Blog Posts That Mention Takeshi
Cannes 2025: Renoir, Sons of the Neon Night, Orwell: 2+2=5
Robert Daniels
Venice Film Festival 2024: Prepping for the Biennale
Glenn Kenny
Home Entertainment Guide: July 2024
Brian Tallerico
Fantasia 2024: Confession, Tatsumi, Vulcanizadora
Clint Worthington
Cannes 2023: Highlights of the Year’s Festival
Jason Gorber
Enter the World of Wong Kar Wai with One of Criterion’s Best Box Sets
Brian Tallerico
World of Wong Kar Wai Retrospective Arrives Virtually to Film at Lincoln Center
Peter Sobczynski
Bright Wall/Dark Room March 2019: Love You for 10,000 Years by Kelsey Ford
The Editors
Comic-Con 2017: Netflix’s “Death Note” and “Bright”
Jana Monji
“Ghost in the Shell” and Asian-American Outrage on Social Media
Jana Monji
Sundance 2017 Interview: “Kuso”
Emma Piper-Burket
TIFF 2016 Preview: 20 World Premieres We Can’t Wait to See
Brian Tallerico
2016 Fantasia Film Festival Preview
Justine Smith
“La Dolce Vita” No More: On The Current State of Foreign-Language Film Distribution
Steve Erickson
Doraemon Stand By Me: A Robot Cat without a Gong
Jana Monji
NYFF 2014: Films Help Define a Cinematic World in Flux
Scout Tafoya
Cannes 2014, Day Four: “Saint Laurent,” “The Wonders,” “The Crossing”
Barbara Scharres
The Art of Controlled Chaos with Gareth Evans & Iko Uwais of “The Raid 2: Berandal”
Brian Tallerico
Dark Horse and the Samurai Tradition
Jana Monji
“Art is an act of violence.” An interview with Nicolas Winding Refn
Simon Abrams
Thumbnails 6/9/2013
The Editors
Artifice and Real Life: Cannes Report, May 16, 2013
Barbara Scharres
The Best Films of 2004
Roger Ebert
Apocalypse von Trier; Miike in 3-D
Barbara Scharres
Hanging it up: Rock stars, Nazis,stunt drivers and the Palm de Whiskers
Barbara Scharres
A taste of lemon, a whiff of ash…
Barbara Scharres
Overturning expectations: The ups and downs
Barbara Scharres
Name That Director!
Jim Emerson
IFC signs pact with devil Blockbuster
Jim Emerson
A taxi driver goes South
Seongyong Cho
Video essay: Was this Japanese film an inspiration for “The Hunger Games?”
Michael Mirasol
Racy Redline: Cartoon crotch shots & Elvis fantasies
Jana Monji
Cannes #1: On a darkling plain
Roger Ebert
Cannes #4: A good film, a bad film, and a friend
Roger Ebert
Cannes #5: Even now already is it in the world
Roger Ebert
So many films, so little time
Roger Ebert
Toronto fest signals the opening of Good Movie Season
Roger Ebert
Even great films can leave you infuriated
Roger Ebert
Toronto festival fit for film fans
Roger Ebert
Gold on hold
Roger Ebert
Candid Cannes
Roger Ebert
Metropolis, lost and found
Roger Ebert
Coppola on laziness: Let’s go to the transcript
Roger Ebert
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