How to Fix a Drug Scandal
Rarely have I been more frustrated by a documentary production’s formal choices and how they interfere with the engaging content of the story they’re trying…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A review of the fourth season of Netflix's "Black Mirror."
A tribute to the late Adam West.
A report from Comic-Con 2016 on the various ways to celebrate the 50th anniversary of "Star Trek."
A report from the Comic-Con 2016 Trek Talk panel "Star Trek and NASA Boldly Go."
A panel report from Comic-Con 2016 on a new Smithsonian Channel documentary, "Building Star Trek."
A report from Comic-Con 2016 on the world premiere of "Star Trek Beyond."
In light of this week's "Star Trek Beyond," our writer looks back at the last cinematic journey of the original crew.
Everything the writer could write about John Carpenter's original fright-fest in a half-hour.
Ascendance of N.W.A; Kodak's first digital moment; ILM's Star Wars VR lab; TV is not the new film; Adam Nimoy, son of Spock.
A report on "Star Trek" related events at this year's San Diego Comic-Con.
An obituary for actor/filmmaker Leonard Nimoy.
Tragedy strikes at SXSW; Nebulous platitudes and James Franco; TV actors don't need movies; Connecting The Sopranos and Irreversible; Eviscerating Nymphomaniac: Vol I.
Part two of our countdown of twelve great scenes set around Christmas: #8–#5.
Jana Monji is preparing for another trip to Comic-Con, the giant fan convention in San Diego. She's got her comfortable shoes, a costume and a schedule full of events.
Listen -- a billion people are throwing up. That's a rough estimate of course, but every year somebody at the Oscars says a billion people on the planet are watching the program; however many watched this year's Oscar show, they may well have felt sickened by it. It was a stomach-churning, jaw-dropping debacle, incompetently hosted and witlessly produced.
Marie writes: It's a long story and it starts with a now famous video of a meteor exploding over Chelyabinsk, Russia. Followed by alien conspiracies fueled by the internet and which led me to investigate further. Where did it come from? Does anyone know..? Yes! According to The NewScientist, the rock came from the Apollo family of near-Earth asteroids, which follow an elongated orbit that occasionally crosses Earth's path.That in turn led me to yet another site and where I learned a team of scientists had discovered two moons around Pluto, and asked the public to vote on potential names. They also accepted write-in votes as long as they were taken from Greek and Roman mythology and related to Hades and the underworld - keeping to the theme used to name Pluto's three other moons. And how I eventually learned "Vulcan" has won Pluto's moon-naming poll! and thanks to actor William Shatner who suggested it. Behold Vulcan: a little dot inside a green circle and formally known as P5.
Marie writes: "let's see what happens if I tickle him with my stick..."(Photo by Daniel Botelho. Click image to enlarge.)
We know that "Star Trek II: The Wrath of Khan" (1982) is the best of all of the "Star Trek" movies. I am not stating anything new here. The rest of the series of films struggled to repeat the mastery of this film, and the reboot has also fallen short, thus far. I did, however, watch Star Trek 2 recently to see if the overlooked "Star Trek: First Contact" was able to take the helm as the Best of the Treks. In the process, however, I realized that Star Trek 2 is a much better movie than I remembered. I invite everyone to watch this movie again to appreciate how great it really is. This is a great movie. It is exciting. It is complex. It is emotional and philosophical. It is one of the great adventure movies.
"With Great Power: The Stan Lee Story" is available on-demand at Netflix.com, Amazon.com, iTunes, EpixHD.com and Vudu.com. Stan Lee will be attending a special screening of "With Great Power" at the Stan Lee Comikaze Expo in Los Angeles on September 15, 2012.
By Jana Spider-Woman Hulk Daredevil Wonder Woman Beast Monji
The title, "With Great Power: The Stan Lee Story," is a tip off, but if the only Uncle Ben you know is a nattily dressed black gentleman who sells conveniently packaged rice, then Stan Lee wants to invite you to his Marvel universe. This is the world where Uncle Ben adopted his orphaned nephew who would be bitten by a radioactive spider in high school. That sullen, selfish teen would soon find that the bite of karma can be transformational and he becomes a super hero with an attitude: Spider-Man.
San Diego Comic-Con International is a celebration of cartoons, costumes and fictional and real characters. Recent years have brought increasing commercialization. Many of the panels are little more than tantalizing propaganda for upcoming TV programs and movies and the panels bare their wares as brazenly as the whores who used to walk the Gaslamp District before it became a hip place to be. But SDCC is also a venue for introducing and releasing movies that have a link to geek culture and SDCC hosts a Comic-Con International Independent Film Festival.
