L’Adolescente
Screenplay by
Moreau
Moreau Movie Reviews
Blog Posts That Mention Moreau
Jeanne Moreau and the Art of Refusal
Jeanne Moreau: 1928-2017
Jeanne Moreau as star and as director
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
The Most Unsung Leading Man of His Generation: Val Kilmer (1959-2025)
10 Great Horror Films from 2024 (and Where to Watch Them)
Retrospective: Jean-Pierre Melville and the Cinematic Hitman
Japanese Horror Comes to the Film Forum
Where’s My Black Girlhood?: The Whitewashing of the Femme Boom
Home Entertainment Guide: September 2023
Prime Video’s Gen V is An Antidote for Superhero Fatigue
A Preview of the 2022 Rendez-Vous with French Cinema
Monica Vitti: 1931-2022
Jean-Paul Belmondo: 1933-2021
Head Into the Darkness of Resident Evil Village
Getting Away With It: Mads Mikkelsen and Anders Thomas Jensen on Riders of Justice
Honoring Alain Delon in Cannes Was The Right Thing To Do, Here’s Why
Nelly Kaplan Retrospective at NYC’s Quad Cinema Celebrates Ferocious Filmmaker
RIP Cinema: On James Dean’s Disappearance and French New Wave Legacy
Partners in mind: Keith Carradine and Alan Rudolph
Cannes 2018 Video #1: Preview
The Unloved, Part 51: Mademoiselle
Thumbnails 10/2/17
30 Minutes on: “Elevator to the Gallows”
“Wet Hot American Summer: Ten Years Later” Continues Legacy of Cult Comedy Classic
Fearless at Ground Zero: On Isabelle Huppert
Chicago French Film Festival 2016 Preview
Thumbnails 4/29/16
The Ragged Charm and Undeniable Greatness of “Chimes At Midnight”
Once More Into The Breach: Some Overseas Blu-ray Action
At Last! “The End of the World” is Here!
TIFF 2015: “The Ardennes,” “Desierto,” “Jafar Panahi’s Taxi,” “Victoria,” “Men & Chicken”
Art House Sirens American Western Blu-ray Double Feature: “Duel At Diablo” and “Monte Walsh”
Orson Welles at 100
Thumbnails 5/7/15
Book Excerpt: “Orson Welles: Power, Heart, and Soul” by F.X. Feeney
Criterion’s “The Essential Jacques Demy”
Meet the Writers: Dan Callahan
Bernadette Lafont: The French New Wave’s First Leading Lady Hardly Ever Played “Lady-like”
Thumbnails 6/30/2013
We have heard the chimes at midnight. “Falstaff,” by Orson Welles, free online
Public Edition #5
“Hurt Locker” wins 3 big ones from the major critics’ group
Three critics’ groups vote on year’s best movies: Consensus forming?
Vertigo
Salt: It’s a movie! It’s a spy! It’s a nuclear antiproliferation treaty!
Verdant Vertigo: Dreaming in Technicolor
Almodovar’s passionate celebration of cinema: Omar Moore on “Broken Embraces”
A lesson in life
The gathering Dark Age
The best foreign films of 2009
Cannes #4: Aboard starship ‘Sith’
Cannes #6: Year of the quiet film
Best films change perspectives on life
Deneuve soars above glitz of Cannes
Bold and beautiful show their Cannes-do spirit
Cannes all winners
Cannes Film Festival
Brando was a rebel in the movies, a character in life
Malle’s only constant was unpredictability
Interview with Louis Malle (1976)
Interview with Louis Malle
