Paper & Glue
Himself
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Jr Movie Reviews
Faces Places
Himself
The Flintstones In Viva Rock Vegas
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In The Army Now
Directed by
The Black Marble
Produced by
The Idolmaker
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3 Women
Cinematography by
The Marriage of a Young Stockbroker
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Support your Local Sheriff
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With Six You Get Eggroll
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Blog Posts That Mention Jr
A Poet of an Actor: Louis Gossett, Jr. (1936-2024)
The True Triumph of Robert Downey Jr.’s Second Act
Your Heart’s Just Bleeding Everywhere: Clifton Collins, Jr. on Jockey
30 Things That Gave Me Goosebumps: Questlove, Marilyn McCoo, and Billy Davis, Jr. on Summer of Soul
The Ripple Effect: Daniel Kaluuya and Chairman Fred Hampton Jr. on Judas and the Black Messiah
Leslie Odom Jr., Aldis Hodge, Eli Goree, and Kingsley Ben-Adir on the Brotherhood of One Night in Miami
Two Sides of the Same Coin: Trey Edward Shults, Kelvin Harrison Jr. and Taylor Russell on Waves
Moving Past Compton: How O’Shea Jackson Jr. is Taking His Long Shot
Amandla Stenberg and George Tillman, Jr. on Bringing Angie Thomas’ The Hate U Give to the Big Screen
Heartland Film Festival to Honor Rob Reiner, Alan Ladd Jr., Chaz Ebert
Agnes Varda and JR on “Faces Places”
Robert Downey Jr. plays it black
“Iron Man” and Robert Downey Jr.’s quirky performance
Opening night puts the spotlight on Downey Jr.
Interview with Michael Todd, Jr.
Time for Kick-Off: The 11 Best Football Movies (and Where to Watch Them)
Home Entertainment Guide: “Bring Her Back,” “The Phoenician Scheme,” “Vermiglio,” More
British Banter Envy: Jay Roach and Tony McNamara on “The Roses”
Second Season of “Sausage Party: Foodtopia” is Much Tastier Than the First
Hulu’s “Washington Black” is Fueled by Steampunk and Epic Adventure
Ari Aster Talks with Chaz Ebert About “Eddington” at Music Box
KVIFF 2025: Broken Voices, Out of Love, Don’t Call Me Mama
I Am a Writer: “Wonder Boys” Turns 25
It’s One Louder: “This is Spinal Tap” Turns 41
The Best TV of 2025 (So Far)
June 2025 Blu-Ray/Streaming Guide: “Drop,” “The Nice Guys,” “Dark City,” More
Ossie Davis and Ruby Dee
50 Years Later, Cooley High Is Still Alive
Cannes 2025 Video #7: Critics’ Roundtable
Cannes 2025 Video #8: Award Winners
Cannes 2025: Second Takes on a Few Fest Darlings
Cannes 2025: Nouvelle Vague, A Magnificent Life
Cannes 2025 Video #4: Brian Tallerico on Mission Impossible, The Phoenician Scheme, My Father’s Shadow, Secret Agent
Movies without Tariffs: A Preview of the 2025 Cannes Film Festival
The 2025 TCM Classic Film Festival
Book Excerpt: Gandolfini: Jim, Tony & the Life of a Legend by Jason Bailey
Female Filmmakers in Focus: The Films of Euzhan Palcy
March 2025 Blu-Ray Guide: “Babygirl,” “Sing Sing,” “Den of Thieves 2,” “Moana 2”
How Ken Burns’ “Shadow Ball” Connects Baseball’s Past to Our Uncertain Future
Netflix’s “The Residence” Spins White House Chaos into Cozy Mystery
From Gena to Annette: Great Actresses with Oscar Nominations but No Wins
True/False 2025: Seeds, River of Grass, How Deep Is Your Love
Chicago’s Own Filmspotting Podcast Celebrates 20 Years With Inaugural Festival
What to Watch on Netflix: March 2025
Sundance 2025: Life After, Sugar Babies, Seeds
Sundance 2025: The Ugly Stepsister, By Design
Sundance Film Festival 2025 Preview: 20 Films We Can’t Wait to See
The 25 Best TV Series of 2024
My Night at the Critics Choice Celebration of Black Cinema and Television
2025 Sundance Film Festival Announces Ambitious Program
CIFF 2024: Compensation, The Spook Who Sat by the Door, Save the Children
CIFF 2024: On the Legacy and Importance of The Spook Who Sat by the Door
Apple TV+’s “Shrinking” Really Starts Putting the Pieces Together in Second Season
Fantastic Fest 2024: Bone Lake, Bring Them Down, What Happened to Dorothy Bell?
The State of the 2024 Oscar Race
Pull the String: Larry Karaszewski Remembers “Ed Wood” at 30
TIFF 2024: Dead Talents Society, Else, Dead Mail
TIFF 2024: Daniela Forever, Can I Get a Witness?, Ick
SDCC 2024: Back Bigger and Better
Silents Synced Pairs Silent Classics with ’90s Alt-Rock (It’s a Gen-X Thing)
There Will be No Questions: The Parallax View, the Ultimate Conspiracy Thriller, Turns 50
Pat Garrett and Billy the Kid Ride Again with Criterion’s 50th Anniversary Release
Sausage Party: Foodtopia Goes Bad Long Before It’s Over
High Noon: Greg Kwedar and Monique Walton On Sing Sing
The Artful Tenderness of A Quiet Place: Day One
The 10 Best Fourth of July Releases of the 21st Century
Willie Mays: The Greatest to Ever Play
DC/DOX — Washington DC’s Documentary Film Festival in its Second Year
Catching a Blackfamous White Whale on Broadway: Purlie Victorious Comes Home
Robert Daniels & Odie Henderson Talk Wild Wild West at 25
Black Writers Week 2024: Table of Contents
Introduction to Black Writers Week 2024
What If a Movie Called IF Found an Audience?
Jack Flack Always Escapes: Dabney Coleman (1932-2024)
Fated for All: Romanclusivity Captures Our Hearts in Bridgerton and Beyond
I’ve Never Seen Anything Like It Before: Roger Corman (1926-2024)
