Blog Posts That Mention An
Fantasia 2025: Mother of Flies, The Virgin of the Quarry Lake, Foreigner
Clint Worthington
Enjoy Every Second: Adam Stein and Zach Lipovsky on “Final Destination Bloodlines”
Matt Zoller Seitz
Final Volume of “The Sandman” Solidifies Its Legacy In the Growing Realm of Fantasy Television
Kaiya Shunyata
Fantasia 2025: The Serpent’s Skin, The Well, Sweetness
Clint Worthington
Fantasia 2025: I Am Frankelda, The Devil’s Bride, Cielo
Clint Worthington
Book Excerpt: That Very Witch: Fear, Feminism, and the American Witch Film by Payton McCarty-Simas
The Editors
Once Failed by Hollywood Blockbusters, “Superman” Lets Edi Gathegi Shine
Kaiya Shunyata
Fantasia 2025: Terrestrial, Hold the Fort, Good Boy
Clint Worthington
“The Hunting Wives” Takes No Chances
Nandini Balial
Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure
Sherin Nicole
“Star Trek: Strange New Worlds” Bears the Franchise Flagship Proudly in Season 3
Clint Worthington
KVIFF 2025: Awards and Wrap-Up
Isaac Feldberg
KVIFF 2025: Sand City, The Visitor, Better Go Mad in the Wild
Isaac Feldberg
Book Excerpt: It Can’t Rain All the Time by Alisha Mughal
The Editors
KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy
Isaac Feldberg
Our 10 Most Anticipated Films of the 2025 Fantasia Film Festival
Clint Worthington
KVIFF 2025: “Bidad” Director Soheil Beiraghi on Filming Undercover, Amplifying the Voices of Iranian Gen-Z Women
Isaac Feldberg
Showtime’s “Dexter: Resurrection” Keeps the Killer Thriller Franchise’s Blood Flowing
Richard Roeper
Music to Make A Man Fly: The Power of John Williams’ Theme to “Superman”
Charlie Brigden
American Badass: Michael Madsen (1957-2025)
Peter Sobczynski
Netflix’s “The Sandman” Finally Shoots For The Stars With Volume 1 of Final Season
Kaiya Shunyata
The Lonely Landscapes of “Materialists” and “The Worst Person in the World”
Alisha Mughal
Sex and Threads: The Major Works of Takashi Miike
Peyton Robinson
59th Karlovy Vary International Film Festival to Honor Stellan Skarsgård, Vicky Krieps, Dakota Johnson and Peter Sarsgaard
Isaac Feldberg
AMC’s “Nautilus” Gives Us Indiana-Jones Worthy Adventure with Imperialist Villains
Cristina Escobar
The Great and Magical Creation of This Reality: Mariana Treviño on “Stick”
Nell Minow
FX’s “The Bear” Serves Another Course Of Dreamlike Intensity in Season Four
Richard Roeper
Friendship Is Insane: Eva Victor on “Sorry, Baby”
Zachary Lee
Desire Never Goes Away: Sarah Friedland and Kathleen Chalfant on “Familiar Touch”
Isaac Feldberg
Death Stranding 2: On the Beach is a Touching Story about Love and Loss
George Yang
Ossie Davis and Ruby Dee
Odie Henderson
The Glorious Year of Morgan Freeman
Mack Bates
Blood and Soap Bubbles on the Surface of Netflix’s “The Waterfront”
Sherin Nicole
Transformative Third Season of HBO’s “The Gilded Age” Dazzles and Delights
Kaiya Shunyata
“Zola,” “Anora,” and the DEI Mirage
Danielle Scruggs
On the Renewed and Continuing Necessity of “Exterminate All the Brutes”
Soraya Nadia McDonald
Just Wasn’t Made for These Times: Brian Wilson (1942-2025)
Chris Vognar
Cannes 2025 Video #9: Wrap Up
Chaz Ebert
Gifts in the Impediment: Nina Conti and Shenoah Allen on “Sunlight”
Nell Minow
Rescuing a Movie About Angels From the Devil Himself: Kevin Smith on “Dogma”
Clint Worthington
Dancing With Death: Mike Flanagan on “The Life of Chuck”
Chase Hutchinson
How Ving Rhames Became the True Heart of the Mission: Impossible Franchise
Kayleigh Donaldson
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
Isaac Feldberg
A Great Businessman in the Persona of a Wonderful Entertainer: Todd Purdum on Desi Arnaz
Nell Minow
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Isaac Feldberg
Cannes 2025 Video #7: Critics’ Roundtable
Chaz Ebert
Home Entertainment Guide May 2025: Better Man, Black Bag, Mickey 17, More
Brian Tallerico
Renowned Film and Television Critic Richard Roeper Joins RogerEbert.com
The Editors
How to Be Human: A Personal Response to John Carpenter’s “Starman,” Now in 4K
Walter Chaw
Cannes 2025 Video #8: Award Winners
Chaz Ebert
Cannes 2025: Our Coverage of Neon’s Remarkable Six-Film Palme d’Or Streak
The Editors
Cannes 2025: Put Your Soul on Your Hand and Walk, Militantropos, Imago
Isaac Feldberg
Cannes 2025: Table of Contents
The Editors
Cannes 2025: Second Takes on a Few Fest Darlings
Brian Tallerico
Cannes 2025: Splitsville, Love Me Tender, Nino
Zachary Lee
Cannes 2025: The President’s Cake, Death Does Not Exist, Peak Everything
Isaac Feldberg
Cannes 2025: Jafar Panahi’s “It Was Just an Accident” Wins Palme d’Or
Ben Kenigsberg
Cannes 2025: Resurrection, Honey Don’t!
