Paper & Glue
Himself
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Jr Movie Reviews
Faces Places
Himself
The Flintstones In Viva Rock Vegas
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In The Army Now
Directed by
The Black Marble
Produced by
The Idolmaker
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3 Women
Cinematography by
The Marriage of a Young Stockbroker
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Support your Local Sheriff
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With Six You Get Eggroll
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Blog Posts That Mention Jr
FX’s “Love Story: JFK Jr. and Carolyn Bessette” Is A Stunning Exploration of Public and Private Life
I Will See You In Dreams: Akinola Davies Jr. on “My Father’s Shadow”
A Brilliant Actor and Even Better Person: Isiah Whitlock Jr. (1954-2025)
A Poet of an Actor: Louis Gossett, Jr. (1936-2024)
The True Triumph of Robert Downey Jr.’s Second Act
Your Heart’s Just Bleeding Everywhere: Clifton Collins, Jr. on Jockey
30 Things That Gave Me Goosebumps: Questlove, Marilyn McCoo, and Billy Davis, Jr. on Summer of Soul
The Ripple Effect: Daniel Kaluuya and Chairman Fred Hampton Jr. on Judas and the Black Messiah
Leslie Odom Jr., Aldis Hodge, Eli Goree, and Kingsley Ben-Adir on the Brotherhood of One Night in Miami
Two Sides of the Same Coin: Trey Edward Shults, Kelvin Harrison Jr. and Taylor Russell on Waves
Moving Past Compton: How O’Shea Jackson Jr. is Taking His Long Shot
Amandla Stenberg and George Tillman, Jr. on Bringing Angie Thomas’ The Hate U Give to the Big Screen
Heartland Film Festival to Honor Rob Reiner, Alan Ladd Jr., Chaz Ebert
Agnes Varda and JR on “Faces Places”
Robert Downey Jr. plays it black
“Iron Man” and Robert Downey Jr.’s quirky performance
Opening night puts the spotlight on Downey Jr.
Interview with Michael Todd, Jr.
Home Entertainment Guide June 2026: Hoppers, Crime 101, The Mastermind, More
Tribeca 2026: The Documentaries
Satirizing and Saluting: Mel Brooks’ “Silent Movie” At 50
I Am Telling You: Dreamgirls at 20
250 Years Later and Blacks Are Still Politically and Racially Enslaved
Netflix’s “The Boroughs” Offers a Clever Spin on the “Stranger Things” Formula
“Jury Duty: Company Retreat”‘s Unsuspecting Hero On Life After Rockin’ Grandmas
Join Us for the Inaugural FECK Awards Gala This Saturday, April 4th
Inaugural FECK Awards to Honor Extraordinary Changemakers in Chicago on April 4th at the Ritz Carlton
Prime Video’s “Jury Duty” Acquits Itself Nicely With Its Followup, “Company Retreat”
At This Year’s Oscars, The Show Must Go On
Why Ryan Coogler Should Win Best Director for “Sinners”
To the Film Industry in Crisis, A Look Back At Hollywood In 1926
“Hush” is the Best Horror Movie You Probably Haven’t Seen
Life Within the Lens Celebrates Black Filmmaking
Chaz Ebert Remembers Reverend Jesse Jackson: Oct 8, 1941 – February 17, 2026
Keep on Dreaming: Reverend Jesse Jackson (1941-2026)
Sundance 2026: Levitating, Kikuyu Land, Sentient
Sundance 2026: The Disciple, Jane Elliott Against the World, Troublemaker
Sundance 2026: The Shitheads, The History of Concrete, The Invite
Apple TV’s Excellent “Shrinking” Continues to Find Humor in the Heartache
2026 Sundance Preview: 20 Films We Can’t Wait to See
“Sinners,” “Bel-Air” Lead NAACP Image Award Nominees
40 Shows We Can’t Wait to Watch in 2026
40 Movies We Can’t Wait to See in 2026
Home Entertainment Guide December 2025: “Black Phone 2,” “Bugonia,” “Good Fortune,” More
The 25 Best TV Shows of 2025
Sundance Film Festival Announces 2026 Line-Up
The Real Monsters: How True Crime Has Shaped the Horror TV Genre
Hulu’s “Chad Powers” Wastes Talents of Glen Powell
Season 3 of “Tulsa King” Features Boomers, Bullets, and Bourbon, Oh My
Time for Kick-Off: The 11 Best Football Movies (and Where to Watch Them)
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
British Banter Envy: Jay Roach and Tony McNamara on “The Roses”
Second Season of “Sausage Party: Foodtopia” is Much Tastier Than the First
Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure
Ari Aster Talks with Chaz Ebert About “Eddington” at Music Box
KVIFF 2025: Broken Voices, Out of Love, Don’t Call Me Mama
I Am a Writer: “Wonder Boys” Turns 25
It’s One Louder: “This is Spinal Tap” Turns 41
The Best TV of 2025 (So Far)
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Ossie Davis and Ruby Dee
50 Years Later, Cooley High Is Still Alive
Cannes 2025 Video #7: Critics’ Roundtable
Cannes 2025 Video #8: Award Winners
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: Nouvelle Vague, A Magnificent Life
Cannes 2025 Video #4: Brian Tallerico on Mission Impossible, The Phoenician Scheme, My Father’s Shadow, Secret Agent
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
The 2025 TCM Classic Film Festival
Book Excerpt: Gandolfini: Jim, Tony & the Life of a Legend by Jason Bailey
Female Filmmakers in Focus: The Films of Euzhan Palcy
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future
Netflix’s “The Residence” Spins White House Chaos into Cozy Mystery
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
True/False 2025: Seeds, River of Grass, How Deep Is Your Love
Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival
