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Jon Favreau

Reviews

The Lion King (2019)
Solo: A Star Wars Story (2018)
Term Life (2016)
The Jungle Book (2016)
Chef (2014)
The Wolf of Wall Street (2013)
Iron Man 3 (2013)
Identity Thief (2013)
People Like Us (2012)
G-Force (2009)
Iron Man (2008)
The Break-Up (2006)
Zathura (2005)
Wimbledon (2004)
Elf (2003)
Daredevil (2003)
Made (2001)
Love & Sex (2000)
Swingers (1996)

Blog Posts

Ebert Club

#172 June 19, 2013

Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...

Ebert Club

#160 March 20, 2013

Marie writes: It's no secret there's no love lost between myself and what I regard as London's newest blight; The Shard. That said, I also love a great view. Go here to visit a 360-degree augmented-reality panorama from the building's public observation deck while listening to the sounds of city, including wind, traffic, birds and even Big Ben.

Ebert Club

#154 February 6, 2013

Marie writes:  The late John Alton is widely regarded as being one of greatest film noir cinematographers to have ever worked in Film. He perfected many of the stylized camera and lighting techniques of the genre, including radical camera angles, wide-angle lenses, deep focus compositions, the baroque use of low-level cameras and a sharp depth of field. His groundbreaking work with director Anthony Mann on films such "TMen" and "Raw Deal" and "He Walked by Night" is considered a benchmark in the genre, with "The Big Combo" directed by Joseph H. Lewis, considered his masterpiece. John Alton also gained fame as the author of the seminal work on cinematography: "Painting with Light".

The Big Combo (1955) [click to enlarge]