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Running
Running Movie Reviews
Blog Posts That Mention Running
Netflix’s “Running Point” is Pretty Funny if You Don’t Think About it Too Hard
New Works Virtual Festival Now Running Through Christmas Day
SXSW 2019: Running with Beto, Building the American Dream, Well Groomed
The Running Men: Benny & Joshua Safdie on “Good Time”
Book Excerpt: “Showrunners: The Art of Running a TV Show” by Tara Bennett
Running from your memories
Bullhead: A man running from his past
TIFF 2025: Erupcja, Junk World, The Napa Boys
Cheese, Glue, and Skiffle: Spinal Tap & Marty DeBergi on “Spinal Tap II: The End Continues”
TIFF 2025: Fuze, Glenrothan, The Last Viking
The Telluride Tea: Reflections and Highlights of the 2025 Telluride Film Festival
Robert Daniels & Odie Henderson Talk “Highest 2 Lowest”
You’re Enough, Just So You Know: Jay Duplass and Michael Strassner on “The Baltimorons”
Venice Film Festival 2025: The Smashing Machine, Kim Novak’s Vertigo, The Testament of Ann Lee, Father Mother Sister Brother
Moviehouse on the Edge: IFC Center Picks 20 Films to Commemorate 20 Years in New York
Time for Kick-Off: The 11 Best Football Movies (and Where to Watch Them)
How I Spent My Summer Vacation At The Drive-In
Clear Eyes, Full Heart, Can’t Lose: The Enduring Legacy of “Friday Night Lights”
Locarno Film Festival 2025: Prejudice Across the Pond in “Pool of London” and “The Story of a Three-Day Pass”
“Mafia: The Old Country” is One of 2025’s Most Cinematic Games
Hawaiian Shirts Are Great to Fight In: Bob Odenkirk on “Nobody 2”
All 8 Netflix “Trainwreck” Documentaries of 2025, Ranked
Life is Like a Piano: Tom Lehrer (1928-2025)
“King of the Hill” Slides Right Back into Confidently Funny Rhythms
Our Minds Have Been Colonized: Ari Aster on “Eddington”
KVIFF 2025: Sand City, The Visitor, Better Go Mad in the Wild
KVIFF 2025: Stellan Skarsgård on “Sentimental Value,” Ingmar Bergman, and Cinematic Empathy
MGM+ Adaptation of Stephen King’s “The Institute” Won’t Keep Students Awake
A Chicago Star: A Conversation with Michael Madsen
The 10 Best Oasis Needle Drops
Light the Fuse: Lalo Schifrin (1932-2025)
Netflix’s Third Season of “Squid Game” Limps Its Way To Its Bleak, Cynical Finish Line
FX’s “The Bear” Serves Another Course Of Dreamlike Intensity in Season Four
Ossie Davis and Ruby Dee
Myrin New’s Masterclass in Modern Black Tech Entrepreneurship
Tribeca Film Festival 2025: The Documentaries
Cannes 2025 Video #9: Wrap Up
How Ving Rhames Became the True Heart of the Mission: Impossible Franchise
Humanizing the Sharks: Sean Byrne on “Dangerous Animals”
59th Karlovy Vary Film Festival Announces Official Selection and Juries
Cannes 2025 Video #7: Critics’ Roundtable
Cannes 2025: The President’s Cake, Death Does Not Exist, Peak Everything
Cannes 2025: Resurrection, Honey Don’t!
Cannes 2025: The Secret Agent, The Love That Remains, Magellan
Lookin’s Free: Joe Don Baker (1936-2025)
Cannes 2025: The Chronology of Water, Urchin
Cannes 2025 Video #2: Isaac Feldberg on Eddington, Chronology of Water, Left-Handed Girl, and More
Restored and Rediscovered Festival Spotlights Organizations at the Forefront of Film Restoration
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
Female Filmmakers in Focus: Dea Kulumbegashvili on April
“Cookie’s Fortune”: A Little Southern Comedy
Robert Daniels & Odie Henderson Talk Sinners
Chicago Latino Film Festival 2025: Highlights of a Creative Force
Big Blocks of Fun: A Minecraft Movie
Chicago Critics Film Festival Announces Full Schedule, Special Guests
He Communicated with Forces that Were Not in the Norm: Oliver Stone on Directing Val Kilmer
Prime Video’s “The Bondsman” Takes Kevin Bacon on a Drab Trip to Hell and Back
Seth Rogen’s Clever “The Studio” Skewers Hollywood with Love
Ambient Comedy: Carson Lund on “Eephus”
SXSW Film Festival 2025: Fu*cktoys, $Positions, Idiotka
Can’t Stop the Vilanch: Legendary Comedy Writer Spills on the Creation of His Career’s Guiltiest Pleasures
Brian Tyree Henry Does His Best to Carry Apple TV’s Explosive “Dope Thief”
Movies for the Freaks: Mark Anthony Green on “Opus”
SXSW Film Festival 2025: It Ends, The Threesome, Caper
Karen Jankel, Daughter of Author Michael Bond, Tells Stories of London’s Lovable Paddington Bear
“Daredevil: Born Again” is an Imperfect Interrogation of Our Current Moment
He Never Made the Same Choice Twice: 10 of Our Favorite Gene Hackman Performances
A Preview of the 2025 Rendez-Vous with French Cinema
NBC’s “The Americas” is a Gorgeous but Shallow Look at the Natural World
Pixar’s Charming but Compromised “Win or Lose” Catches A Few Foul Balls
“Avowed” Brings Personal Characters To An Exciting World
Netflix’s “Cobra Kai” Lands One Final Nostalgic Punch In Its Last Episodes
In the Name of Friendship: Matthew Rankin on “Universal Language”
Life, the Movie: Why Documentary Filmmaking Should Return to, You Know, Documenting Stuff
Navigating Sundance as a First Timer
Female Filmmakers In Focus: Zeinabu irene Davis on “Compensation”
Ten Shocking Omissions from the 2025 Oscar Nominations
Book Excerpt: Foreword to The Wes Anderson Collection: Asteroid City by David Bordwell
10 Holiday Movies That Roger Ebert Loved (and Where to Watch Them)
Process the Environment: Rachel Morrison on “The Fire Inside”
“Indiana Jones and the Great Circle” is the Antidote to Modern Big-Budget Game Fatigue
James Gunn Launches His New DCU with Clever “Creature Commandos”
Miyazaki, Howl, and Matters of the Heart
Appreciating the Brushstrokes: Pre-Computer Animation and the Human Touch
Lost Souls: Bringing Out the Dead at 25
Tokyo International Film Festival 2024: Godzilla Turns 70
A Prophet is Without Honor in His Own Country; or, The Curious Case of Clint Eastwood
Short Films in Focus: Don Hertzfeldt’s “ME”
Malcolm Washington, John David Washington, Danielle Deadwyler on the Power of “The Piano Lesson”
Our Film Has A Power: Basel Adra and Yuval Abraham on No Other Land
CIFF 2024: Compensation, The Spook Who Sat by the Door, Save the Children
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
Finding Mr. Christmas: Jonathan Bennett on Hallmark’s New Reality Competition
CIFF 2024: Cloud, Grafted, Parvulos
