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What the 2025 Federal Arts Cuts Mean for Documentary Filmmaking
J. Christopher Hamilton on Culture, Capital, and Creative Leverage
The Legend of Us: Expanding the Chosen One
Paramount+’s “The Agency” Expands Its Scope With An Exhilarating Second Season
Can the New Anti-Heroine Heal My Inner Black Girl?
Captivating Third Season of “House of the Dragon” Is More Complex Than Ever
From My Block to Wakanda: Movies and Black Travel
250 Years Later and Blacks Are Still Politically and Racially Enslaved
Deborah Nadoolman Landis Pays Tribute to Costume Design Legend Albert Wolsky
Roger Ebert’s Best and Worst Alien Movies
Overlong Summer Romance “Every Year After” Is More Fizzle Than Sizzle
“Lego Batman: Legacy of the Dark Knight” is a Joyously Clever Romp
Once More, With Feeling: Anthony Head (1954-2026)
Words Are Also Filters: Marjane Satrapi (1969-2026)
The Woman Who Saved “Star Wars”: Marcia Lucas (1945-2026)
Historic Franchise Finds New Life in Wildly Entertaining “007 First Light”
60th Karlovy Vary Film Festival Announces Official Selection and Juries
“For All Mankind” Spinoff “Star City” is One Small Soviet Step Backward
Documentary Now! 4th Edition is an Incredible Companion to Beloved Show
Going the Distance: Seeing “Rocky” in Concert
Cannes 2026: La Gradiva, Dora, Gabin
Cannes 2026: Low Expectations, Death Has No Master, The Station
Ten Great Performances of Cannes 2026
Cannes 2026: Elephants in the Fog, Yesterday, The Eye Didn’t Sleep, A Girl’s Story
Cannes 2026: Second Takes on Some of the Year’s Best Films
Hearing a Movie: Daniel Roher on “Tuner”
Cannes 2026: Full Phil, Sanguine (Species), Jim Queen
Cannes 2026: “Fjord” wins Palme d’Or
Cannes 2026: Colony, The End of It, Roma Elastica
Cannes 2026: The Dreamed Adventure, Too Many Beasts, Women on Trial, Che Guevara: The Last Companions
Cannes 2026: Everytime, Ben’Imana, Titanic Ocean
Cannes 2026: The Birthday Party, When the Night Falls
Cannes 2026: Maverick: The Epic Adventures of David Lean, Dernsie: The Amazing Life of Bruce Dern
Cannes 2026: I See Buildings Fall Like Lightning, Diary of a Chambermaid, La Perra
Cannes 2026: A Man of His Time, Moulin, Coward
Cannes 2026: The Black Ball, Bitter Christmas
Cannes 2026: Dua, Flesh and Fuel, Six Months in a Pink and Blue Building
Cannes 2026 Video #7: Festival Dispatch with Jason Gorber
Netflix’s “The Boroughs” Offers a Clever Spin on the “Stranger Things” Formula
Cannes 2026: The Man I Love, Orange-Flavoured Wedding
Cannes 2026: Iron Boy, Tangles, Lucy Lost
Cannes 2026: Minotaur, Red Rocks
Tatiana Maslany Goes Full Throttle In Apple TV’s Propulsive “Maximum Pleasure Guaranteed”
Cannes 2026: The Unknown, Another Day
Cannes 2026 Video #6: Club Kid, Paper Tiger, Clarissa
Cannes 2026: Club Kid, Marie Madeleine
Cannes 2026: Avedon, Visitation
Cannes 2026 Video #5: Festival Dispatch with Ben Kenigsberg
Cannes 2026: The Meltdown, La Frappe, I’ll Be Gone in June
Cannes 2026 Video #4: Festival Dispatch with Zachary Lee
Cannes 2026: John Lennon: The Last Interview, La Libertad Doble
Cannes 2026: Paper Tiger, Sheep in the Box
Cannes 2026: The Beloved, A Woman’s Life, Gentle Monster
Cannes 2026: Clarissa, Atonement, Butterfly Jam
Cannes 2026: All of a Sudden, Think Good
Cannes 2026: Ken Russell’s The Devils, Pan’s Labyrinth, Moonlighting
The Night I Danced On Stage With Michael Jackson
Cannes 2026 Video #3: Nagi Notes, Camp Miasma, Werner Herzog
Cannes 2026: Fatherland, Parallel Tales
Cannes 2026: Nagi Notes, Ashes
“Dutton Ranch” Keeps the Barn Doors Open for the “Yellowstone” Franchise
Cannes 2026 Video #2: A Look Back at Day One of the Fest
Prime Video’s “Off Campus” is Big on Romance, Music, and Spice
Cannes 2026: The Electric Kiss
An Essential Showcase in a Difficult Time: Cannes Film Festival 2026 Preview
Michael Sheen and David Tennant’s Emotional Connection Grounds a Bittersweet “Good Omens” Finale
Cannes 2026 Video #1: The 79th Cannes Film Festival Begins!
A True American Original: Ted Turner (1938-2026)
Peacock Takes Us Back to Miami for “M.I.A” Vice and Vengeance
BritBox’s Delightful “The Other Bennet Sister” Is a Romance About Learning to Love Yourself
Female Filmmakers in Focus: Lucrecia Martel on “Nuestra Tierra (Our Land)”
How “In a Lonely Place” Changed Noir’s Direction
Milwaukee Film Festival 2026: Making Waves, With Movies, Along the Shores of Lake Michigan
Short Films in Focus: Sound and Color (with Director Emma Foley)
“The Chestnut Man: Hide and Seek” is a Serviceably Grim Nordic Noir Thriller
You Can’t Stay Here: Adam Scott and Damian McCarthy on “Hokum”
An Invitation to a Film Party: The 13th Annual Chicago Critics Film Festival
Male Directors Can’t Stop Making Movies About Female Pop Stars
Love’s in Need of Love Today: Reflections on EbertFest, Cinema, and Empathy
An Act of Translation: David Lowery on “Mother Mary”
Season 2 of Netflix’s “Running Point” Is An Easy Layup
Netflix’s Animated “Stranger Things: Tales from ’85” is an Insulting Waste of Time
The Eight Best Episodes of Netflix’s “Untold” Series, Ranked
Volume Six of Netflix’s “Untold” Offers More Digestible Breakdowns of Sports Scandals
Karlovy Vary Celebrates Its 80th Anniversary with Tributes, Retrospectives
“Get Out” Star Betty Gabriel and “Nuremberg” Director James Vanderbilt to Attend Ebertfest 2026
‘The Last Dance’ Ends a Beautiful, Impactful Run for the Long-time Roger Ebert Film Festival
Netflix’s “Beef” Returns with a Season as Twisted and Hysterical as the First
MGM+’s Cult Hit “From” Wanders Through Frustrating Yet Addictive Fourth Season
“Jury Duty: Company Retreat”‘s Unsuspecting Hero On Life After Rockin’ Grandmas
Peacock’s “The Miniature Wife” is Big on Feelings, and That’s Not Nothing
