
Chantal Akerman
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Thumbnails 10/9/15

NYFF 2015: “No Home Movie,” “Microbe & Gasoline”

“We can’t stop the dancing chicken!”: Ebertfest photos #2

Termite booster: Manny Farber 1917-2008

Female Filmmakers in Focus: Marva Nabili on “The Sealed Soil”

Transformation and Rebirth: Constance Tsang on “Blue Sun Palace”

Female Filmmakers in Focus: Maura Delpero on “Vermiglio”

Coming of Consciousness: Tyler Taormina on Christmas Eve in Miller’s Point

Home Entertainment Guide: January 2024

The Ten Best Films of 2023

Female Filmmakers in Focus: Jennifer Reeder on Perpetrator

Female Filmmakers in Focus: Georgia Oakley on Blue Jean

Female Filmmakers in Focus: Phyllis Nagy on Call Jane

Sally Potter on Her New Short Film Look At Me, Her Metrograph Retrospective, Her Upcoming Comedy, and More

Female Filmmakers in Focus: Sara Dosa on Fire of Love

Female Filmmakers in Focus: Anisia Uzeyman and Saul Williams on Neptune Frost

Stare at the Flame: Jane Schoenbrun on We’re All Going to the World’s Fair

William Hurt: 1950-2022

Book Excerpt: Subjective realities: The art of creative nonfiction film

The Individual Top Tens of 2020

Love Dialogue: Céline Sciamma on Portrait of a Lady on Fire

Telluride 2019: Kitty Green on Her Pre-#MeToo Thriller, The Assistant

Joanna Hogg on The Souvenir, Painting the Structure of a Film in Watercolors and More

Christian Petzold on Transit, Kafka, His Love for Den of Thieves and More

MOMA’s To Save and Project Festival: Never Fear, Histoires d’Amérique, A Day Off

Director on a tightrope: Dušan Makavejev, 1932-2019

NYFF 2018: La Flor

Home Entertainment Consumer Guide: May 12, 2017

Bright Wall/Dark Room April 2017: “Flesh & Emptiness, or 42 Ways of Looking at Paul Verhoeven” by Brad Nelson

Society for Cinema and Media Studies Meets in Chicago to Think & Talk Screens

The Most Influential Filmmakers of All Time

Help Scout Tafoya’s 15th Feature Film “The House of Little Deaths” Win Distribution

The Best Films of 2016 So Far

Tribeca 2016: “Mother”

No Home Video: On Women-Directed Films

Preview of 19th Annual Chicago European Union Film Festival

Alliance of Women Film Journalists Announce 2015 EDA Winners

Open Your Windows: Clotilde Courau on “In the Shadow of Women”

NYFF: “Carol,” “The Assassin,” “Right Now, Wrong Then”

Into the Great Big Boring

The Return of the Autobiographical Dictionary of Film

Greatest Films of All Time: Where’s the funny?

The End of “The Road”
