Blog Posts That Mention Takeshi				
				
					
	
		
		
			Cannes 2025: Renoir, Sons of the Neon Night, Orwell: 2+2=5
					
		
			Robert Daniels		
		
	
			
	
		
		
			Venice Film Festival 2024: Prepping for the Biennale
					
		
			Glenn Kenny		
		
	
			
	
		
		
			Home Entertainment Guide: July 2024
					
		
			Brian Tallerico		
		
	
			
	
		
		
			Fantasia 2024: Confession, Tatsumi, Vulcanizadora
					
		
			Clint Worthington		
		
	
			
	
		
		
			Cannes 2023: Highlights of the Year’s Festival
					
		
			Jason Gorber		
		
	
			
	
		
		
			Enter the World of Wong Kar Wai with One of Criterion’s Best Box Sets
					
		
			Brian Tallerico		
		
	
			
	
		
		
			World of Wong Kar Wai Retrospective Arrives Virtually to Film at Lincoln Center
					
		
			Peter Sobczynski		
		
	
			
	
		
		
			Bright Wall/Dark Room March 2019: Love You for 10,000 Years by Kelsey Ford
					
		
			The Editors		
		
	
			
	
		
		
			Comic-Con 2017: Netflix’s “Death Note” and “Bright”
					
		
			Jana Monji		
		
	
			
	
		
		
			“Ghost in the Shell” and Asian-American Outrage on Social Media
					
		
			Jana Monji		
		
	
			
	
		
		
			Sundance 2017 Interview: “Kuso”
					
		
			Emma Piper-Burket		
		
	
			
	
		
		
			TIFF 2016 Preview: 20 World Premieres We Can’t Wait to See
					
		
			Brian Tallerico		
		
	
			
	
		
		
			2016 Fantasia Film Festival Preview
					
		
			Justine Smith		
		
	
			
	
		
		
			“La Dolce Vita” No More: On The Current State of Foreign-Language Film Distribution
					
		
			Steve Erickson		
		
	
			
	
		
		
			Doraemon Stand By Me: A Robot Cat without a Gong
					
		
			Jana Monji		
		
	
			
	
		
		
			NYFF 2014: Films Help Define a Cinematic World in Flux
					
		
			Scout Tafoya		
		
	
			
	
		
		
			Cannes 2014, Day Four: “Saint Laurent,” “The Wonders,” “The Crossing”
					
		
			Barbara Scharres		
		
	
			
	
		
		
			The Art of Controlled Chaos with Gareth Evans & Iko Uwais of “The Raid 2: Berandal”
					
		
			Brian Tallerico		
		
	
			
	
		
		
			Dark Horse and the Samurai Tradition
					
		
			Jana Monji		
		
	
			
	
		
		
			“Art is an act of violence.” An interview with Nicolas Winding Refn
					
		
			Simon Abrams		
		
	
			
	
		
		
			Thumbnails 6/9/2013
					
		
			The Editors		
		
	
			
	
		
		
			Artifice and Real Life: Cannes Report, May 16, 2013
					
		
			Barbara Scharres		
		
	
			
	
		
		
			The Best Films of 2004
					
		
			Roger Ebert		
		
	
			
	
		
		
			Apocalypse von Trier; Miike in 3-D
					
		
			Barbara Scharres		
		
	
			
	
		
		
			Hanging it up: Rock stars, Nazis,stunt drivers and the Palm de Whiskers
					
		
			Barbara Scharres		
		
	
			
	
		
		
			A taste of lemon, a whiff of ash…
					
		
			Barbara Scharres		
		
	
			
	
		
		
			Overturning expectations: The ups and downs
					
		
			Barbara Scharres		
		
	
			
	
		
		
			Name That Director!
					
		
			Jim Emerson		
		
	
			
	
		
		
			IFC signs pact with devil Blockbuster
					
		
			Jim Emerson		
		
	
			
	
		
		
			A taxi driver goes South
					
		
			Seongyong Cho		
		
	
			
	
		
		
			Video essay: Was this Japanese film an inspiration for “The Hunger Games?”
					
		
			Michael Mirasol		
		
	
			
	
		
		
			Racy Redline: Cartoon crotch shots & Elvis fantasies
					
		
			Jana Monji		
		
	
			
	
		
		
			Cannes #1: On a darkling plain
					
		
			Roger Ebert		
		
	
			
	
		
		
			Cannes #4: A good film, a bad film, and a friend
					
		
			Roger Ebert		
		
	
			
	
		
		
			Cannes #5: Even now already is it in the world
					
		
			Roger Ebert		
		
	
			
	
		
		
			So many films, so little time
					
		
			Roger Ebert		
		
	
			
	
		
		
			Toronto fest signals the opening of Good Movie Season
					
		
			Roger Ebert		
		
	
			
	
		
		
			Even great films can leave you infuriated
					
		
			Roger Ebert		
		
	
			
	
		
		
			Toronto festival fit for film fans
					
		
			Roger Ebert		
		
	
			
	
		
		
			Gold on hold
					
		
			Roger Ebert		
		
	
			
	
		
		
			Candid Cannes
					
		
			Roger Ebert		
		
	
			
	
		
		
			Metropolis, lost and found
					
		
			Roger Ebert		
		
	
			
	
		
		
			Coppola on laziness: Let’s go to the transcript
					
		
			Roger Ebert		
		
	
			
				 
			
			
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