Burn After Reading
Written and directed by
Ethan
Ethan Movie Reviews
Blog Posts That Mention Ethan
Plant the Tree: RaMell Ross, Ethan Herisse, Brandon Wilson, and Aunjanue Ellis-Taylor on “Nickel Boys”
Living Through Words: Ethan Hawke on His Career, Poetry, and Wildcat
Ethan Hunt’s Second Act and Tom Cruise’s Third: The Unending Impossible Mission
We’re Only as Good as Our Generation: Ethan Hawke on The Last Movie Stars
Bright Wall/Dark Room September 2021: It’s All Happening by Ethan Warren
KVIFF 2021: A Conversation with Ethan Hawke
Bright Wall/Dark Room February 2021: Who Could Ask for Anything More?: Watching Gene Kelly From a Child’s-Eye View by Ethan Warren
Ethan Hawke Soars in Showtime’s The Good Lord Bird
Bright Wall/Dark Room April 2020: The Contradictory and Complementary Visions of Wes Anderson and Roald Dahl by Ethan Warren
Bright Wall/Dark Room October 2019: A New Spirit for ’75! by Ethan Warren
Bright Wall/Dark Room July 2019: Only I Know the Secrets: Breaking Down Under the Silver Lake by Ethan Warren
Bright Wall/Dark Room November 2018: An Essay on Ingmar Bergman’s Hour of the Wolf by Ethan Warren
Bright Wall/Dark Room May 2018: An Essay on ‘Punch Drunk Love’ by Ethan Warren
The Present and Future: Ethan Hawke on “The Before Trilogy”
Video Interview: Ethan Hawke on “Born to Be Blue”
Video Interview: Ethan Hawke on “Good Kill”
Book Excerpt: “Film Firsts: The 25 Movies that Created Contemporary American Cinema” by Ethan Alter
How Ving Rhames Became the True Heart of the Mission: Impossible Franchise
Cannes 2025: Resurrection, Honey Don’t!
Cannes 2025 Video #4: Brian Tallerico on Mission Impossible, The Phoenician Scheme, My Father’s Shadow, Secret Agent
Chicago Critics Film Festival 2025 Preview
The Florida Film Festival: An Oasis for Creative Souls
Cannes 2025 Announces Lineup with New Films by Ari Aster, Kelly Reichardt, Julia Ducournau, Richard Linklater, Wes Anderson and More
SXSW Film Festival 2025: Nirvanna the Band the Show the Movie, Fantasy Life, Brother Verses Brother
Will I Ever Take My Kids to the Movies?
Screwball in Vermont: “Baby Boom”
Sundance 2025: Sunfish (and Other Stories on Green Lake), Plainclothes
Meet the Writers: Zachary Lee
What’s gone can never be replaced: thoughts on Los Angeles, disasters, and the present moment
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
14 Underrated Movies of 2024
The Great Craft of 2024
My Night at the Critics Choice Celebration of Black Cinema and Television
The Best Films of 2024
Sharp, Propulsive “The Agency” Should Appeal to Fans of Spy Fiction
Black Harvest Film Festival 2024 Preview
The State of the 2024 Oscar Race
Telluride Film Festival 2024: Nickel Boys, The Piano Lesson, September 5
Telluride Film Festival 2024: Memories for a Lifetime
Home Entertainment Guide: August 2024
Seven Samurai Continues Its Ride Through Cinema’s Past and Future
The Best Films of 2024 So Far
The Legacy of David Bordwell; or, The Memorial Service as Network Narrative
Always a Rebel: Alessandro Nivola on The Big Cigar
The 10 Best Start-of-Summer-Movie-Season Films of the 21st Century
No Therapy: The Primordial Commitment of The Northman
Home Entertainment Guide: April 2024
Which Cannes Film Will Win the Palme d’Or? Let’s Rank Their Chances
How The Ladykillers Kicked Off Tom Hanks’ Weirdest Year Two Decades Ago
I Need Your Magic: M. Emmett Walsh (1935-2024)
Like and Survive: Horror Cinema’s Anti-love Affair with Podcasting
Celebrating the Tenth Anniversary of Our Managing Editor Brian Tallerico at RogerEbert.com
Home Entertainment Guide: January 2024
Nine Major Omissions from the 2024 Oscar Nominations
The 96th Academy Award Nominations Are Announced, Led by Oppenheimer
The 25 Best TV Series of 2023
Saltburn and Subverting the Passing Narrative
FX’s Fargo Gets Back on Its Feet In Its Assured Fifth Season
59th Chicago International Film Festival Announces Award-Winners
TIFF 2023: A Canadian Looks Back at a Tumultuous Fest
TIFF 2023: Wildcat, Gonzo Girl, Orlando My Political Biography
Telluride Film Festival 2023 Highlights
No Moment was Wasted: Highlights at the 2023 Indy Shorts International Film Festival
Tribeca 2023: Blood for Dust, Catching Dust
Cannes 2023: Close Your Eyes, plus Quentin Tarantino
I Was in Bliss: Steve Saklad on Re-Creating 1970 for Are You There God? It’s Me, Margaret.
Home Entertainment Guide: February 2023
The Great Filmmaking Craft of 2022
The 25 Best TV Series of 2022
Sylvester Stallone Stars in Paramount’s Charming Tulsa King
Book Excerpt: The Northman: A Call to the Gods by Simon Abrams
Sharp Second Season of The White Lotus Hopes Viewers Will Take Return Trip
I Won’t Know If I’m Coming or Going: Rodrigo García on Nine Lives and His Latest Film, Raymond & Ray
58th Chicago International Film Festival Announces Full Line-Up, Premieres, Special Guests and More
20 Films We Can’t Wait to See in Toronto
Home Entertainment Guide: August 2022
The Quarry is a Must-Play for Horror Fans
A Look Back at Tribeca 2022: The Documentary Features
Cannes 2022: Elvis, Jerry Lee Lewis: Trouble in Mind, Moonage Daydream
Cannes Film Festival Preview 2022
Home Entertainment Guide: April 2022
Cannes Official Selection Line-Up Overview with Digressions You Won’t Find Anywhere Else
Roger’s Top Ten Lists: Best Films of the 1990s
Moon Knight Shines with Fantastic Oscar Isaac Performances
Home Entertainment Guide: February 2022
Epix Schedules Fun Stephen King-Inspired Road Trip in From
Bardcore Noir: Joel Coen, Shakespeare and The Tragedy of Macbeth
