This is one of the year’s best movies.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Part I of our round-up featuring filmmaker guests scheduled to attend Ebertfest 2018. We will include the film critics in a separate round-up.
Chaz Ebert reflects on her experiences as a member of the U.S. documentary jury at the 2018 Sundance Film Festival.
An article announcing the 20th Anniversary of Ebertfest April 18-22, 2018 and tickets on sale November 1st.
A report from the 2017 SCMS conference in Chicago.
An article about Ebertfest, Roger Ebert's Film Festival 2017 passes, which are now on sale.
A film-by-film preview of Ebertfest 2016, which runs from April 13 - 17.
Roger's Favorites: director John Sayles.
An article about the dedication of Ebertfest 2016 to Haskell Wexler.
Sheila writes: Happy New Year! In the wake of "Star Wars: The Force Awakens," I came across a video put together by violinist Taylor Davis, where she plays the famous themes from John Williams' original score, both "light" and "dark." Arranged, orchestrated and performed by Davis, it's a fun and rousing celebration of the possibilities inherent in that music. Have a look!
Decline of middle-class films; Hunter S. Thompson's son speaks out; Tarantino's inner movie nerd must be stopped; Rob Schenck on guns and religion; Jean-Pierre Léaud on "The 400 Blows."
An obituary for the late Oscar-winning cinematographer Vilmos Zsigmond.
An appreciation of the late, great cinematographer, documentarian and activist Haskell Wexler, plus a transcript of his 2013 conversation about his work on Terrence Malick's "Days of Heaven."
Members of the RogerEbert.com film community remember the late Haskell Wexler.
An article on Ebertfest 2016 passes available for purchase on November 2nd.
A piece on the Milestone Films releases of The Connection and In the Land of the Head Hunters.
A preview of Ebertfest 2015.
An interview with film critic Matt Fagerholm.
This reposted article from The Dissolve is an October 2014 installment of its series, "The Last Great Movie I Saw."
Passes for Ebertfest 2015 will go on sale Saturday, November 1st.
The Chicago Sun-Times reports on the 2014 Ebertfest, including appearances by Oliver Stone & Spike Lee.
Mark your calendar for April 23–27, 2014 and get your pass while they last.
Anath White reflects on Haskell Wexler's short film "The Bus" (which you can watch at the end of the essay).
PRESS RELEASE: CHAMPAIGN, Ill. -- Terrence Malick's 1978 film "Days of Heaven" won an Oscar for best cinematography, and Roger Ebert likely found that no surprise. It is "above all one of the most beautiful films ever made," Ebert said in a 1997 review. So it's only appropriate that the film will open the 15th annual Roger Ebert's Film Festival on April 17 in the big-screen, newly renovated Virginia Theater in downtown Champaign.
"Something's Gonna Live" (78 minutes) is available via iTunes, Amazon Instant, and DVD.
Architecture's loss was the movies' immeasurable gain. Robert Boyle, Albert Nozaki and Henry Bumstead, classmates at the University of Southern California in the 1930s could not find jobs in their studied profession. They wound up at Paramount Studios, where, as production designers and art directors, they set the stage for some of the movies' most indelible images.
Boyle designed Alfred Hitchcock's "Saboteur," "Shadow of a Doubt," "North by Northwest," "The Birds," and "Marnie." And those are the just the Hitchcock credits. Bumstead earned Academy Awards for his contributions to "To Kill a Mockingbird" and "The Sting." He received nominations for his work on "Vertigo" and "Unforgiven." Tokyo-born Nozaki was the art director on "The War of the Worlds" and "The Ten Commandments," for which he was nominated for an Academy Award.