Great Movies
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This Must Not Be the Place: The Films of Peter Weir
A look back at Peter Weir's best films, on the occasion of his upcoming lifetime achievement Oscar.
A look back at Peter Weir's best films, on the occasion of his upcoming lifetime achievement Oscar.
A look at the narrative features that premiered at this year's Tribeca Festival.
An article about Oscar-winning filmmaker Spike Lee receiving the 34th American Cinematheque Award during a virtual ceremony held on January 14th, 2021.
An FFC looks at Spike Lee's Malcolm X at this point in history.
The latest on Blu-ray and streaming, including Alita: Battle Angel, Missing Link, Transit, Fast Color, Shazam, Ash is Purest White, and a Criterion edition of Do the Right Thing.
A review of the new NBC series, "Rise," which premieres Tuesday night at 10/9c.
A PA recalls working with PTA on "There Will Be Blood"; Sarasota Film Festival unveils line-up; Paul Reubens on Phil Hartman; The devil down south; Academy apologizes for Asian jokes.
Why DiCaprio doesn't get lucky at the Oscars; Atheism in Hollywood; Famous rejection letters; Wes Anderson as an advertiser; Auteur theory and Kent Jones.
Ridley Scott's new film, whose production was interrupted by the suicide of the director's brother Tony, is a weird melding of their styles, concerns and temperaments.
Have you ever been hit so hard that you've been left in a permanent daze? I'm speaking of a defining event that, in a matter of moments, changes everything for you, permanently. Maybe it's a collision. Maybe a life event like a tragedy or a divorce. You're at the epicenter of the calamity. The destruction hits you right between the eyes. And while you make sense of what hit you, if you ever do, your loved ones bear the brunt of the hurricane that you become. Like a set of ripples, it realigns everything you do. Peter Weir's "Fearless" 1993 shows us the effect of a plane crash, and tells us that when we get hit with such cataclysms, no single way resolves the trauma.
Marie writes: Behold an extraordinary collection of Steampunk characters, engines and vehicles created by Belgian artist Stephane Halleux. Of all the artists currently working in the genre, I think none surpass the sheer quality and detail to be found in his wonderful, whimsical pieces...
Left to right: Little Flying Civil, Beauty Machine, Le Rouleur de Patin(click images to enlarge)
Marie writes: Some of you may have noticed that I have a soft spot for surfing videos. It's not the sport itself - though I do admire it - so much as the camerawork it inspires, and because I have a translucency fetish; I take great pleasure in seeing light pass through something else. There's an ethereal and other-worldly quality to it which elevates my soul; sunlight pouring through a humble jar of orange marmalade enough to make me think I'm looking at God; smile.And so needless to say, when Club member Lynn McKenzie submitted a link to Paul McCartney's stunning new music video called "Blue Sway" - I was utterly captivated. (click image to enlarge.)
Q. I read that "Paranormal Activity," which reportedly cost between $11,000 and $18,000 to make, blew out the opposition pictures with multimillion-dollar budgets. Some of my friends have liked it, but I'm wondering ... Greg Nelson, Chicago
Based on his show-stopping speech at Saturday night's Independent Spirit Awards, if Mickey Rourke wins an Oscar on Sunday night the Oscarcast is going to be a lollapalooza. As his comeback film "The Wrestler" won for best film, male actor and cinematography, Rourke brought the show to a halt and the audience to its feet with an acceptance speech that was classic Mickey. The Indie Spirits are telecast live and unbleeped, which added considerably to the speech's charm.
Q. I just watched "Cloverfield" and found the shaky-cam ruined the movie for me! I know it was supposed to give the feeling of being there, but I felt the director took it WAY too far. As you noted in your review, Hud "couldn't hold it steady or frame a shot if his life depended on it." Not only did it make me ill, but it ruined the whole movie for me.
PARK CITY, Utah--What's it like to premiere your new film in the mountains of Utah? "I hate the altitude thing," Rosie Perez said. "Ooohhh, it's so bad. I couldn't do anything. I just had to lay down. My gums hurt. My teeth hurt. My jaws. It's funny. My knees locked in. When we finally got to the condo, they hadn't plowed yet. It's like right up to like my thigh. We were cracking up, but I love the snow. I like the cold weather better than the hot weather."
PARK CITY, Utah -- At most film festivals, 90 percent of the audience members are civilians and 10 percent are employed in the industry. At Sundance, the ratio is reversed. Screenings here consist of pitches, bids, dealmaking, business card exchanging and schmoozing, interrupted by movies.
