An interview with director Rob Garver about his Pauline Kael documentary, What She Said: The Art of Pauline Kael.
Potentially another "Dog Day Afternoon." Too bad about the execution.
Premieres at this weekend's Telluride Film Festival include the latest from Alexander Payne, Errol Morris, Greta Gerwig, Angelina Jolie, Guillermo del Toro and more.
An interview with director Robert Greene about "Kate Plays Christine," nonfiction storytelling, a documentarian's honesty and much more.
Contributors to RogerEbert.com each list their favorite films of 2015.
Eight things the writer wants you to know about Albert Maysles, the pioneering documentary filmmaker who died last week at age 88.
My stepfather, the peeping tom; The Overnighters is a rare bird; Nightcrawler and capitalism; Grace McPhillips on The Other One; Restoring Ramona.
A Steak 'n Shake opens 50 paces from the hotel where Roger Ebert used to stay during the film festival.
FFC Seongyong Cho reviews the 4-hour Frederick Wiseman documentary, At Berkeley.
A blind critic shows us the light; The Wire and Juice; Death in television; Mac DeMarco and Salad Days; Teenage sexual promiscuity.
"Tower Prep" was cancelled because it was too girl-centric; the year's 10 best movie quotes; the year's worst movie titles; the real sins of the Welfare Queen; the aptly named Wiseman speaks.
New York Film Critics Circle deems "American Hustle" best picture; the Oscar documentary shortlist; the earning potential fo the regional film festival circuit; Ted Hope's 30 really bad things in the indie film biz; Buffalo's remaining movie theater may go dark.
David Bordwell examines the crucial distinguishing characteristics of cinephiles and cinemaniacs, and catalogs the shared habits and competitive strategies of the former, in "Games cinephiles play."
Which are you? (Not that you have to be one or the other.) DB will help you resolve any cine-related identity crisis from which you may be suffering.
He writes: ... I do see differences. For one thing, most cinemaniacs like only certain sorts of movies--usually American, often silent, sometimes foreign, seldom documentaries. Do cinemaniacs line up for Brakhage or Frederick Wiseman? My sense is not.
Cinephiles by contrast tend to be ecumenical. Indeed, many take pride in the intergalactic breadth of their tastes. Look at any smart critic's ten-best lists. You'll usually see an eclectic mix of arthouse, pop, and experimental, including one or two titles you have never heard of. Obscurity is important; a cinephile is a connoisseur.
After Cannes, the Toronto Film Festival is the most important in the world. Last year's festival was ripped in two on Sept. 11. I walked out of a screening, heard the news, and the world had changed. Now comes the 27th annual festival, opening today. Are movies important in the new world we occupy? Yes, I think they are, because they are the most powerful artistic device for creating empathy--for helping us understand the lives of others.
