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Outbreak

The thriller occupies the same territory as countless science fiction movies about deadly invasions and high-tech conspiracies, but has been made with intelligence and an…

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Planes, Trains and Automobiles

It is perfectly cast and soundly constructed, and all else flows naturally. Steve Martin and John Candy don't play characters; they embody themselves.

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#318 December 26, 2017

Matt writes: For our final newsletter of 2017, we are providing a round-up of the RogerEbert.com lists ranking the best films of the year. The cumulative top 10 list from the writers at our site placed Greta Gerwig's sharply insightful directorial debut, "Lady Bird," at the top of the heap, while each of our writers provided their individual lists separately. Our publisher, Chaz Ebert, revealed her picks for the year's best films in an extensive list that was headed by a four-way tie: Jordan Peele's "Get Out," Guillermo del Toro's "The Shape of Water," Luca Guadagnino's "Call Me by Your Name" and Ruben Östlund's "The Square." She also presented her favorite documentaries of 2017, spotlighting such essential titles as Amanda Lipitz's "Step," Agnès Varda's "Faces Places," Ben Lear's "They Call Us Monsters" and Sabaah Folayan and Damon Davis' "Whose Streets?"

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Thumbnails 10/30/14

David Lowery on "Force Majeure"; Rick Perlstein on "Life Itself"; Jacqueline Keeler responds to Matthew McConaughey; Beatrice Welles on "The Other Side of the Wind"; Brandy Burre on "Actress."

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