Deuce Bigalow: Male Gigolo
Written by
Schneider
Schneider Movie Reviews
Blog Posts That Mention Schneider
A Canvas of Veracity: Aaron Schneider on Directing Greyhound
CIFF 2015: “The Red Spider,” “Schneider vs. Bax”
One Act of Kindness: Rob Schneider and Roger
Maria Schneider comes to America
Interview with Maria Schneider
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
A Preview of the 2025 Rendez-Vous with French Cinema
Sundance 2025: Train Dreams; Sorry, Baby
2025 Sundance Film Festival Announces Ambitious Program
In Memoriam: Alain Delon
Always a Rebel: Alessandro Nivola on The Big Cigar
R.I.P. Icon Norman Lear, Thank You for Your Century of Inspiration
He Did It All: William Friedkin (1935-2023)
Bending History: Marie Kreutzer on Corsage
NYFF 2022: Coma, Queens of the Qing Dynasty, Enys Men
Happy 100th Birthday to Norman Lear!
I Wanna Be Free: Bob Rafelson (1933-2022)
I Have to Love My Characters: Peter Strickland on Flux Gourmet
Janus-Faced: The Two Tony Sopranos
Home Entertainment Guide: August 2021
Sun-Kissed Tension: On the Staying Power of Deray’s La Piscine
A Household Name in France: Celebrating Bertrand Tavernier
Bertrand Tavernier: 1941-2021
Celebrating Living Legend Norman Lear on His 98th Birthday
Living Legends: A Salute to Norman Lear
Amazon’s Tales from the Loop Aims to Break Your Heart
One Day at a Time Moves to Pop
EBERTFEST FILM FESTIVAL 2020 CANCELLATION: WHY IT HURTS
An Ode to Supernatural
The Best Television of 2019
Happy Birthday, Roger: A Celebration of Our Favorite Writing
An Ode to Pedro Almodovar’s All About My Mother on Its 20th Anniversary
Honoring Alain Delon in Cannes Was The Right Thing To Do, Here’s Why
The Unloved, Part 61: The Predator
Roma, The Favourite, A Star is Born Lead Chicago Film Critics Nominees
Bernardo Bertolucci: 1941-2018
60 Minutes on: The Death of Stalin
Bright Wall/Dark Room March 2018: Soderbergh’s Limey’s by George Hardy
The History of Hollywood’s Difficult Women
Sundance 2018 Announces Competition, Premiere, Midnight Titles and More
The Unloved, Part 47: The Assignment
Hollywood Beginning: Eugenio Derbez on “How to Be a Latin Lover”
A Revolution of Love: Chicago Commemorates Empathy and Roger Ebert
Chicago International Music and Movies Festival 2016 Preview
Andrzej Żuławski: 1940-2016
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
It’s Real: A Few Words with Haskell Wexler
TIFF 2015: “The Lady in the Van,” “The Daughter”
Venice Film Festival 2015: “A Bigger Splash,” “Amarcord”
Thumbnails 7/31/15
2015 Summer Movie Preview: A Four-Month, Blockbuster Festival
Memories of Roger: My Photo Journal from the Last Two Years
The Soldier of Cinema: The Special Features of “Life Itself” on Blu-ray
Thumbnails 4/24/14
Thumbnails 11/15/2013
For Roger, Six Months Later
A competitor for Gotham City
“Hurt Locker” wins 3 big ones from the major critics’ group
A bouquet arrives…
New from Ebert: “Your Movie Sucks”
Ebert’s Most Hated
Gangsters, renegades and rebels
Flowers from a gigolo
Sex and the City: Girls do poop!
Flamers
Best and Worst Oscar Actors
Oh no! The secret is out!
The film that will never exist
The great movies of my childhood
Hemingway & Gellhorn: Corny and canny
Who do you read? Good Roger, or Bad Roger?
CIFF 2010: Our capsule reviews
CIFF: All our capsule reviews
The good, the bad and the puzzling
Michelangelo Antonioni: In Memory
My problem with “Blue Velvet”
Interview with Peter Finch
A remake of “The Third Man?” Say it ain’t so, Leonardo
When a sigh is not just a sigh
It’s deuce on stupid movies
‘Deuce’ doesn’t score with readers
Truth is the curse of the critic
Oscars: You win some, you lose some
Movie Answer Man (03/24/2002)
Movie Answer Man (02/13/2000)
