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The Journey (2017)
Jackie (2016)
Hercules (2014)
Snowpiercer (2014)
Jayne Mansfield's Car (2013)
Immortals (2011)
Melancholia (2011)
Brighton Rock (2011)
Outlander (2009)
Recount (2008)
V for Vendetta (2006)
Dogville (2004)
Hellboy (2004)
Owning Mahowny (2003)
Lost Souls (2000)
Contact (1997)
Wild Bill (1995)
Rob Roy (1995)
Second Best (1994)
Scandal (1989)
White Mischief (1988)
From the Hip (1987)
Heaven's Gate (1981)

Blog Posts


Thumbnails 4/29/16

Meryl Streep's tragic romance; Algorithm killed Relativity Media; David Milch stays in the game; Appreciation of "Nine Lives"; Veronica Cartwright on "Alien."


Thumbnails 11/3/14

Filmmakers behind "Radhe Radhe: Rites of Holi"; Deepwater Horizon and "The Great Invisible"; Of women and their emotions; Frances McDormand on NPR; Neil Marshall on "Alien."


A quintessence of dust: "Only Lovers Left Alive"

"Only Lovers Left Alive" is Top 5 Jim Jarmusch for sure; a long, warm bath in sensuality, with flashes of Wong-Kar Wai amid the ennui. In its deliberate slowness, it also ends up feeling like requiem for 20th century film storytelling, and for the pre-digital world.


Thumbnails 4/16/14

Art and improvement; Vampires on film; Philippines censor board makes a wholesome request; An interview with Jackie Robinson's pen pal; Completed movies that have yet to be released.

Far Flungers


The new science fiction action film from Bong Joon-ho ("The Host," "Mother") defies the odds by turning yet another dystopian future into something thrilling and distinctive.

May contain spoilers

Ebert Club

#179 August 6, 2013

Marie writes: Behold an ivy covered house in Düsseldorf, Germany and the power of plants to transform stone, brick and mortar into a hotel for millions of spiders. To view an amazing collection of such images and showcasing a variety of buildings from around the world, visit The Most Colorful Houses Engulfed in Vegetation at

Ebert Club

#172 June 19, 2013

Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...