The Emperor’s New Clothes
Written by
Taylor
Taylor Movie Reviews
Blog Posts That Mention Taylor
Taylor Sheridan’s “1923” Returns with Same Degree of Self-Proclaimed Grandeur
Plant the Tree: RaMell Ross, Ethan Herisse, Brandon Wilson, and Aunjanue Ellis-Taylor on “Nickel Boys”
Taylor Sheridan’s Well Runs Dry in “Landman”
Enter Regina Taylor’s Black Album Mixtape Contest
Taylor Sheridan Stretches Himself Beyond Mission Parameters with Special Ops: Lioness
On The Rise of Taylor Swift, Filmmaker
Taylor Sheridan Taps the American Mine of Toxic Masculinity for Mayor of Kingstown
Regina Taylor to Premiere New Play, Exhibit, as Part of Aspen’s Solo Flights in September
I Believe in Individuals: Barry Gifford and Lili Taylor on Roy’s World: Barry Gifford’s Chicago
Master Storyteller T. Shawn Taylor to Host Workshop on March 6th as Part of No Malice Film Contest
Two Sides of the Same Coin: Trey Edward Shults, Kelvin Harrison Jr. and Taylor Russell on Waves
An Interactive Movie: Meagan Good and Deon Taylor on The Intruder
Taylor Sheridan’s Ambitious Yellowstone is Expansive, Unruly
NYFF 2017: “The Rape of Recy Taylor,” “Before We Vanish”
Charles Taylor on His New Book, “Opening Wednesday at a Theater or Drive-In Near You”
Video Interview: Chadwick Boseman and Tate Taylor on “Get On Up”
Legendary Celebrity Couple Captured in BBC America’s ‘Burton and Taylor’
The Thinking Molecules of Titan: Ending by Taylor Bettinson
Samuel Taylor Coleridge
Elizabeth Taylor, pagan goddess
Elizabeth Taylor helps host surreal AIDS benefit
Elizabeth Taylor, a star in a category of her own, dies at 79
Interview with Elizabeth Taylor & Richard Burton
Interview with Ross Hunter & Delores Taylor
Dancing With Death: Mike Flanagan on “The Life of Chuck”
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
The Red Carpets of the 2025 Chicago Critics Film Festival
A True Sense of the Eerie, or Why I Love the Hell House Films
Netflix’s “Devil May Cry” Adapts Hit Video Game Series with Artistic Flair
Tom Hardy Carries Promising Double-Episode Premiere of Paramount+’s “MobLand”
Finding a Way Home: André Holland Never Rests
Age Has No Expiration When It Comes to Talent
SXSW Film Festival 2025: Nirvanna the Band the Show the Movie, Fantasy Life, Brother Verses Brother
“Out of My Mind” Director Amber Sealey on Casting Authenticity and Breaking Barriers
What to Watch on Netflix: March 2025
If We Picked the Winners: The 97th Academy Awards
Movies to Watch if You Love Bad Bunny
Scott Derrickson Dives Deep into “The Gorge”
Navigating Sundance as a First Timer
10 Great Performances from Sundance 2025
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
Sundance: Dead Lover, Touch Me
Ten Shocking Omissions from the 2025 Oscar Nominations
Oscar Nominations Predictions 2025
Dream of Death: Robert Eggers on “Nosferatu”
Peter Berg Shows the Ugly Side of American History With the Frustrating “American Primeval”
Noah Wyle Anchors Intense, Effective Max Medical Drama “The Pitt”
FOX’s “Going Dutch” Lacks Chemistry, Heart, and a Sense of Humor
14 Underrated Movies of 2024
The Great Craft of 2024
Process the Environment: Rachel Morrison on “The Fire Inside”
My Night at the Critics Choice Celebration of Black Cinema and Television
2025 Sundance Film Festival Announces Ambitious Program
The Best Films of 2024
Prime Video’s “Cross” Adaptation is Killer
Black Harvest Film Festival 2024 Preview
“A Quiet Place: The Road Ahead” Wastes Potentially Rich Idea
Short Films in Focus: Don Hertzfeldt’s “ME”
VOTE for KAMALA HARRIS/TIM WALZ (Character Counts)
London Film Festival 2024 Highlights
André Holland Talks Deleted Scenes from “42”
30 Years of “Hoop Dreams”: Steve James on Roger Ebert, Oscar Snubs, and Documentary Filmmaking
London Film Festival 2024 Preview
A Careful Performer: Maggie Smith (1934-2024)
The State of the 2024 Oscar Race
TIFF 2024: Millers in Marriage, Sketch, The Deb
TIFF 2024: On Swift Horses, Meet the Barbarians, All of You
Wrapping Up My Experiences at the 2024 Telluride Film Festival
Telluride Film Festival 2024: Nickel Boys, The Piano Lesson, September 5
Female Filmmakers in Focus: Mika Gustafson and Alexander Öhrstrand
Telluride Film Festival 2024: Memories for a Lifetime
Home Entertainment Guide: August 2024
Tina Mabry and Edward Kelsey Moore on the Joy and Uplift of The Supremes at Earl’s All-You-Can-Eat
Thumbnails 8/15/24: Six Must-Reads You Don’t Want To Miss This Week
On the Trail: India Donaldson on Good One
Interview with Next Avenue: Chaz Ebert Wants You To Give a FECK
I’ve Got A Way With Young People: 25 Years of Dick
10 Films to Thrill You at the 2024 Fantasia International Film Festival
Pat Garrett and Billy the Kid Ride Again with Criterion’s 50th Anniversary Release
Time to Bloom: KiKi Layne on Dandelion
The Best Films of 2024 So Far
Furiosa Doesn’t Feel Like Any Other Mad Max Film, and That’s What’s Wonderful About It
The Shield vs. The Wire
House of the Dragon Returns with a Captivating Yet Convoluted Second Season
When ‘Bad Boys’ Began, Martin Lawrence Was the Top Dog
Short Films in Focus: The Year of Staring at Noses
Prime Video’s Outer Range Opens Up in a Hole New Way in Season 2
A Preview of the 2024 Cannes Film Festival
The 10 Most Anticipated Films of Cannes 2024
Phil Lord and Chris Miller Made the Multiplex Safe for ‘The Fall Guy’
AMC’s Interview with the Vampire Has a Different Flavor in Season Two
No Therapy: The Primordial Commitment of The Northman
Home Entertainment Guide: April 2024
Pioneering Actor-Producer Terry Carter Dies
25 Years Later, Alexander Payne’s Election Remains as Relevant as Ever
Luca Guadagnino Is Love
Sonic the Hedgehog Franchise Moves to Streaming with Entertaining Knuckles
Ape Shall Not Kill Ape: A Look at the Entire Apes Franchise
