Close Encounters of the Third Kind
Claude Lacombe
Francois Truffaut
Francois Truffaut Movie Reviews
Blog Posts That Mention Francois Truffaut
Solidarity of Cinema: Kent Jones on “Hitchcock/Truffaut”
TIFF 2015: “Our Last Tango,” “Hitchcock/Truffaut,” “Miss Sharon Jones!”
Telluride 2015: “Hitchcock/Truffaut”
One shot: They wrote that
Who killed the movies?
Elected: 100 Must-See Foreign Films
Up close and personal: The Close-Up Blog-a-thon
Close-Ups: A free-association dream sequence
Who matters?
Opening Shots: ‘Day for Night’
The agony of making cinema
How to Be Human: A Personal Response to John Carpenter’s “Starman,” Now in 4K
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
The Gene Siskel Film Center Celebrates the First and Last of Famous Filmmakers with their Entrances & Exits Series
A Preview of the 2024 Cannes Film Festival
I’ve Never Seen Anything Like It Before: Roger Corman (1926-2024)
Cannes 2023 Video #2: Festival Opens with Jeanne du Barry
Image is Happiness: Jean-Luc Godard (1930-2022)
Jesus, I Love to Shoot Film: The Siskel Film Center Pays Tribute to Haskell Wexler
Jean-Paul Belmondo: 1933-2021
Bertrand Tavernier: 1941-2021
Anna Karina: 1940-2019
NYFF 2019: A Year of Milestones
On Jacqueline Audry’s Newly Restored Lost Queer Cinema Classic, Olivia
Stanley Donen: 1924-2019
Robert Zemeckis and Steve Carell on Welcome to Marwen, Adding Action and Comedy to a True Story and More
The Ten Best Films of 2018
Believing in Ingmar Bergman’s Cinema
Book Review: People Only Die of Love in Movies: Film Writing by Jim Ridley
Cannes Film Festival 2018 Preview: The Top Films Competing For the Palme d’Or
Walking a Tightrope: A Defense of The Greatest Showman
“Call of Duty” and “Wolfenstein” Redefine the Modern WWII Game
Photo Gallery: Roger Ebert Induction Ceremony
Much More than “Star Wars”: The Cinema of ’77 Strikes Back at Film Society of Lincoln Center
Jeanne Moreau: 1928-2017
A Supreme Artist: Pascal Mérigeau on “Jean Renoir: A Biography”
A Slice of Life: Abbas Kiarostami 1940-2016
A Celebration of His Work 2016: 13 of Roger’s Best Reviews
30 Minutes on: “Midnight Special”
Home Entertainment Consumer Guide: March 17, 2016
Jacques Rivette: 1928-2016
Medium For a Dead Person: Mark Rappaport Comes to Fandor
Jane Birkin and Charlotte Gainsbourg: Like Mother, Like Daughter
A difficult friend: Ed Copeland, AKA Scott Schuldt, 1969-2015
Roger’s Top Ten Lists: An Introduction
It’s Real: A Few Words with Haskell Wexler
Home Entertainment Consumer Guide: August 20, 2015
The Act of Not Having An Act: Cameron Crowe’s Ambivalent Humanism
Orson Welles at 100
In Conversation: Héloïse Godet of “Goodbye to Language”
The Unique Narrative of Lisandro Alonso’s “Jauja”
Addicted to the Movies: Patton Oswalt on “Silver Screen Fiend”
Thumbnails 8/4/14
Theater with a Capital “T”
Cohen Media Group Brings Classic and Vintage FIlms to a 21st Century Audience
Top Ten Lists of 2013 From Our Contributors
“The Wes Anderson Collection,” Chapters 1-7, and “The Substance of Style”, Chapters 1-5
Cannes 1968: A video essay
Tavernier vs. Rosenbaum
Not the Oscars: the French stay cool when they award their greatest film
Hey, Dude: Jeff Dowd downloads on the Sparo-at-the Yarrow
Savoring a century of ‘the cinema’
The Best 10 Movies of 1971
