Sleepwalk with Me
Written by
Mike
Mike Movie Reviews
Blog Posts That Mention Mike
Dancing With Death: Mike Flanagan on “The Life of Chuck”
TIFF 2024: Mike Leigh Accepts the Ebert Director Award
Mike Leigh to Receive Ebert Director Award at the 2024 Toronto International Film Festival
An Incorrect Image Of Ourselves: Mike Flanagan on the Tenth Anniversary of Oculus
A Chicago Legend: Mike Nussbaum (1923-2023)
Trevante Rhodes Captivates in Hulu’s Mike but the Show Loses the Fight
Mike Myers Attempts Comeback with Inconsistent The Pentaverate on Netflix
Listening as an Action: Mike Mills on C’mon C’mon
Mike Nichols: A Life is a Must-Read Memoir
Bright Wall/Dark Room June 2019: An Essay on Magic Mike XXL by Isabel Cole
Elaine May’s Mikey & Nicky Ready for Rediscovery on Criterion Blu-ray
Art is Socialism but Life is Capitalism: Mike Birbiglia on “Don’t Think Twice”
Speaking for a Generation: Kevin Costner, Anthony Mackie and Mike Binder on “Black or White”
Mike Nichols: 1931-2014
Mike Leigh, a smartphone, and mace
Mike Sacks, Author of “Poking a Dead Frog,” Explores the Comedic Process
Interview: Mike Cahill & Michael Pitt Dissect “I Origins”
Cannes 2014 Dispatch: Lust for Light in Mike Leigh’s “Mr. Turner”
Spike Lee, Mike Tyson Bring Riveting “Undisputed Truth” to HBO
The Thinking Molecules of Titan: Ending by Mike Renn
They had faces then: Mike Leigh’s “Life is Sweet”
Remembering Mike Wallace
Mike Rix of Johannesburg discusses “District 9,” filmed in South Africa
Smilin’ through with Mike Leigh
Toback’s “Tyson”: Iron Mike, the short, fat, pushed-around little kid
Mike Leigh: The complete transcript
Mike Leigh: The inside-outsider
Interview with Mike Gray
Cannes 2025: The Chronology of Water, Urchin
“Black Mirror” is Back to Bum You Out with One of Its Stronger Seasons
Revisiting the Bunker: Michael Shannon on “Eric LaRue”
Ambient Comedy: Carson Lund on “Eephus”
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
Age Has No Expiration When It Comes to Talent
Can’t Stop the Vilanch: Legendary Comedy Writer Spills on the Creation of His Career’s Guiltiest Pleasures
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
I Think Of Them As The Work: Gene Hackman (1930-2025)
What to Watch on Netflix: March 2025
A Salute to the Movies That Got Overlooked During Oscar Season
February 2025 Blu-Ray Guide: “Wicked,” “Nosferatu,” “Here,” “Heretic,” More
30 Minutes On: “Watership Down”
NBC’s “The Americas” is a Gorgeous but Shallow Look at the Natural World
Talkin’ About His Generation: New Book Chronicles the Making of Millennial Touchstone “Superbad”
HBO’s “The White Lotus” Remains Worth the Trip in Brilliant Third Season
What to Watch on Netflix: February 2025
January 2025 Blu-Ray Guide: “Hundreds of Beavers,” “Smile 2,” “Venom: The Last Dance,” and More
Sundance 2025: The Librarians, Middletown, Speak.
Ten Shocking Omissions from the 2025 Oscar Nominations
Beachside Mingling at a Poignant Spirit Awards Nominee Brunch
Happy New Year from Chaz Ebert and All of Us at RogerEbert.com
The Great Performances of 2024, Part One
The 25 Best TV Series of 2024
My Night at the Critics Choice Celebration of Black Cinema and Television
2025 Sundance Film Festival Announces Ambitious Program
“The Brutalist” Leads Chicago Film Critics Association Nominees
The Best Films of 2024
Margo Martindale Anchors the Clever, “Fargo”-esque Tale of “The Sticky”
James Gunn Launches His New DCU with Clever “Creature Commandos”
Ted Danson Stars in Lovely, Moving “A Man on the Inside”
Nothing Left to Prove: Quincy Jones (1933-2024)
Tokyo International Film Festival 2024: Orang Ikan, Missing Child Videotape, Kiyoshi Kurosawa
London Film Festival 2024 Highlights
Billy Crystal Struggles to Clarify Apple TV+’s Haunting New Horror Series “Before”
A Master of Subtle Function: Cinematographer Dick Pope (1947-2024)
London Film Festival 2024 Preview
New York Film Festival 2024: Preview and Thoughts on “The Brutalist,” “The Seed of the Sacred Fig”
The State of the 2024 Oscar Race
TIFF 2024: A Canadian Perspective on This Year’s Festival of Festivals
TIFF 2024: Emilia Pérez, The End
TIFF 2024: The Room Next Door, Hard Truths
TIFF 2024: The Life of Chuck, Nightbitch, K-Pops!
Wrapping Up My Experiences at the 2024 Telluride Film Festival
TIFF 2024: 20 World Premieres We Can’t Wait to See
Home Entertainment Guide: August 2024
13 Films Illuminate Locarno Film Festival’s Columbia Pictures Retrospective
Looking Into My Soul: Colman Domingo on Sing Sing
Elijah Wood and Ant Timpson on the Childlike Charms of Bookworm
Fantasia 2024: Bookworm, Shelby Oaks, The Count of Monte Cristo
What About Bob? On the Legacy of One of the Best-Loved Comedians, Bob Newhart (1929-2024)
10 Films to Thrill You at the 2024 Fantasia International Film Festival
High Noon: Greg Kwedar and Monique Walton On Sing Sing
On The Same Level: Paul Raci, Clarence Maclin, and Sean Johnson on Sing Sing
The 10 Best Fourth of July Releases of the 21st Century
The Hard Way, Or My Way? RIP Bill Cobbs (1934-2024)
