We Are Your Friends
Friends shouldn’t let friends pay money to see We Are Your Friends.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with Jason Segel, star of "The End of the Tour."
A preview of dozens of films being released this Summer.
A preview of the Chicago Critics Film Festival, featuring "The End of the Tour," "Me & Earl & the Dying Girl," "The Overnight," "Digging For Fire," "Results," and much more!
A profile of 2015 Ebertfest attendees Daniel and Janet Weber.
Videos from Ebertfest 2015.
An interview with Ebertfest attendee Ian Leighly.
Awarding Jason Segel the "Spit Take" award and discussing The End of the Tour.
A film-by-film preview of the 2015 Ebertfest.
Ebertfest to welcome Jason Segel, James Ponsoldt, Chazz Palminteri, Jon Kilik, Julieta Zylberberg and Alan Polsky.
The full schedule for Ebertfest 2015.
How Allison Jones reshaped American comedy; History of Max Headroom; Matthew Modine's "Full Metal Jacket Diary"; Bone broth is hot ham water; A physicist explains "Furious 7."
A preview of Ebertfest 2015.
Performance highlights of Sundance 2015.
A review of James Ponsoldt's "The End of the Tour" with Jesse Eisenberg and Jason Segel.
Our most anticipated films of the 2015 Sundance Film Festival.
Ebertfest receives a 2014 grant from the Hollywood Foreign Press.
Marie writes: At long last, after two years of mediocre weather compounded by bad timing, the planets managed to align themselves again in my favor and I was finally able to return to Pender Island and where my tale begins....
HAPPY BELATED BIRTHDAY TO THE EBERT CLUB!
Yes, but is it Art? Marcell Duchamp's famous "Fountain" aka urinal
Marie writes: many simply know her as the girl with the black helmet. Mary Louise Brooks (1906 - 1985), aka Louise Brooks, an American dancer, model, showgirl and silent film actress famous for her bobbed haircut and sex appeal. To cinefiles, she's best remembered for her three starring roles in Pandora's Box (1929) and Diary of a Lost Girl (1929) directed by G. W. Pabst, and Prix de Beauté (1930) by Augusto Genina. She starred in 17 silent films (many lost) and later authored a memoir, Lulu in Hollywood."She regards us from the screen as if the screen were not there; she casts away the artifice of film and invites us to play with her." - Roger, from his review of the silent classic Pandor's Box.
From Janis McGlone, Albuquerque, NM
Q. I read your review for "Tintin" and it says the 3D works nicely. I have one tiny problem, though, I would have preferred the 2D because our son is autistic and we don't know how he'd take the whole 3D thing. The 2D version is only showing at 9:15 pm. On a scale from 1 to 10, how overwhelming did you think the 3D was in this particular movie? I know it's ultimately our decision, but I'd like to know if anyone thinks it's too overwhelming. Thanks! (Lola Bringas-Garcia)
After years of speculation and delays, "The Tree of Life," Terrence Malick's long-awaited film that took viewers from the beginning of time to 1950s Texas, proved to be worth the wait, according to the Chicago Film Critics Association. The CFCA gave "Tree of Life" four awards including Best Picture, Director, Supporting Actress for newcomer Jessica Chastain and Cinematography for Emmanuel Lubezki.
Marie writes: If you're like me, you enjoy the convenience of email while lamenting the lost romance of ink and pen on paper. For while it's possible to attach a drawing, it's not the same thing as receiving hand-drawn artwork in the mail. Especially when it's from Edward Gorey..."Edward Gorey and Peter Neumeyer met in the summer of 1968. Gorey had been contracted by Addison-Wesley to illustrate "Donald and the...", a children's story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Gorey's shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Gorey's drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969."