
Festivals & Awards
Ebertfest Film Festival 2023 Passes On Sale December 12th
An announcement of passes going on sale Monday, December 12th, for the next Ebertfest Film Festival, which will take place April 19-22, 2023, in Champaign, Illinois.
An announcement of passes going on sale Monday, December 12th, for the next Ebertfest Film Festival, which will take place April 19-22, 2023, in Champaign, Illinois.
A reprint of Roger Ebert's review of Monster, with an introduction from Sarah Knight Adamson.
A fond look back at photos of past Ebertfest gatherings as well as the 20th anniversary Ebertfest video, in preparation for resuming the film festival September 8-11, 2021.
An announcement of passes going on sale Friday, November 1st, for the next Ebertfest Film Festival that takes place April 15-18, 2020, in Champaign, Illinois.
Matt writes: The full line-up for our 21st annual Roger Ebert's Film Festival (a.k.a. Ebertfest), running Wednesday, April 10th, through Saturday, April 13th, is now available on RogerEbert.com. We are dedicating the festival this year to the memory of one of our favorite actors and frequent guests, Scott Wilson, whose great 1984 film "A Year of the Quiet Sun" is among the selections. We also look forward to celebrating the longtime on-air partnership Roger had with Richard Roeper, who will be on hand for two special screenings, as well as the legacy of "Rachel Getting Married" director Jonathan Demme.
An article announcing the Aretha Franklin documentary, "Amazing Grace," as the opening night selection for Ebertfest 2019.
An article about the 21st annual Ebertfest Film Festival, running April 10th through April 13th in Champaign, Illinois.
Matt writes: In our first Ebert Club newsletter of 2019, I am joining my publisher Chaz Ebert, editors Brian Tallerico and Matt Zoller Seitz, and fellow assistant editors Nick Allen and Nell Minow in wishing you a Happy New Year!
A collection of all our tributes this past year to the unforgettable talent we lost.
Matt writes: Scott Wilson (1942-2018) may be best known to modern viewers for his work on "The Walking Dead," yet his great screen career spanned several decades and included numerous memorable performances. His first two films, both released in 1967, proved to be classics: "In the Heat of the Night" and "In Cold Blood." He earned a Golden Globe nomination for acting opposite Stacy Keach in William Peter Blatty's 1980 horror offering, "The Ninth Configuration," and went on to be featured in unforgettable pictures such as "The Right Stuff," "Dead Man Walking" and "Junebug."
A tribute to the late actor and Ebertfest favorite, Scott Wilson.
An article announcing the 20th Anniversary of Ebertfest April 18-22, 2018 and tickets on sale November 1st.
Crying through the fight scenes in "Wonder Woman"; Behind Wonder Woman is a great man; How Patty Jenkins saved DC; Tributes to 1978's "Superman"; Ebert on Jenkins.
The work of the late author, writer and director William Peter Blatty will continue to haunt the dreams of readers and moviegoers for generations to come.
An article about Ebertfest, Roger Ebert's Film Festival 2017 passes, which are now on sale.
An article on Ebertfest 2016 passes available for purchase on November 2nd.
A gallery of photos, videos and links illustrating Chaz's journey relating to Roger's legacy in the two years since his death.
Sam Fragoso chats with Kim Robeson, an Ebertfest lover who has been coming since the very first year.
I made a wisecrack recently that, as far as I can tell, the zombies on AMC's "The Walking Dead" are metaphors for zombies. (Fortunately the show has the sense to hire guest stars like my friend Scott Wilson to add a human dimension to the endless splatter.) Another wise and talented friend, Kathleen Murphy, wrote something about the undying appeal -- and flesh-creeping significance -- of zombies a few years back that, unfortunately, can no longer be found on the web. But she was kind enough to send me the introduction ("It's alive!"), which I happily resurrect from the abyss for you here. Dig in:
Back to back, belly to belly I don't give a damn, I done dead already Oho back to back, belly to belly At the Zombie Jamboree
by Kathleen Murphy
In the hierarchy of horror movies, zombies usually come in dead last, behind glam monsters like vampires and demons, witches and werewolves. Ambulatory corpses are rarely pleasant to look at, and it's devilishly difficult to project personality through all that putrefaction, what with your fleshy bits constantly dropping off. Mostly zombies just shamble and chomp, activity that falls somewhat short of the meat-and-potatoes of high-class drama.