Great Movies
Festivals & Awards
Oscars 2023: What It's Like to Attend Hollywood's Biggest Night
Tomris Laffly reports on being inside the Dolby Theater and later at the Governor's Ball on Oscar night.
Tomris Laffly reports on being inside the Dolby Theater and later at the Governor's Ball on Oscar night.
A dispatch from the Karlovy Vary International Film Festival on two movies that previously toured Cannes and Berlin.
An annotated table of contents featuring our complete coverage from the 2022 Cannes Film Festival.
Ruben Östlund's "Triangle of Sadness" won the Palme d'Or at the 75th Cannes Film Festival.
Ruben Östlund's latest satire shoots fish in a barrel but is still pretty funny. Cristian Mungiu delivers a film of great complexity.
A preview of the 2022 Cannes Film Festival, which includes new films by David Cronenberg, Claire Denis, Kelly Reichardt, Park Chan-wook, and many more.
An interview with Julia Louis-Dreyfus and Will Ferrell, stars of Nat Faxon and Jim Rash's Downhill, which had its world premiere at Sundance 2020.
Chaz Ebert reflects on her experiences as a member of the U.S. documentary jury at the 2018 Sundance Film Festival.
Matt writes: For our final newsletter of 2017, we are providing a round-up of the RogerEbert.com lists ranking the best films of the year. The cumulative top 10 list from the writers at our site placed Greta Gerwig's sharply insightful directorial debut, "Lady Bird," at the top of the heap, while each of our writers provided their individual lists separately. Our publisher, Chaz Ebert, revealed her picks for the year's best films in an extensive list that was headed by a four-way tie: Jordan Peele's "Get Out," Guillermo del Toro's "The Shape of Water," Luca Guadagnino's "Call Me by Your Name" and Ruben Östlund's "The Square." She also presented her favorite documentaries of 2017, spotlighting such essential titles as Amanda Lipitz's "Step," Agnès Varda's "Faces Places," Ben Lear's "They Call Us Monsters" and Sabaah Folayan and Damon Davis' "Whose Streets?"
Chaz Ebert lists her favorite films of 2017.
A dispatch from Cannes on Naomi Kawase's "An" and Radu Muntean's "One Floor Below".
Open-office trend destroys workplace; Dark day for women in Hollywood; Matt Zoller Seitz on Wes Anderson; Hollywood absent from Oscars; Michael Phillips on "American Sniper."
David Lowery on "Force Majeure"; Rick Perlstein on "Life Itself"; Jacqueline Keeler responds to Matthew McConaughey; Beatrice Welles on "The Other Side of the Wind"; Brandy Burre on "Actress."
