Skolimowski Movie Reviews
Blog Posts That Mention Skolimowski
The Best Films of 2024
The Editors
Criterion Launches Excellent Janus Contemporaries Series
Brian Tallerico
KVIFF 2022: EO, Like a Fish on the Moon, The Eight Mountains, Father’s Day
Robert Daniels
Cannes 2022: An Annotated Table of Contents
The Editors
Cannes 2022: Triangle of Sadness wins Palme d’Or
Ben Kenigsberg
Cannes 2022 Video #2: The Mother and the Whore, Armageddon Time, The Eight Mountains, EO
Chaz Ebert
Cannes 2022: Armageddon Time, Eo, Rodeo
Ben Kenigsberg
Cannes Film Festival Preview 2022
Barbara Scharres
Cannes Official Selection Line-Up Overview with Digressions You Won’t Find Anywhere Else
Lisa Nesselson
Limits Don’t Exist: Michael Almereyda on Tesla
Scout Tafoya
Cannes 2018: Scorsese Honored at 50th Directors’ Fortnight; Rafiki, a Banned Kenyan Film, Screens
Ben Kenigsberg
Interview: Michael Phillips, Recipient of the 2017 Roger Ebert Award
Susan Wloszczyna
Andrzej Wajda’s Ten Best Films
Michał Oleszczyk
The 27th Polish Film Festival in America
Bill Stamets
Venice Film Festival: “Anomalisa,” “Blood of My Blood,” “Heart of a Dog,” “11 Minutes”
Glenn Kenny
The dogs are loose! (Part 2)
Jim Emerson
TIFF 2007: Cronenberg’s knockout punch
Jim Emerson
Deep Focus: Freedom of (eye-)movementin eight of the greatest long takes ever
Jim Emerson
Make it a double
Jim Emerson
TIFF 2007: Madmen and lawyers
Jim Emerson
Opening Shots Pop Quiz: Answers
Jim Emerson
My scene with Kristofferson
Jim Emerson
I, Witness: A small masterpiece of voyeurism and projection
Jim Emerson
TIFF 08: The omnivore’s dilemma
Jim Emerson
The great movies (almost) nobody voted for
Jim Emerson
TIFF 08: What are you looking at?
Jim Emerson
With mustard
Jim Emerson
Name That Director!
Jim Emerson
Polish poetry in motion
Jim Emerson
My 2008 best short-list
Jim Emerson
Taking the Plunge
Michał Oleszczyk
Cannes all winners
Roger Ebert
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