A Cry in the Dark
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Cannon Movie Reviews
Blog Posts That Mention Cannon
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
Netflix’s “The Residence” Spins White House Chaos into Cozy Mystery
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
When ‘Bad Boys’ Began, Martin Lawrence Was the Top Dog
Cannes 2024: Megalopolis
Two More Weeks in the Midday Sun
A Man of Many Talents: Carl Weathers (1948-2024)
SXSW 2023: Blackberry, Problemista, The Long Game
Netflix Kicks Off Year with Gimmicky, Silly Kaleidoscope
The HistoryMakers Program, Entertainment Makers: On Screen and Behind the Scenes, Streams Today, January 13th, at 8pm CT
The Righteous Gemstones Returns with Funny, Clever Second Season
Far Cry 6 Offers Explosive Experience
Richard Donner: 1930-2021
We Can Sing Again: Nine Movie Musicals Coming Out in 2021
Netflix’s Yasuke is a Bloody History Trip
Undoing Spectacle: Directors Madeleine Sims-Fewer and Dustin Mancinelli on Violation
Bright Wall/Dark Room March 2021: B Who I Want to B by Frank Falisi
10 Upcoming Films That Could Shake Up Oscar Season
FX’s Fargo Returns with an Ambitious But Underdeveloped Interrogation of the American Dream
NYFF 2019: Oh Mercy!, Sibyl, Saturday Fiction, The Irishman
Comic-Con 2019: Pennyworth
Happy Birthday, Ripley: Alien at 40
Cannes 2019: Abel Ferrara Returns to the Festival With Tommaso
45 Movies to see at the 54th Chicago International Film Festival
Home Entertainment Consumer Guide: October 4, 2018
Netflix’s Insatiable Tastes Terrible
Goodbye to the Sigh Guy: A Tribute to Tab Hunter, 1931-2018
Home Entertainment Consumer Guide: July 5, 2018
The Power of Community: A Recap of the 2018 TCM Classic Film Festival
2018 Winter Movie Preview: 25 Films We’re Excited About
The Great Performances of 2017
60 Minutes on: “Get Out”
Stanley Kubrick’s “Barry Lyndon” Joins the Criterion Collection
A Tale of Two Chainsaws: Humor and Horror in the Films of Tobe Hooper
Tobe Hooper: 1943-2017
It’s About Us: The Legacy of “Bonnie and Clyde”
A Returning Visitor: Comparing the Two Versions of “The Beguiled”
Thumbnails 2/14/17
Shot Across the Bow: Paul Schrader on “Dog Eat Dog”
Islam in Western Cinema, Part 2 – The Violent, Militant Muslim
The Best Performances of 2015
Robert Loggia: 1930-2015
The Truth is the Truth: Spike Lee on “Chi-Raq”
The 27th Polish Film Festival in America
Who Gets to Be a Hero: A Look Back at “Attack the Block”
Thumbnails 6/1/15
The World Won’t Stop Burning: The Films That Paved “Fury Road”
SXSW 2015: Studios and Indies Collide in Austin
More Than a Superstar: “Mr. Dynamite: The Rise of James Brown”
“1941”: An Appreciation and Interview with Bob Gale
Fall 2014 TV: “Forever,” “Gotham” and “Scorpion”
Australian Films in the Spotlight at the Melbourne International Film Festival
Menahem Golan: 1929-2014
The spark of life: James Shigeta, 1933-2014
Exploring Israel-Palestine Through Movies, Part 2: Friends and Foes
Paul Mazursky: 1930-2014
Early Days of Tech Craze Captured in Engaging “Halt and Catch Fire”
The 10 Most Psychologically Rich Characters of Sundance 2014
Meant to Be Heard, Not Seen: The Invisible Performances Behind Foley Art
John Lee Hancock on “Saving Mr. Banks”
“Star Wars” in Navajo
Cable’s Number One Sitcom?: “Real Husbands of Hollywood”
“History is the Backdrop”: Lee Daniels discusses “Lee Daniels’ The Butler”
Susan Seidelman, Survivor
100 Great Moments in the Movies
Happiness is being on the road again
2315 Words On “Lifeforce.” Yes. “Lifeforce.”
