Banana Split
The film looks beautiful, using natural locations and available light, all of which creates a real sense of the environment.
Thomas Jane
-
Crown Vic (2019)
—
Glenn Kenny -
A-X-L (2018)
—
Chuck Hill
Mark Dujsik -
Hot Summer Nights (2018)
—
Sergeant Calhoun
Sheila O'Malley -
Before I Wake (2018)
—
Mark
Brian Tallerico -
1922 (2017)
—
Wilfred James
Brian Tallerico -
USS Indianapolis: Men of Courage (2016)
—
Chuck Gwinn
Glenn Kenny -
Standoff (2016)
—
Carter
Glenn Kenny -
Into the Grizzly Maze (2015)
—
Beckett
Simon Abrams -
Vice (2015)
—
Roy
Brian Tallerico -
Reach Me (2014)
—
Wolfie
Glenn Kenny -
White Bird in a Blizzard (2014)
—
Detective Scieziesciez
Brian Tallerico -
Pawn Shop Chronicles (2013)
—
The Man
Peter Sobczynski -
The Mist (2007)
—
David Drayton
Roger Ebert -
Dreamcatcher (2003)
—
Dr. Henry Devlin
Roger Ebert -
The Sweetest Thing (2002)
—
Peter
Roger Ebert -
Original Sin (2001)
—
Walter Downs
Roger Ebert -
The Velocity Of Gary (1999)
—
Gary
Roger Ebert -
Deep Blue Sea (1999)
—
Carter Blake
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Tribeca 2019: Crown Vic, Burning Cane, Come to Daddy
On three narrative premieres from Tribeca 2019, starring Thomas Jane, Elijah Wood, and Wendell Pierce.
Syfy’s “The Expanse,” “Childhood’s End” Adapt Hit Novels with Very Different Results
A review of Syfy's The Expanse and Childhood's End.
2015 Fall Movie Preview
An overview of the films that will be theatrically released in the 2015 fall season.
#172 June 19, 2013
Marie writes: Widely regarded as THE quintessential Art House movie, "Last Year at Marienbad" has long since perplexed those who've seen it; resulting in countless Criterion-esque essays speculating as to its meaning whilst knowledge of the film itself, often a measure of one's rank and standing amongst coffee house cinephiles. But the universe has since moved on from artsy farsty French New Wave. It now prefers something braver, bolder, more daring...
#83 October 5, 2011
Marie writes: I love photography, especially B/W and for often finding color a distraction. Take away the color and suddenly, there's so much more to see; the subtext able to rise now and sit closer to the surface - or so it seems to me. The following photograph is included in a gallery of nine images (color and B/W) under Photography: Celebrity Portraits at the Guardian."This is one of the last photographs of Orson before he died. He loved my camera - a gigantic Deardorff - and decided he had to direct me and tell me where to put the light. So even in his last days, he was performing his directorial role perfectly, and bossing me around. Which was precious." - Michael O'Neill
Orson Welles, by Michael O'Neill, 1985
#45 January 12, 2011
Marie writes: I love cinematography and worship at its altar; a great shot akin to a picture worth a thousand words. The best filmmakers know how to marry words and images. And as the industry gears up for the Golden Globes and then the Oscars, and the publicity machine starts to roll in earnest, covering the Earth with a daily blanket of freshly pressed hype, I find myself reaching past it and backwards to those who set the bar, and showed us what can be accomplished and achieved with light and a camera...
Cinematography by Robert Krasker - The Third Man (1949) (click to enlarge images)
