With "Doll & Em" and "Ghetto Klown", Emily Mortimer and John Leguizamo turn personal stories into wildly creative television.
Marie writes: Remember Brian Dettmer and his amazing book sculptures? Behold a similar approach courtesy of my pal Siri who told me about Alexander Korzer-Robinson and his sculptural collages made from Antiquarian Books. Artist's statement:"By using pre-existing media as a starting point, certain boundaries are set by the material, which I aim to transform through my process. Thus, an encyclopedia can become a window into an alternate world, much like lived reality becomes its alternate in remembered experience. These books, having been stripped of their utilitarian value by the passage of time, regain new purpose. They are no longer tools to learn about the world, but rather a means to gain insight about oneself."
"The Godfather Part III" is one of my favorite movies. I admit a personal obsession with the film that would have never existed had it simply been either good or bad. Some fans of the series clearly love to hate it; they equate Sofia Coppola's presence to that of Jar Jar Binks in the "Star Wars" trilogies, but I believe this is an over-simplification. "Part III" is an uneven picture that could and should have been great. That's what's maddening about it.
Marie writes: kudos to club member Sandy Kahn for finding this - as I'd never heard of the Bregenz Festival before, despite the spectacular staging of Puccini's opera Tosca and which appeared briefly in the Bond film Quantum of Solace; but then I slept through most of it. I'm not surprised I've no memory of an Opera floating on a lake. Lake Constance to be exact, which borders Germany, Switzerland and Austria near the Alps...
Tosca by Puccini | 2007-2008 - Photograph by BENNO HAGLEITNER(click to enlarge)
Marie writes: Gone fishing...aka: in the past 48 hrs, Movable Type was down so I couldn't work, my friend Siri came over with belated birthday presents, and I built a custom mesh screen for my kitchen window in advance of expected hot weather. So this week's Newsletter is a bit lighter than usual.
It was a year when more movies opened than during any other year in memory. A year when the big Hollywood studios cast their lot with franchises, formulas, sequels, and movies marketed for narrow demographic groups--focusing so much on "product" instead of original work that they seemed likely to be shut out of the Oscars, as they were essentially shut out of the Golden Globes. A year when independent and foreign films showed extraordinary vitality. A wonderful year, that is, for moviegoers who chose carefully, and a mediocre year for those took their chances at the multiplex.
PARK CITY, Utah--Good films but no great films. As the Sundance Film Festival heads into its final weekend, last year's exhilaration fades into a kind of contentment: We've enjoyed ourselves, we've seen films of originality and quality, but where is this year's equivalent of "Memento"? "The Deep End"? "In the Bedroom"? "Waking Life"?
Q. I saw "Dangerous Minds," which was an OK movie, but could have been better. My question is, what happened to the scene where the students and teacher are playing pool? This scene is a major part of all of the previews and is still in some of the TV commercials. Why did they decide to cut that scene? -- David Becerra, San Diego
Q. I felt compelled to write after reading your glowing praise for the movie "Speed." I am all for checking my brain at the box office, but there is a limit to how much unbelievability I can accept. 1) No bus can make such turns at high speeds. 2) Does LAX have the longest runways in the history of airports? They must, because the bus never had to make a turn while Keanu Reeves was trailing underneath by a thin wire. 3) Why could Keanu accelerate the train, but not decelerate it? Doesn't every car on a subway have emergency brakes? 4) If the bomb were attached to the front wheels of the bus, wouldn't it have exploded as the bus was flying through the air? After all, the front wheels only move when the back wheels are propelling the bus. 5) No bus, and I mean no bus, could make that jump! (Peter Kahl)