Spartacus
Crassus
Laurence Olivier
Laurence Olivier
Laurence Olivier Movie Reviews
Blog Posts That Mention Laurence Olivier
TV/Streaming
40 Shows We Can’t Wait to Watch in 2026
Tributes
One Final Look: Terence Stamp (1938-2025)
Tributes
A Careful Performer: Maggie Smith (1934-2024)
MZS
Let The Dead Sleep: On “Alien Romulus” and Digital Resurrection
Tributes
I Need Your Magic: M. Emmett Walsh (1935-2024)
Tributes
Iron Lungs and Overwhelming Charisma: Michael Gambon (1940-2023)
Features
Hollywood & The March on Washington: When Fame Overcame Fear
Features
Hollywood Necropolis: The Dangers of Digital Performers
Festivals & Awards
Overdue Oscars: 10 Directors Looking for Their First Academy Award
Features
Christopher Plummer: 1929-2021
Tributes
Brian Dennehy: 1938-2020
Features
Robert Evans: 1930-2019
Features
Franco Zeffirelli: 1923-2019
Interviews
Up in the Gallery: Rupert Everett on Oscar Wilde
Far Flungers
A Muslim Helps Fix the Terrorists in Tom Clancy’s Jack Ryan
Chaz's Journal
Your Roger Stories: The Meetings
Features
Bright Wall/Dark Room March 2018: Soderbergh’s Limey’s by George Hardy
Features
Bright Wall/Dark Room: Stigma & Myth in Belle Rive by Paul Fischer
Festivals & Awards
Golden Globe 2018 and the Year of Women
Features
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
Interviews
Living Truthfully Under Imaginary Circumstances: Sam Schacht on Method Acting
Festivals & Awards
Taken for Granted: Awards Veterans Like Streep, Hanks and Washington Deserve Their Nominations
MZS
Why Leo winning an Oscar for “The Revenant” would be bad for acting
Features
Book Review: “Maggie Smith: A Biography” by Michael Coveney
Chaz's Journal
Who’s Who In Reviews: Odie Henderson
Features
Christopher Lee: 1922-2015
Interviews
Simon Curtis on “Woman in Gold”
Roger Ebert
Beyond Narrative: The Future of the Feature Film
Features
Richard Attenborough: 1923-2014
Features
Able-Bodied Actors and Disability Drag: Why Disabled Roles are Only for Disabled Performers
Festivals & Awards
From The Duke to The Departed: RogerEbert.com Writers Share Memories of the Academy Awards
Features
Cohen Media Group Brings Classic and Vintage FIlms to a 21st Century Audience
Features
“The Wicker Man”: The cut may be final, but the film is still incomplete
Features
Meet the Writers: Odie Henderson
Features
“Oscar Night in Los Angeles,” by Raymond Chander
Roger Ebert
New Hitchcock prints get festival treatment
Roger Ebert
AFI list is full of talent but empty of meaning
Scanners
High camp: Does it translate?
Scanners
The meaning of “articulate”
Scanners
On actors who are too gay to be in the Musicals
Scanners
Weeny Todd
Scanners
Best and Worst Oscar Actors
Far Flungers
“Black Narcissus,” which electrified Scorsese
TV/Streaming
This isn’t your Disney Little Mermaid
Festivals & Awards
And the Oscar nominations go to…
Festivals & Awards
Toronto #8: ‘Sleuth’ finds itself a Pinter film
Festivals & Awards
A sense of urgency — and edginess
Festivals & Awards
75 years of Oscar
Festivals & Awards
‘Wolves’ leads pack for Oscars
Festivals & Awards
1993 Academy Award Nominations
Festivals & Awards
Oscar Nominations 1977
Interviews
Jude Law, Michael Caine, Kenneth Branagh: “Sleuth” is not a remake
Interviews
Dynamic duo blasts off for ‘Tomorrow’
Interviews
Jack Nicholson: On aCollision Course with Fate
Interviews
The Master of Suspense is Dead
Interviews
Robert Evans: Life is suite
Interviews
Interview with Franklin Schaffner
Movie Answer Man
Stark beauty, dark vision
Movie Answer Man
We’re not in Texas anymore… are we?
Movie Answer Man
Movie Answer Man (11/16/2003)
Movie Answer Man
