ONLY YOU, with director Norman Jewison in person-----------------Saturday April 3011:00 am A SMALL ACT. In person: Patti Lee, producer; Jennifer Arnold, director; Hilde Back.2:00 pm World Premiere: LIFE, ABOVE ALL. In person: Oliver Stoltz, producer; Khomotso Manyaka, actor; Michael Barker, distributor.6:30pm LEAVES OF GRASS. In person: Tim Blake Nelson.9:30pm I AM LOVE. In person: Tilda Swinton.---------------Sunday May 1Noon: LOUDER THAN A BOMB. In person: Jon Siskel and Greg Jacobs, directors; Kevin Coval, artistic director and founder; five poets will perform.For additional information and to purchase tickets, visit EBERFEST 2011Metropolis Restored (1927) Directed by Fritz Lang
"Don't mess Malcolm up"
May Contain SpoilersFrom its incendiary opening to its somber but exultant conclusion, Spike Lee's grand and important film "Malcolm X" captures the life of a complex, charismatic and gravely misunderstood man who fought for human rights and justice for Africans and African-Americans. The film, based on The Autobiography of Malcolm X as told to Alex Haley, is arguably Mr. Lee's best and most universal film, and one of the great American film biographies.
For context, "Malcolm X" had extraordinary publicity leading up to its 1991 production. Numerous black activists in New York City and elsewhere had forecasted that Mr. Lee's film would not accurately depict the essence of Malcolm. "Don't mess Malcolm up," was a refrain the director heard over and over again.
DGA honors Bigelow, Cameron, Daniels, Reitman, Tarantino
AP -- The science-fiction blockbuster "Avatar" has earned James Cameron his latest nomination for the top honor from the Directors Guild of America. Cameron won the guild prize 12 years ago for "Titanic." Also nominated are Kathryn Bigelow for the Iraq War drama "The Hurt Locker," Lee Daniels for the Harlem teen tale "Precious: Based on the Novel Push by Sapphire," Jason Reitman for the recession-era story "Up in the Air" and Quentin Tarantino for the World War II hit "Inglourious Basterds."
"I criticize you back -- again!"
From an interview with "Transformers: ROTFL" director Michael Bay at Wall Street Journal Online:
Megan Fox, one of the leads in "Transformers" has criticized your films for being special-effects-driven and not offering so many acting opportunities. Do you agree?
Well, that's Megan Fox for you. She says some very ridiculous things because she's 23 years old and she still has a lot of growing to do. You roll your eyes when you see statements like that and think, "Okay Megan, you can do whatever you want. I got it." But I 100% disagree with her. Nick Cage wasn't a big actor when I cast him, nor was Ben Affleck before I put him in "Armageddon." Shia LaBeouf wasn't a big movie star before he did "Transformers" -- and then he exploded. Not to mention Will Smith and Martin Lawrence, from "Bad Boys." Nobody in the world knew about Megan Fox until I found her and put her in "Transformers." I like to think that I've had some luck in building actors' careers with my films.
So there! But what did Fox actually say about being in "Transformers"? Here are some excerpts from her cover interview in Entertainment Weekly:
DGA hails "Slumdog Millionaire," Ebert made a lifetime member
LOS ANGELES--Roger Ebert, film critic of the Sun-Times, was granted an Honorary Lifetime Membership in the Directors' Guild of America here Saturday night, receiving two standing ovations.
Dusty Cohl: In Memory
Nobody ever seemed to know what Dusty Cohl did for a living. He was a lawyer, and it was said he was "in real estate," but in over 30 years I never heard him say one word about business. His full-time occupation was being a friend, and he was one of the best I've ever made.
Hollywood lip smackdown!
Q. A blogger named Brian at takes issue with your remarks about Paul Greengrass' long takes in "The Bourne Ultimatum," writing: "I don't recall a single take in this movie that was more than about three seconds long. Either Greengrass really does a spectacular job of not 'calling attention' to those long takes, or Ebert saw a different movie. But it's very strange, no matter what." (From goneelsewhere.wordpress.com:) Who's right?