Marie writes: Intrepid club member Sandy Kahn has found another auction, and this time it's all about Hollywood! Note: the spaceship on the cover is a screen used miniature from "Aliens" (1986). Estimate: $80,000 - $120,000
Go here to download a free copy of the catalog in .PDF
"Corman's World: Exploits of a Hollywood Rebel" is available March 27 on online outlets via iTunes, Vudu, CinemaNow and Amazon. Also on DVD and Blu-ray.
For B-movie buffs, exploitation film aficionados, and midnight movie cultists, the grand finale of "Corman's World: Exploits of a Hollywood Rebel," will be every bit as exhilarating as that montage of forbidden kisses at the end of "Cinema Paradiso." Taking its cue from the liberating, rebellious high point of the Roger Corman-produced "Rock and Roll High School," in which P. J. Soles and the Ramones rock the hallways of Vince Lombardi High, it offers up dizzying bursts of quintessential Corman: cheesy monsters, fiery car explosions, Vincent Price, blaxploitation kickass, marauding piranhas and Mary Woronov with a gun.
Alex Stapleton's "Corman's World" celebrates the singular cinematic legacy of the "King of the Bs," who has improbably and regretfully fallen into obscurity. Observes director Penelope Spheeris ("The Boys Next Door," "The Decline of Western Civilization Part II: The Metal Years," "Wayne's World"): "If you ask a 20-25-year-old film buff, they won't know who he is."
This despite a career that spans almost 60 years and more than 400 films that Corman either directed or produced. But while his own name may be unfamiliar, many of the once-fledgling actors and filmmakers whom he nurtured/exploited are not: Martin Scorsese ("Boxcar Bertha"), Ron Howard ("Grand Theft Auto"), Peter Bogdanovich ("Targets"), Jonathan Demme ("Caged Heat"), Joe Dante ("Piranha"), Robert DeNiro ("Bloody Mama"), Pam Grier ("The Big Doll House"), screenwriter John Sayles ("The Lady in Red") -- all these and many more appear in "Corman's World" in new and archival interviews.
"The Captains" is available on Netflix, EpixHD.com, Amazon Instant Video, Vudu and DVD. It will screen on HBO Canada March 21.
Stardate 65630.8 (1 March 2012)
What made "Star Trek" the most "durable and profitable franchise" in entertainment history? In his documentary, writer-director-producer William Shatner makes a convincing argument that it was "The Captains" -- they set the tone and they brought the theatricality and Shakespearean linguistic grace to TV.
"The Captains," appeared in October, 2011, in Canada, had one-night screenings here and there across North America, and helped launch EpixHD.com. That all seems in keeping with Shatner's impressive role as a new-media barnstormer. No, he's not making political speeches, but he's on Google+ and Facebook, and he's traveling around North America promoting and preserving what may be his most lasting legacy, his role as Captain James T. Kirk. He's even returned to Broadway in a one-man show covering his career before, during and beyond "Star Trek." (Yes, "returned.")
In Hollywood, people joke about the William Shatner School of Acting. He's corny. He's melodramatic. And he has a sizable ego. But he's really not a bad actor. We forget that before "Star Trek," Shatner seemed destined to become a fine stage actor. He first made the trip to Broadway from his native Canada in 1956 with a small part in "Tamburlaine the Great" in 1956. The production had two Tony nominations. He scored the starring role in "The World of Suzie Wong," which ran for two years. Both he and the female lead won Theatre World Awards for their work. In 1962, he was one of the main performers in "A Shot in the Dark," for which Walter Matthau won a featured actor Tony. All that momentum got sidetracked when he went Hollywood.
Marie writes: If you're like me, you enjoy the convenience of email while lamenting the lost romance of ink and pen on paper. For while it's possible to attach a drawing, it's not the same thing as receiving hand-drawn artwork in the mail. Especially when it's from Edward Gorey..."Edward Gorey and Peter Neumeyer met in the summer of 1968. Gorey had been contracted by Addison-Wesley to illustrate "Donald and the...", a children's story written by Neumeyer. On their first encounter, Neumeyer managed to dislocate Gorey's shoulder when he grabbed his arm to keep him from falling into the ocean. In a hospital waiting room, they pored over Gorey's drawings for the first time together, and Gorey infused the situation with much hilarity. This was the beginning of an invigorating friendship, fueled by a wealth of letters and postcards that sped between the two men through the fall of 1969."
Marie writes: Belgium club member Koen Van Loocke has submitted the following and it's so awesome, I have no words. But first, background..The Cinematic Orchestra is led by composer/programmer/multi-instrumentalist Jason Swinscoe, who formed his first group "Crabladder" in 1990 while a Fine Arts student at Cardiff College. The group's fusion of jazz and hardcore punk elements with experimental rhythms, inspired Swinscoe to further explore the musical possibilites and by the time the group disbanded in the mid-'90s, he was playing DJ at various clubs and pirate radio stations in and around London.