Chaz Ebert essay about the cancellation of Ebertfest 2020 and presenting an exclusive video of Ebertfest 2019.
An announcement of passes going on sale Friday, November 1st, for the next Ebertfest Film Festival that takes place April 15-18, 2020, in Champaign, Illinois.
Matt writes: The 21st annual edition of Roger Ebert's Film Festival (a.k.a. Ebertfest), concluded last Saturday, and you can find all the onstage Q&As embedded in our festival coverage. Brian Tallerico covered the opening night screening of "Amazing Grace," while Nick Allen covered the Day 2 panels ("Challenging Stigma Through the Arts" and "Women in Cinema") and screenings ("Coeur Fidele," "Rachel Getting Married" and "Bound," culminating in an unforgettable Q&A with Jennifer Tilly and Gina Gershon). Peter Sobczynski covered Day 3 of the festival ("Sebastian," "Cold War," "Cane River," "A Year of the Quiet Sun" and "Romy and Michele's High School Reunion"), and Nick did the write-up for Day 4 ("Maya Angelou: And Still I Rise," "Won't You Be My Neighbor?", "Almost Famous" and "Sideways"). The 2018-19 University of Illinois College of Media Roger Ebert Fellows, Curtis Cook, Pari Apostolakos and Eunice Alpasan, also contributed their own dispatches.
Marie writes: The West Coast is currently experiencing a heat wave and I have no air conditioning. That said, and despite it currently being 80F inside my apartment, at least the humidity is low. Although not so low, that I don't have a fan on my desk and big glass of ice tea at the ready. My apartment thankfully faces East and thus enjoys the shade after the sun has crossed the mid-point overhead. And albeit perverse in its irony, it's because it has been so hot lately that I've been in the mood to watch the following film again and which I highly recommend to anyone with taste and a discerning eye.
The plot in "Face/Off" (1997) may sound ridiculous in real life terms but allowing our imaginations to experience and accept such preposterous events, the kind none of us will ever be able to live through, is a prime example of the great feats that cinema can achieve. And what a fantastic concept "Face/Off" had to begin with. There have been recent features where I've had a hard time grasping how boardrooms full of film executives could possibly green light the spending of millions of dollars when being pitched ideas that no filmmaker, however talented, could ever have succeeded with ("A man cures his depression by talking to a puppet beaver!" "A young archer princess grows closer to her mother when a witch turns her into a bear!").
Marie writes: Intrepid club member Sandy Kahn discovered the following Danish designers "Monstrum" who make extraordinary playgrounds for children. I think they're the stuff of dreams, whatever your age. Indeed; behold the Rahbek kindergarten in Frederiksberg, Denmark, and Monstrum's first playground...
The Rocket and The Princess Tower! "Just like a set design, a playground must have an inspiring front that attracts children, and a functional backside with climbing, sliding and relaxing options. The idea of the playground is to combine a girl's mind with a boy's approach into one big common playground. The princess tower consists of three floors, and the rocket has two floors. From the top floor of the Rocket, you can slide down the 6 m long double slide together with an astronaut friend." (click to enlarge.)
Marie writes: I love illustrators best in all the world. There's something so alive about the scratch and flow of pen & ink, the original medium of cheeky and subversive wit. And so when club member Sandy Kahn submitted links for famed British illustrator Ronald Searle and in the hopes others might find him interesting too, needless to say, I was quick to pounce; for before Ralph Steadman there was Ronald Searle... "The two people who have probably had the greatest influence onmy life are Lewis Carroll and Ronald Searle."-- John LennonVisit Kingly Books' Ronald Searle Gallery to view a sordid collection of wicked covers and view sample pages therein. (click to enlarge image.) And for yet more covers, visit Ronald Searle: From Prisoner of War to Prolific Illustrator at Abe Books.
"The Insider" is one of Michael Mann's best films and it represents a departure from the usual themes. One constant in his other movies is the imposing, menacing but sympathetic villain figure. They may all be capable of great violence but the tragic side of their stories helps the audience identify. In contrast, "The Insider" gives us something completely different: a faceless and unsympathetic enemy that bends the will of those who get in its way without the need of doing anything particularly spectacular or even executing it on-screen: a villain aware that the fear of losing something like health insurance may be enough to shut its victims up. Its power comes from the income provided by the countless smokers unable to quit its product and its most important goal is to make sure that they never do.
Is it love at first sight? It's certainly lust at first sight between them in the beginning. Something clicks inside. They soon begin their secret affair, and then, motivated by their common desire to escape from the world they're stuck in, they hatch a scheme to solve their problems once for all. They have a good plan. They can succeed if they carefully tiptoe along the thin line they draw. However, in the world of film noir, it is usually easier said than done.
SANTA MONICA, Calif. - "Election," "Boys Don't Cry" and "Being John Malkovich" were multiple award winners Saturday at the 15th annual Independent Spirit Awards - but 79-year-old Richard Farnsworth stole the show while winning as best male lead for his work in "The Straight Story."
PASADENA, Calif.--The existentialist hero wonders if life is worth living. The ironic hero is greatly amused by people who wonder about things like that. And there you have the difference between the work of Paul Schrader and Quentin Tarantino, who have had more of an influence over the writing of movies than anyone else in the last 25 years.
TORONTO, Canada--Like scouts at a pre-season game, the North American movie industry is gathered here in Toronto, eyeing the developing autumn movie season. The Toronto Film Festival, now in its 21st year, is the major launching pad for many of the films that will be honored, applauded and damned during Oscar Season, which started, in case you missed it, on Labor Day.