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Running Movie Reviews
Blog Posts That Mention Running
Netflix’s “Running Point” is Pretty Funny if You Don’t Think About it Too Hard
New Works Virtual Festival Now Running Through Christmas Day
SXSW 2019: Running with Beto, Building the American Dream, Well Groomed
The Running Men: Benny & Joshua Safdie on “Good Time”
Book Excerpt: “Showrunners: The Art of Running a TV Show” by Tara Bennett
Running from your memories
Bullhead: A man running from his past
Cannes 2025 Video #9: Wrap Up
How Ving Rhames Became the True Heart of the Mission: Impossible Franchise
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #7: Critics’ Roundtable
Cannes 2025: The President’s Cake, Death Does Not Exist, Peak Everything
Cannes 2025: Resurrection, Honey Don’t!
Cannes 2025: The Secret Agent, The Love That Remains, Magellan
Lookin’s Free: Joe Don Baker (1936-2025)
Cannes 2025: The Chronology of Water, Urchin
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
Female Filmmakers in Focus: Dea Kulumbegashvili on April
“Cookie’s Fortune”: A Little Southern Comedy
Robert Daniels & Odie Henderson Talk Sinners
Chicago Latino Film Festival 2025: Highlights of a Creative Force
Big Blocks of Fun: A Minecraft Movie
Chicago Critics Film Festival Announces Full Schedule, Special Guests
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
Prime Video’s “The Bondsman” Takes Kevin Bacon on a Drab Trip to Hell and Back
Seth Rogen’s Clever “The Studio” Skewers Hollywood with Love
Ambient Comedy: Carson Lund on “Eephus”
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
Can’t Stop the Vilanch: Legendary Comedy Writer Spills on the Creation of His Career’s Guiltiest Pleasures
Brian Tyree Henry Does His Best to Carry Apple TV’s Explosive “Dope Thief”
Movies for the Freaks: Mark Anthony Green on “Opus”
SXSW Film Festival 2025: It Ends, The Threesome, Caper
Karen Jankel, Daughter of Author Michael Bond, Tells Stories of London’s Lovable Paddington Bear
“Daredevil: Born Again” is an Imperfect Interrogation of Our Current Moment
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
A Preview of the 2025 Rendez-Vous with French Cinema
NBC’s “The Americas” is a Gorgeous but Shallow Look at the Natural World
Pixar’s Charming but Compromised “Win or Lose” Catches A Few Foul Balls
“Avowed” Brings Personal Characters To An Exciting World
Netflix’s “Cobra Kai” Lands One Final Nostalgic Punch In Its Last Episodes
In the Name of Friendship: Matthew Rankin on “Universal Language”
Life, the Movie: Why Documentary Filmmaking Should Return to, You Know, Documenting Stuff
Navigating Sundance as a First Timer
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
Ten Shocking Omissions from the 2025 Oscar Nominations
Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell
10 Holiday Movies That Roger Ebert Loved (and Where to Watch Them)
Process the Environment: Rachel Morrison on “The Fire Inside”
“Indiana Jones and the Great Circle” is the Antidote to Modern Big-Budget Game Fatigue
James Gunn Launches His New DCU with Clever “Creature Commandos”
Miyazaki, Howl, and Matters of the Heart
Appreciating the Brushstrokes: Pre-Computer Animation and the Human Touch
Lost Souls: Bringing Out the Dead at 25
Tokyo International Film Festival 2024: Godzilla Turns 70
A Prophet is Without Honor in His Own Country; or, The Curious Case of Clint Eastwood
Short Films in Focus: Don Hertzfeldt’s “ME”
Malcolm Washington, John David Washington, Danielle Deadwyler on the Power of “The Piano Lesson”
Our Film Has A Power: Basel Adra and Yuval Abraham on No Other Land
CIFF 2024: Compensation, The Spook Who Sat by the Door, Save the Children
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
Finding Mr. Christmas: Jonathan Bennett on Hallmark’s New Reality Competition
CIFF 2024: Cloud, Grafted, Parvulos
Iowa City Celebrates with Enriching Pair of Festivals
NYFF 2024: Little, Big, and Far, Lázaro at Night, 7 Walks with Mark Brown
CIFF 2024: Rita, Listen to the Voices, Peacock
Criterion Adds Val Lewton Double Feature to the Collection
When You’re Angry, You’re Already Losing: Guy Maddin, Evan Johnson, and Galen Johnson on “Rumours”
“Megalopolis” and “Joker: Folie à Deux”; or, The Virtue of Burning Money
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
Justice for Alex Forrest
In the Ring: James Madio and Steve Loff on “The Featherweight”
Pull the String: Larry Karaszewski Remembers “Ed Wood” at 30
TIFF 2024: The Life of Chuck, Nightbitch, K-Pops!
TIFF 2024: Don’t Let’s Go to the Dogs Tonight, Sharp Corner, The Quiet Ones
TIFF 2024: Dahomey, Bird, Oh Canada
TIFF 2024: The Cut, The Luckiest Man in America, Nutcrackers
“EA Sports College Football 25” is a True Sports Game Phenomenon
Venice Film Festival 2024: Prepping for the Biennale
FX’s “English Teacher” Gets an Incomplete Grade for Now
Conversation Piece: Phil Donahue (1935-2024)
A Woman Without Peers: Gena Rowlands (1930-2024)
The Needle Drop Sessions: Pump Up the Volume & Untamed Heart
Locarno Film Festival 2024: Youth (Hard Times), Transamazonia, Moon
Michael Brown and Michael Oliver on Editing Welcome to Wrexham
Justin Baldoni Wants You to Believe
Home Entertainment Guide: July 2024
Fantasia 2024: Chainsaws Were Singing, Dark Match, Scared Shitless
Levan Akin on Making Films His Way, the Queer Art That Shaped Him, and His Touching New Drama Crossing
10 Films to Thrill You at the 2024 Fantasia International Film Festival
The Gene Siskel Film Center Celebrates the First and Last of Famous Filmmakers with their Entrances & Exits Series
Time to Bloom: KiKi Layne on Dandelion
