A heartfelt but scattershot documentary that tries to get inside the mind of Donald Trump's America, but mainly succeeds as a snapshot of the 2016…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Matt writes: The 2018 installment of our Women Writers Week at RogerEbert.com just came to a close and featured extraordinary writing from such vital scribes as Arielle Bernstein, Tomris Laffly, Christy Lemire, Kristen Lopez, Nell Minow, Jana Monji, Sheila O'Malley, Allison Shoemaker, Susan Wloszczyna and many others.
The winners of the festival's jury and audience awards were announced on Saturday night.
A review of Ethan Hawke's "Blaze," which premiered Sunday at the Sundance Film Festival.
110 independent films have been announced to premiere at next January's Sundance Film Festival.
An interview with actor Michael Cera, star of "Person to Person" and "Lemon."
An article about the winners of the 2017 Gracie Awards.
An extensive preview of 50 films coming out within the next four months, from "Sully" to "Toni Erdmann."
An interview with writer/director Jeremy Saulnier about his punk rock thriller "Green Room."
Reviews from Sundance 2016 of US Dramatic Main Competition titles "Tallulah," "The Intervention" and "Joshy."
A look at some of the narrative, documentary, and midnight titles set to premiere at Sundance 2016.
A review of Jeremy Saulnier's Green Room, starring Anton Yelchin and Patrick Stewart.
Ben Kenigsberg looks at Kent Jones's documentary "Hitchcock/Truffaut," showing in Cannes Classics.
A recap of the best of the 2015 SXSW Film Festival.
An analysis of Lawrence Michael Levine's "Wild Canaries" and its ties to classic rom-com capers.
This is a free sample of the Newsletter members receive each week. It contains content gathered from recent past issues and reflects the growing diversity of what's inside the club. To join and become a member, visit Roger's Invitation From the Ebert Club.
Marie writes: Not too long ago, Monaco's Oceanographic Museum held an exhibition combining contemporary art and science, in the shape of a huge installation by renowned Franco-Chinese artist Huang Yong Ping, in addition to a selection of films, interviews and a ballet of Aurelia jellyfish.The sculpture was inspired by the sea, and reflects upon maritime catastrophes caused by Man. Huang Yong Ping chose the name "Wu Zei"because it represents far more than just a giant octopus. By naming his installation "Wu Zei," Huang added ambiguity to the work. 'Wu Zei' is Chinese for cuttlefish, but the ideogram 'Wu' is also the color black - while 'Zei' conveys the idea of spoiling, corrupting or betraying. Huang Yong Ping was playing with the double meaning of marine ink and black tide, and also on corruption and renewal. By drawing attention to the dangers facing the Mediterranean, the exhibition aimed to amaze the public, while raising their awareness and encouraging them to take action to protect the sea.
At night, the ski slopes of Park City, Utah, are lit so beautifully they look like screens awaiting a projection from the sky. A moviegoer attending Sundance Film Festival couldn't wish for a better backdrop for a long trek home after the final movie of the day is over. Even if the film happened to be lousy, those huge mid-air patches of white seem to hint that the good stuff is yet to come.
Marie writes: Behold the entryway to the Institut Océanographique in Paris; and what might just be the most awesome sculpture to adorn an archway in the history of sculptures and archways. Photo @ pinterest
(click to enlarge.)
Marie writes: Intrepid club member Sandy Kahn came upon the following recipe and wisely showed it to me, so that I might share it in turn with all of you. Behold the morning chocolate cookie - a healthy breakfast treat loaded with good stuff; like fiber and imported French chocolate.
Marie writes: As TIFF 2012 enters its last week and the Grand Poobah nurses his shoulder in Chicago (having returned home early for that reason) the Newsletter presents the final installment of Festival trailers. There was a lot to chose from, so many in fact there was no room for theatrical releases; they'll return next week. Meanwhile, enjoy!
Marie writes: According to the calendar, summer is now officially over (GASP!) and with its demise comes the first day of school. Not all embrace the occasion, however. Some wrap themselves proudly in capes of defiance and make a break for it - rightly believing that summer isn't over until the last Himalayan Blackberry has been picked and turned into freezer jam!
Marie writes: As I'm sure readers are aware, the 2012 Summer Olympics in London are now underway! Meanwhile, the opening ceremony by Danny Boyle continues to solicit comments; both for against. (Click image to enlarge.)
Marie writes: While writer Brian Selznick was doing research for his book "The Invention of Hugo Cabret", he discovered the Franklin Institute in Philadelphia had a very old automaton in their collection. And although it wasn't one of machines owned by Georges Melies, it was remarkably similar and with a history akin to the one he'd created for the automaton in The Invention of Hugo Cabret...
Marie writes: It occurred to me that I've never actually told members about the Old Vic Tunnels. Instead, I've shared news of various exhibits held inside them, like the recent Minotaur. So I'm going to fix that and take you on a tour! (click image to enlarge.)
So, did you like what you got for Christmas..?
The Golden Globe for Best Actress in a Musical or Comedy goes to … Kathy Griffin for her pre-show red carpet performance on E!