Becoming Mike Nichols
Himself
Mike Nichols
Mike Nichols
Mike Nichols Movie Reviews
The Designated Mourner
Jack
Charlie Wilson’s War
Directed by
Closer
Directed by
What Planet Are You From?
Directed by
Primary Colors
Produced and Directed by
The Birdcage
Produced and Directed by
Wolf
Directed by
Regarding Henry
Produced by
Postcards from the Edge
Directed by
Working Girl
Directed by
Biloxi Blues
Directed by
Heartburn
Directed by
Silkwood
Directed by
Catch-22
Director
The Graduate
Directed by
The Graduate
Directed by
Blog Posts That Mention Mike Nichols
Mike Nichols: A Life is a Must-Read Memoir
Mike Nichols: 1931-2014
Elaine May’s Mikey & Nicky Ready for Rediscovery on Criterion Blu-ray
Jack Nicholson: On aCollision Course with Fate
Bright Wall/Dark Room Excerpt January 2015: “Break, Blow, Burn, and Make Me New” by Chad Perman
Thumbnails 11/20/14
Shirley MacLaine’s review of that Joaquin Phoenix documentary
Wes Anderson scavenger hunt: Truffaut, Welles, Peanuts…
The art of sexual belt-notching
Sex, politics and dust-busting
Joan Cusack: Best Supporting Energy
Joy in Racing to Keep Up: Tom Stoppard (1937-2025)
Female Filmmakers in Focus: Rebecca Miller on “Mr. Scorsese”
DVD/Blu-Ray Guide July 2025: “A Minecraft Movie,” “Final Destination: Bloodlines,” “The Legend of Ochi,” More
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
I Think Of Them As The Work: Gene Hackman (1930-2025)
What About Bob? On the Legacy of One of the Best-Loved Comedians, Bob Newhart (1929-2024)
58th KVIFF Welcomes Viggo Mortensen, Steven Soderbergh, Clive Owen, And More
Why Closer Still Matters Two Decades After Its Release
Serious Oscar Contenders Dazzle at 2022 BendFilm Festival
Even More Magical Than We Thought: Kristin Marguerite Doidge on Her New Biography of Nora Ephron
He Made Everything Better: Fred Ward (1942-2022)
Jesus, I Love to Shoot Film: The Siskel Film Center Pays Tribute to Haskell Wexler
The Damned: The Films of Elaine May
30 Minutes On: The Graduate
Reintroducing Sparks: Edgar Wright and Russell and Ron Mael on The Sparks Brothers
A Steady Intensity: Charles Grodin, 1935-2021
My Mother’s Stories: Michael Koresky on Films of Endearment
Giuseppe Rotunno: 1923-2021
You Don’t Think the Future Knows How to Cross A Bridge: Relighting The Bonfire of the Vanities
Buck Henry: 1930-2020
Bright Wall/Dark Room September 2019: Blind Date by Veronica Fitzpatrick
Doris Day: 1922-2019
Jonathan Levine on Long Shot, the Physical Comedy of Charlize Theron, Making Seth Rogen a Romantic Lead and More
Mothers Doing the Extraordinary: Peter Hedges on Ben is Back
Thumbnails 9/28/18
Neil Simon: 1927-2018
Partners in mind: Keith Carradine and Alan Rudolph
Let the River Run: On the 30th Anniversary of Working Girl
AFI Fest 2017: “The Shape of Water” Panel with Guillermo del Toro, Sally Hawkins and more
Thumbnails 8/11/17
Michael Ballhaus: 1935-2017
Make it To Shore: The Staff Says Goodbye to Carrie Fisher
Carrie Fisher 1956-2016
Accidental Genius: Simon Helberg on “Florence Foster Jenkins”
The Unloved, Part 30: Torn Curtain & Topaz
True Love Never Did Run Smooth: Rebecca Miller on “Maggie’s Plan”
Roger’s Favorites: John and Joan Cusack
Her Own Story: A Nora Ephron Appreciation
Home Entertainment Consumer Guide: March 4, 2016
Thumbnails 2/24/16
RogerEbert.com Writers & Filmmakers Remember Haskell Wexler
Movies Are My Medication: Josh Mond and Christopher Abbott on “James White”
We All Feel This Way: Ramin Bahrani and Noah Lomax on “99 Homes”
Meet the Writers: Matt Fagerholm
Short Films in Focus: “Adelaide”
Thumbnails 2/2/15
Thumbnails 12/15/14
Stuart Acher Returns
Book Excerpt: Meryl Streep: Anatomy of an Actor
Matt Zoller Seitz’s Top 10 Films of 2013
The agonizing bite of “Wit”
The Best Films of 2004
The Best 10 Movies of 1998
The Best 10 Movies of 1988
The Best 10 Movies of 1971
101 102 Movies You Must See Before…
Elizabeth Taylor, pagan goddess
Name That Director!
It Ain’t the Meat (It’s the Motion): Thoughtson movie technique and movie criticism
Gary Winick: A valediction forbidding mourning
The China / Fukushima Syndrome
Films that are not for the dying so much
When a movie hurts too much
Hillary and Bill: The movie
Oscar, Oscar: Who will win?
Ebert predicts the nominations
Cable goes where studios fear to tread
The film’s the thing Telluride fest gives nod to big movies on small screen
Elizabeth Taylor, a star in a category of her own, dies at 79
“Juno’s” Reitman on Ellen Page: “She’s the real thing. Fearless”
Garr gets serious about her image
Melanie Griffith puts heart into `Stormy Monday’
Interview with Meryl Streep
Harold Pinter
Interview with Ann-Margret (1982)
Interview with Gene Wilder (1979)
Interview with Warren Beatty (1975)
Interview with Ann-Margret
Ann-Margret: Still cracking that whip
Haskell Wexler: “See, nothing is ‘real.'”
Interview with Rick Herland
Interview with Stanley Kramer
Interview with Alan Arkin
