Fool’s Paradise
The Dagger
Common
Common Movie Reviews
Alice
Frank
Ava
Michael
A Most Beautiful Thing
Narrator
The Kitchen
Gary Silver
Hunter Killer
RA John Fisk
The Hate U Give
Carlos
All About Nina
Rafe
The Tale
Martin
Megan Leavey
Gunny Martin
Two Trains Runnin’
Narrator
Being Charlie
Travis
Barbershop: The Next Cut
Jabari
Every Secret Thing
Run All Night
Mr. Price
Selma
James Bevel
LUV
Vincent
Happy Feet Two
Seymour (voice)
Just Wright
Scott McKnight
Terminator Salvation
Barnes
Blog Posts That Mention Common
Tribeca 2023: The Gullspång Miracle, Common Ground, Transition, Songs About F***ing
Tragically Common: Jamie Dack, Lily McInerny and Jonathan Tucker on Palm Trees and Power Lines
Common Grounds and Various Teas
It Just Takes Common Sense: Dr. Marty Goldstein on The Dog Doc
Living with Our Common Humanity: A Few Words with Norman Lear
Cannes 2025 Video #9: Wrap Up
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025: Resurrection, Honey Don’t!
We Relate: Andrew DeYoung on “Friendship”
Cannes 2025: Exit 8, Eleanor the Great, Fuori
Lookin’s Free: Joe Don Baker (1936-2025)
Cannes 2025: Dossier 137, A Pale View of Hills, The Great Arch
Cannes 2025: The Plague, The Mysterious Gaze of the Flamingo, Amrum
Cannes 2025: Sound of Falling, Reedland
Female Filmmakers in Focus: Dea Kulumbegashvili on April
What to Watch on Netflix: May 2025
The Florida Film Festival: An Oasis for Creative Souls
“Expedition 33” Is An Exercise In RPG Artistry
The Second Season of “Andor” Stands Tall
Big Blocks of Fun: A Minecraft Movie
“Black Mirror” is Back to Bum You Out with One of Its Stronger Seasons
Short Films in Focus: Incident
“South of Midnight” is a Colorful PS2 Throwback
Divisive “Assassin’s Creed Shadows” Works if You Let It
The Ebert Fellows on True/False 2025
Ambient Comedy: Carson Lund on “Eephus”
Finding a Way Home: André Holland Never Rests
Brian Tyree Henry Does His Best to Carry Apple TV’s Explosive “Dope Thief”
SXSW Film Festival 2025: One More Shot, Mermaid, Sweetness
The Idealist’s Journey
International and Indie Cinema on the Rise: A Report from the 97th Academy Awards
True/False 2025: The Track, Writing Hawa, Make It Look Real
A Salute to the Movies That Got Overlooked During Oscar Season
NBC’s “The Americas” is a Gorgeous but Shallow Look at the Natural World
Talkin’ About His Generation: New Book Chronicles the Making of Millennial Touchstone “Superbad”
“Anora,” “Shōgun” Win Big with Critics Choice Awards
In Praise of Excess: Queer Maximalism in the Films of Joel Schumacher
Sundance 2025: All That’s Left of You, Magic Farm, Didn’t Die
Sundance Film Festival 2025: Predators, The Stringer, FOLKTALES
Sundance 2025: Omaha, Bubble & Squeak
Out of the Ashes: Let the 2025 Oscars Be a Telethon for Wildfire Relief
Oscar Nominations Predictions 2025
Apple TV+ Misses the Mark With Conspiracy Thriller “Prime Target”
The Metaphor Years: Writing Lessons from “The Twilight Zone”
Meet the Writers: Zachary Lee
The Trauma of Inevitability: Brady Corbet and Mona Fastvold on “The Brutalist”
Don’t Bother Waking Up for “On Call”
Female Filmmakers in Focus: Maura Delpero on “Vermiglio”
December 2024 Blu-Ray Guide: “The Wild Robot,” “Conclave,” “Alien: Romulus,” More
10 Holiday Movies That Roger Ebert Loved (and Where to Watch Them)
Process the Environment: Rachel Morrison on “The Fire Inside”
The 10 Best Horror Films of 2024
The 25 Best TV Series of 2024
We Need Art More Than Ever: Jude Law, Jurnee Smollett on “The Order”
Short Films in Focus: The Big Wait
Appreciating the Brushstrokes: Pre-Computer Animation and the Human Touch
Love Is Political: Payal Kapadia on “All We Imagine as Light”
A Voice from the Great Unconscious: Tony Todd (1954-2024)
Apple TV’s “Silo” Returns for Daring Second Season
VOTE for KAMALA HARRIS/TIM WALZ (Character Counts)
London Film Festival 2024 Highlights
Our Film Has A Power: Basel Adra and Yuval Abraham on No Other Land
The World Isn’t As Funny Now: Teri Garr (1944-2024)
30 Years of “Hoop Dreams”: Steve James on Roger Ebert, Oscar Snubs, and Documentary Filmmaking
Bright Wall/Dark Room October 2024: All Hail the Screwball Queen by Olympia Kiriakou
“Megalopolis” and “Joker: Folie à Deux”; or, The Virtue of Burning Money
The Atlas of Cinema: In Praise of Adam Driver
His Own Way: John Amos (1940-2024)
“The Last Days of the Space Age” is a Mess of a Missed Opportunity
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
TIFF 2024: The Cut, The Luckiest Man in America, Nutcrackers
Telluride Film Festival 2024: Memoir of a Snail, Better Man, The White House Effect
Telluride Film Festival 2024: Blink, Apocalypse in the Tropics, Carville: Winning is Everything, Stupid!
Telluride Film Festival 2024: Nickel Boys, The Piano Lesson, September 5
Let The Dead Sleep: On “Alien Romulus” and Digital Resurrection
TIFF 2024: 20 World Premieres We Can’t Wait to See
