Atlantics
It’s unlike few other movies you’ll see this year or possibly this decade.
Cameron Crowe
-
Linda Ronstadt: The Sound of My Voice (2019)
—
Himself
Nell Minow -
Aloha (2015)
—
Writer, Director
Christy Lemire -
We Bought a Zoo (2011)
—
Directed by
Roger Ebert -
Elizabethtown (2005)
—
Written and directed by
Roger Ebert -
Vanilla Sky (2001)
—
Directed by
Roger Ebert -
Almost Famous (2000)
—
Written and Directed by
Roger Ebert -
Jerry Maguire (1996)
—
Written and Directed by
Roger Ebert -
Singles (1992)
—
Written and Directed by
Roger Ebert -
Say Anything (1989)
—
Written and Directed by
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
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A tribute to the screenwriter William Goldman.
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A TV review of Cameron Crowe's "Roadies."
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Ben Kenigsberg predicts that "Toni Erdmann" will win the Palme d'Or.
Roger's Favorites: John and Joan Cusack
Roger's Favorites: actors John and Joan Cusack.
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An interview with Jacob Bernstein about his mother Nora Ephron, the subject of his HBO doc "Everything is Copy."
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An interview with actress Imogen Poots about her performance in the new Terrence Malick movie Knight of Cups.
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The movie questionnaire and 2015 reviews of RogerEbert.com film critic Peter Sobczynski.
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The importance of engaging in all aspects of film analysis, even the -isms, and even in summer blockbusters.
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An FFC comments on the controversy surrounding Cameron Crowe's Aloha.
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Jeffrey Westhoff on "The Boy Who Knew Too Much"; Alex Ross Perry on "Aloha"; "Pitch Perfect" screenwriter Kay Cannon; White Elephant Blogathon returns; What "Aquarius" nails about the '60s.
The Act of Not Having An Act: Cameron Crowe's Ambivalent Humanism
A piece on the history of Cameron Crowe in light of this week's Aloha.
2015 Summer Movie Preview: A Four-Month, Blockbuster Festival
A preview of dozens of films being released this Summer.
Bright Wall/Dark Room March 2015: Preserve the Moose by Andrew Root
An excerpt from the March 2015 issue of "Bright Wall/Dark Room" on "This is Spinal Tap".
