A stunning, enrapturing film, a crowning work by one of the American cinema’s most essential artists.
Before I do my proper "ten best" honors (in a form that is not a critics' poll ballot), I just want to say that the best things I saw on any screen in 2008 were:
1) "Generation Kill" (seven-part HBO mini-series, adapted by Ed Burns and David Simon, the makers of "The Wire," and Evan
Walker Wright, a reporter embedded with the 1st Recon Marines in Iraq in 2003, based on Wright's book). I don't like the title. At some point in Episode Three I thought this was the funniest show on TV. About 15 minutes later, I still felt so, but I also felt something radically different. Susanna White is one hell of a director.
2) "Liverpool" (Lisandro Alonso; seen at Toronto Film Festival)
4) "35 Rhums" (Claire Denis; seen at Toronto Film Festival)
5) "Mad Men" (AMC, Season Two)
6) "In Treatment" (HBO, Season One)
Just because they didn't play for a week or more on US movie screens doesn't mean they should go unacknowledged (any more than "The Dekalog" or "Fanny and Alexander" should), and I hope to have the opportunity to write about them in depth in 2009. ("Generation Kill" was just released on DVD December 16.)
Where does a woman’s artistic integrity and autonomy begin and end when it comes to nudity on-screen?
This message came to me from a reader named Peter Svensland. He and a fr...
A review of the four-part true crime series, now available on Netflix.
A tribute to the great journalist, Tom Wolfe.