Robert Daniels
Cannes 2025: The Mastermind, Young Mothers
Ben Kenigsberg
Cannes 2025: Un Poeta, Teste O Croce?
Brian Tallerico
We Relate: Andrew DeYoung on “Friendship”
Isaac Feldberg
Cannes 2025: Yes, Woman and Child, The Six Billion Dollar Man
Ben Kenigsberg
Cannes 2025: Slauson Rec, Dandelion’s Odyssey, Lucky Lu
Zachary Lee
Cannes 2025: Sentimental Value, Romería, The History of Sound
Robert Daniels
Cannes 2025: It Was Just an Accident, Alpha
Brian Tallerico
Cannes 2025: A Private Life, The Disappearance of Josef Mengele
Ben Kenigsberg
Movies That Deal with the Peculiarities of Being a Teenager: Bruce Handy on His New Book about Teen Movies
Nell Minow
Cannes 2025: Exit 8, Eleanor the Great, Fuori
Robert Daniels
Cannes 2025: Renoir, Sons of the Neon Night, Orwell: 2+2=5
Robert Daniels
Cannes 2025: Eagles of the Republic, Once Upon a Time in Gaza
Ben Kenigsberg
Cannes 2025: Nouvelle Vague, A Magnificent Life
Brian Tallerico
Cannes 2025 Video #4: Brian Tallerico on Mission Impossible, The Phoenician Scheme, My Father’s Shadow, Secret Agent
Chaz Ebert
Cannes 2025: The Secret Agent, The Love That Remains, Magellan
Ben Kenigsberg
“Nine Perfect Strangers’” Second Season is Less Insightful, Still Somewhat Fun
Cristina Escobar
Cannes 2025 Video #3: Robert Daniels on Urchin, Renoir, Die My Love, and More
Chaz Ebert
Cannes 2025: My Father’s Shadow, Enzo, Dalloway
Robert Daniels
Cannes 2025: The Chronology of Water, Urchin
Isaac Feldberg
Cannes 2025: Die My Love, Pillion, Miroirs No. 3
Brian Tallerico
Cannes 2025: A Useful Ghost, Arco
Ben Kenigsberg
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Chaz Ebert
Cannes 2025: The Little Sister, The Wave
Ben Kenigsberg
Cannes 2025: Dossier 137, A Pale View of Hills, The Great Arch
Brian Tallerico
Cannes 2025: The Plague, The Mysterious Gaze of the Flamingo, Amrum
Brian Tallerico
Cannes 2025: Left-Handed Girl, Sirât
Ben Kenigsberg
Cannes 2025 Video #1: Robert De Niro Receives Honorary Palme d’Or and Advocates Protecting Democracy and Art
Chaz Ebert
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
Monica Castillo
Cannes 2025: Two Prosecutors, Adam’s Sake, Promised Sky
Ben Kenigsberg
Cannes 2025: Sound of Falling, Reedland
Brian Tallerico
Cannes 2025: Leave One Day, The Gold Rush
Ben Kenigsberg
Cannes Film Festival 2025: A Look at the Cannes Classics Program
Scott Dummler
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
Lisa Nesselson
Remembering Jan Dawson, My Mother-in-Law (Twice)
Matt Zoller Seitz
Season 2 of Peacock’s “Poker Face” Deals Natasha Lyonne Another Hand of Devilishly Delightful Mysteries
Clint Worthington
Wisdom of the Sages: Warren Buffet, Deborah Szekely, Buddy Guy, and Pope Francis Show Us the Way
Chaz Ebert
Short Films in Focus: Margie Soudek’s Salt and Pepper Shakers
Collin Souter
April 2025 Blu-Ray Guide: “Anora,” “The Brutalist,” “Heart Eyes,” “One of Them Days,” More
Brian Tallerico
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