A stellar high school comedy with an A+ cast, a brilliant script loaded with witty dialogue, eye-catching cinematography, swift editing, and a danceable soundtrack.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A tribute to Brian Doan 1973-2017, Contributing Writer at RogerEbert.com
A look at the companion volume for "Justice League."
A look at the entire "Alien" franchise, and a reappraisal of its unloved installments.
A panel report from Comic-Con 2016 on the web series "Con Man."
Steven Spielberg's "The BFG" has its world premiere at the Cannes Film Festival.
The latest and greatest on Blu-ray, DVD, and streaming including "Magic Mike XXL," "The Duke of Burgundy," "The Connection," and three Criterion releases.
The importance of engaging in all aspects of film analysis, even the -isms, and even in summer blockbusters.
A preview of dozens of films being released this Summer.
Digging into the catalog of Joss Whedon to chart how the director of Avengers: Age of Ultron got here.
An excerpt from "Complex TV" by Jason Mittell.
An excerpt from "Showrunners: The Art of Running a TV Show," which includes interviews with Joss Whedon, Damon Lindelof, Ronald D.Moore, Terence Winter, Bill Prady, Shawn Ryan, David Shore, Jane Espenson and more.
FX launches three dramas in the next three weeks—"Tyrant," "The Bridge," "The Strain"—with mixed results.
A history of movies not directly based on comic books but definitely inspired by them.
The latest interesting additions to Netflix, Hulu Plus, Amazon, and On Demand platforms in the Streaming Consumer Guide.
The first in a monthly series of video essays about unloved films, Scout Tafoya's video essay is an appreciation of "Alien 3," the debut feature by David Fincher.
Fiona Apple fumes; defending "The Story of Film"; bringing "Gravity" lovers back to earth; inside the Tenenbaum house; David Byrne on how the 1% Are Ruining New York.
Nick Schager ponders the new crop of action directors, who bring 'serious film' cred to the genre, but can't seem to show personality where it counts the most.
You see it happen more and more often these days: a movie pauses to address a potential plot hole, then explains it away with clunky dialogue or ignores it and moves on. The movies are trying to plug leaks in a boat before the whole thing sinks—never quite repairing it, but doing just enough to get by.
Jana Monji reports on the Joss Whedon panel at Comic-Con.
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
Marie writes: Now this is something you don't see every day. Behold The Paragliding Circus! Acrobatic paragliding pilot Gill Schneider teamed up with his father’s circus class (he operates a school that trains circus performers) to mix and combine circus arts with paragliding - including taking a trapezist (Roxane Giliand) up for ride and without a net. Best original film in the 2012 Icare Cup. Video by Director/Filmmaker Shams Prod. To see more, visit Shams Prod.
Marie writes: Did you know that if you wear your contact lenses too much and too long during the cold, winters months - and with the windows closed and the heat cranked-up, that you can develop an annoying eye condition? Because you can. Ahem. And so for the time being, I'll be spending less time staring at my monitor and more time resting my eyes. The Newsletter will still arrive as usual each week, but it won't be as huge. That said, it will contain a few extra goodies to make up for it, by way of curious finds. And speaking of finding stuff...."On Thursday, March 7, 2013, SpaceX's Grasshopper doubled its highest leap to date to rise 24 stories or 80.1 meters (262.8 feet), hovering for approximately 34 seconds and landing safely using closed loop thrust vector and throttle control. Grasshopper touched down with its most accurate precision thus far on the centermost part of the launch pad. At touchdown, the thrust to weight ratio of the vehicle was greater than one, proving a key landing algorithm for Falcon 9. The test was completed at SpaceX's rocket development facility in McGregor, Texas." - by Neatorama
Marie writes: If I have a favorite festival, it's SXSW and which is actually a convergence of film, music and emerging technologies. However it's the festival's penchant for screening "quirky" Indie movies which really sets my heart pounding and in anticipation of seeing the next Wes Anderson or Charlie Kaufman. So from now until March, I'll be tracking down the best with the zeal of a Jack Russell terrier! Especially since learning that Joss Whedon's modern B/W take on Shakespeare's "Much Ado About Nothing" is set to screen at SXSW 2013 in advance of its June 21st US release date; they'll cut an official trailer soon, rubbing hands together!
Marie writes: The ever intrepid Sandy Khan shared the following item with the Newsletter and for which I am extremely glad, as it's awesome..."Earlier this year, the Guggenheim Museum put online 65 modern art books, giving you free access to books introducing the work of Alexander Calder, Edvard Munch, Francis Bacon, Gustav Klimt & Egon Schiele, and Kandinsky. Now, just a few short months later, the Metropolitan Museum of Art has launched MetPublications, a portal that will "eventually offer access to nearly all books, Bulletins, and Journals" published by the Met since 1870."
Maybe it's a DC vs. Marvel thing. But it's all over the Internet: Wally Pfister, ASC, BSC, the Oscar-winning cinematographer best-known for his work with director Christopher Nolan (the "Dark Knight" movies, "The Prestige," "Inception") took a swipe at rival superhero blockbuster "The Avengers," while admitting that he doesn't much care for the genre anyway. In an interview with the Sarasota Herald Tribune, Pfister was asked "What's most important in shooting a film?" He responded with... something that has since been removed from the newspaper's website but still shows up in the Google Cached version (screenshot below):