On the surface, Unsane is a potboiler, a routine stalker thriller. But it works because of how much there is going on within that familiar…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
On two unique films from SXSW, both inspired by classic European horror.
A countdown of our most anticipated films coming this winter.
What does a Hollywood screenwriter bring to a video game? A review of "Tom Clancy's Ghost Recon Wildlands," written by a movie screenwriter.
Reactions to to some of the 2016 Academy Award nominees.
A list of the 2016 Academy Award nominees.
An excerpt from the January 2016 issue of Bright Wall/Dark Room about "Ex Machina."
Highlights of our 2015 interviews, including Brie Larson, Bryan Cranston, Jason Segel, Lexi Alexander, Sarah Silverman, Spike Lee, Tom McCarthy, Ramin Bahrani, Paul Feig, Charlie Kaufman and much more.
A news story on the 2015 CFCA nominees.
An interview with "Ex Machina" director Alex Garland.
A preview of the 2015 South by Southwest Film Festival.
Whenever I saw a plastic bag, a mixed feeling of benevolence and mild annoyance used to bubble up within me. When not neatly stacked by the cashier in a store or filled with stuff, they were usually flapping in the wind making unnecessary noises or worse, trailing in the gutter or sidewalk, being useless. Their life as intended was over, but they seemed oblivious.
These feeling changed after I first read the novel "Never Let Me Go" by Kazuo Ishiguro, which in its almost-casual prose and easy pace, threaded me through the legendary grounds of Hailsham and the damp English countryside with Ruth, Tommy, and Kathy. Along the way I sat beside the girls while they bonded, and stood beside the boys while they yelled. Throughout their lives, I got to know these three people, and they became real to me. By the time the book completed, so had they, but I was not.
Marie writes: I love cinematography and worship at its altar; a great shot akin to a picture worth a thousand words. The best filmmakers know how to marry words and images. And as the industry gears up for the Golden Globes and then the Oscars, and the publicity machine starts to roll in earnest, covering the Earth with a daily blanket of freshly pressed hype, I find myself reaching past it and backwards to those who set the bar, and showed us what can be accomplished and achieved with light and a camera...
Cinematography by Robert Krasker - The Third Man (1949) (click to enlarge images)
• Toronto Report #1
I walk out the hotel door and don't know where I am. I've spent almost ten months in Toronto, one film festival at a time, and I know my way around. So where am I? The concierge says the district is "near the Entertainment District."
Not far away are some of the big Toronto legit houses. Turn a corner and I realize
Marie writes: what do you get a man with a massive book collection who has artwork by Edward Lear and huge canvases by Gillian Ayres? What would a man with a Pulitzer and a Webby now renowned for the verbosity of his tweeting, like for his birthday? Much pondering went into answering that. Until suddenly a light-bulb went on above my head! (Click image.)Of course! It's so obvious - turn the Grand Poobah into a super hero! Super Critic: battling the forces of bad movies and championing the little guy, while tweeting where no critic has gone before! In the process, we'll get to see him wearing a red cape and blue tights. Perfect.Note: the artwork was done by Dave Fox of INTOON Productions. He makes personalized comic book covers and animation cels. Diane Kremmer, a long time friend and fellow artist, works and lives with Dave on Pender Island (one of the Gulf Islands off the coast of BC near Washington State.) I spent last weekend with them and took advantage of Dave's cartooning skills. I mention this because he did all the work. I just sat there and drank his wine. :-)