Lucy in the Sky
There’s a point at which this joke stops being funny and turns sad, and it’s very early in its over two hours runtime.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An interview with Tom Skerritt on the 40th anniversary of Alien.
A look back at my Telluride Film Festival Journal from August 28th to September 1st, 2008
A review of the classic 1979 film, "Being There" by a Far-Flung Correspondent.
A look at the way Donald Trump's words and images recall the Stanley Kubrick classic.
A collection of some of our favorite interviews from 2017.
Reviews and screenings of "Hair" and "Being There" at Ebertfest 2017, and Q&A with producers Michael Butler and Michael Hausman by Michael Phillips, Nate Kohn and Chaz Ebert; and with Oscar-nominated Caleb Deschanel by Simon Kilmurry and Scott Mantz.
An interview with Mexican superstar Eugenio Derbez about his English-language breakout, "How to Be a Latin Lover," remaking "Being There" and more.
Day four of Ebertfest included a complex portrait of a basketball star, three films about the impact of television and much more.
Chaz Ebert provides a preview of the 19th installment of Roger Ebert's Film Festival "Ebertfest" 2017.
An article announcing the final slate of films scheduled to be screened at Ebertfest 2017.
The latest on Blu-ray, including "Elle," "Sing," "Robocop 2," "Being There" and "Ghost in the Shell"!
Chaz Ebert highlights films with the potential to get us through the confusing political times of the Trump presidency.
An interview with Simon Helberg, star of Stephen Frears' "Florence Foster Jenkins."
The latest and greatest on Blu-ray, including "Eye in the Sky," "Only Yesterday," "The Mermaid" and more!
An appreciation of Richard Lester as a retrospective of his work is about to unfold in New York City.
A video of Billy Baxter's 1980 documentary of the Cannes Film Festival, hosted by Rex Reed.
The first Unloved of 2015 tackles Michael Mann's "Public Enemies".
An appreciation of Stanley Kubrick on the release of "Stanley Kubrick: The Masterpiece Collection".
Dr. Strangelove revisited; William S. Burroughs and his centipedes; dear critic, we will pay you to write about our film.
Director Brian Percival and actors Geoffrey Rush and Sophie Nélisse discuss "The Book Thief."
An online community for men who believe female oppression is a myth; a thick glass ceiling for women conductors; how "Breaking Bad" redeemed its worst mistakes; Britt Ekland talks shop (and Sellers); NY regulators crack down on fake Internet reviews.
No cinematic genre lends itself less for repeated viewings than comedy. Finding a truly funny picture is hard enough (not that you could tell from the typical reactions at a "Fockers" screening) and besides, how many times can people laugh at the same joke? Comedies also tend to age the worst. Among those that I recall once driving audiences wild here in México were "The Party" (1967), starring Peter Sellers, with all the guests falling into a pool full of bubbles, and Peter Bogdanovich's zany screwball feature "What's up Doc?" (1972), but watching them today mostly leaves me cold.
Marie writes: behold the power of words, the pen mightier than the sword.
Lesson for the day: How to have fun while wasting time... Marie writes: welcome to DRAW A STICK MAN, a delightful Flash-based site prompting viewers to draw a simple stick figure which then comes to life! Ie: the program animates it. You're given instructions about what to draw and when, which your dude uses to interact with objects onscreen. Thanks go to club member Sandy Kahn who heard about it from her pal Lauren, in Portland Oregon.Note: here's a screen-cap of what I drew; I've named him Pumpkin Head.
Marie writes: At first you think you're looking at a photograph. Then the penny drops, along with your jaw..."Alan Wolfson creates handmade miniature sculptures of urban environments. Complete with complex interior views and lighting effects, a major work can take several months to complete. The pieces are usually not exact representations of existing locations, but rather a combination of details from many different locations along with much of the detail from the artist's imagination. There is a narrative element to the work. Scenarios are played out through the use of inanimate objects in the scene. There are never people present, only things they have left behind; garbage, graffiti, or a tip on a diner table, all give the work a sense of motion and a storyline. Alan's miniature environments are included in art collections throughout the US and Europe." - Alan Wolfson - Miniature Urban Sculptures
"FOLLIES BURLESK" (1987)14 1/4 x 19 1/4 x 21 1/2 inches(click images to enlarge)