Tennessee Williams Movie Reviews
Blog Posts That Mention Tennessee Williams
TIFF: Short cuts
Jim Emerson
Can’t Stop the Vilanch: Legendary Comedy Writer Spills on the Creation of His Career’s Guiltiest Pleasures
Donald Liebenson
This is Just the Beginning: Pamela Anderson on “The Last Showgirl”
Marya E. Gates
A Careful Performer: Maggie Smith (1934-2024)
Dan Callahan
Living Through Words: Ethan Hawke on His Career, Poetry, and Wildcat
Marya E. Gates
The Fire is Gone: Kenneth Anger (1927-2023)
Scout Tafoya
Cannes 2023: Asteroid City, The Settlers
Ben Kenigsberg
15 African-American Filmmakers and Roger Ebert’s Birthday Retrospective Reviews
Chaz Ebert
The Whole Parade: On the Incomparable Career of Nicolas Cage
Scout Tafoya
Upholding Black Voices: An Annotated Table of Contents
The Editors
Home Entertainment Guide: January 23, 2020
Brian Tallerico
Christmas Movie Recommendations from Our Writers
Chaz Ebert
Bright Wall/Dark Room July 2018: A Room with a View
The Editors
Goodbye to the Sigh Guy: A Tribute to Tab Hunter, 1931-2018
Peter Sobczynski
Bright Wall/Dark Room: Stigma & Myth in Belle Rive by Paul Fischer
The Editors
The Great Performances of 2017
The Editors
NYFF 2017: “Wonder Wheel”
Godfrey Cheshire
2017 Japan Cuts Festival Preview
Simon Abrams
Haunting Magic: On “Eve’s Bayou,” 20 Years Later
Seongyong Cho
Living Truthfully Under Imaginary Circumstances: Sam Schacht on Method Acting
Sheila O'Malley
The Audacious “Something Wild” Comes to Criterion Blu-ray
Peter Sobczynski
Let’s Me And You Go For A Ride: John McNaughton and Michael Rooker on “Henry: Portrait of a Serial Killer” at 30
Peter Sobczynski
Roger’s Favorites: Faye Dunaway
The Editors
“La Lupa”: A Celebration of Anna Magnani
Dan Callahan
Chuck Jones Meets “Sunset Boulevard”: On Robert Zemeckis’ “Death Becomes Her”
Jessica Ritchey
“Two Weeks in the Midday Sun” Reprinted with Foreword by Martin Scorsese
The Editors
Roger, You Would Love Ebertfest 2016
Chaz Ebert
Gena Rowlands: A Life on Film
Sheila O'Malley
Look Away, Dixie Land: Reflections on Life in the South, Racist Iconography, and Alan Moore’s Swamp Thing
Chaz Ebert
Witness to a Legend: The Career of Gena Rowlands
Sheila O'Malley
Marian Seldes: 1928-2014
Dan Callahan
Simply Do it: Talking with Woody Allen About Directorial Style
Simon Abrams
Eli Wallach: 1915-2014
Dan Callahan
Ruby Dee: 1922-2014
Odie Henderson
The Greatest Living Actress: Author Dan Callahan on the Legacy of Vanessa Redgrave
Sheila O'Malley
Martin Scorsese’s World Cinema Project
Steve Erickson
Julie Harris, 1925-2013: A Remembrance
Dan Callahan
Elizabeth Taylor, pagan goddess
Jim Emerson
Larry Sanders: Changing television and changing lives
Edward Copeland
CIFF 2009: The winners! And our reviews
Roger Ebert
Offbeat films, personas hum
Roger Ebert
‘Eve’s Bayou’ a remarkable directing debut
Roger Ebert
Cannes Film Festival
Roger Ebert
Karl Malden: In Memory
Roger Ebert
Hoffman shines in Truman show
Roger Ebert
Brando was a rebel in the movies, a character in life
Roger Ebert
Oscar-winning director Elia Kazan dies
Roger Ebert
Kasi Lemmons makes powerful debut as director
Roger Ebert
Jodie Foster goes to college
Roger Ebert
Interview with Robert Blake
Roger Ebert
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