Hitchcock/Truffaut
Himself
Arnaud Desplechin
Arnaud Desplechin
Arnaud Desplechin Movie Reviews
Blog Posts That Mention Arnaud Desplechin
Video Interview: Arnaud Desplechin on “My Golden Days”
Cannes 2022: One Fine Morning, Brother and Sister, Mariupolis 2
NYFF 2019: Oh Mercy!, Sibyl, Saturday Fiction, The Irishman
Cannes 2019: The Traitor, Oh Mercy
NYFF 2017: “Caniba,” “Ismael’s Ghosts,” “Let the Sunshine In”
Cannes 2015: “My Golden Days,” “By Sidney Lumet,” “Irrational Man”
Palm Springs Film Festival Announces 2026 Lineup
Cannes 2024: It’s Not Me, Filmlovers!, Misericordia
Cannes 2023: Room 999, Anita, In the Rearview
A Preview of the 2023 Rendez-Vous with French Cinema
Cannes Film Festival Preview 2022
A Preview of the 2022 Rendez-Vous with French Cinema
Cannes 2021: Memoria, Paris, 13th District, The Story of My Wife
Cannes 2021: A Hero, Deception, Petrov’s Flu
Cannes 2019: Preview of the 72nd Festival
Preview of the 21st Chicago European Union Film Festival
Cannes 2017: The Fest Opens with “Ismael’s Ghosts,” “Loveless”
Cannes 2017 Video #1: Preview
Cannes Film Festival 2017 Preview
A Supreme Artist: Pascal Mérigeau on “Jean Renoir: A Biography”
Cannes 2016: “Café Society”
“La Dolce Vita” No More: On The Current State of Foreign-Language Film Distribution
A Living Cinematic Organism: Stephen Cone on “Henry Gamble’s Birthday Party”
Solidarity of Cinema: Kent Jones on “Hitchcock/Truffaut”
CIFF 2015: “Nahid” Wins Roger Ebert Award, “A Childhood” Takes Top Prize
10 Films to See at the Chicago International Film Festival
Alterna-Cannes 2015
The Individual Top Tens of 2014
Cannes, Day Seven: “Two Days, One Night,” “Coming Home”
Rainy Day Blues: Cannes Report: May 18, 2013
A haunted vet, a garbage robot and a happy-go-lucky charmer
The year’s best foreign films (I hope they play in your state)
Robbers and strippers, battles and burlesque
A teacher wins the Cannes film festival
WALL-E scrunches Love Guru inVillage Voice/LA Weekly crix poll
Two-timing Basterds
The Return of the Autobiographical Dictionary of Film
National Society of Film Critics: Waltzing and Happy
“Talking faux-seriously about juvenilia…”
Apes and allegories: What is the meaning of this?!
